renegadetribune--2020-03-15--Treblinka: Extermination Camp or Transit Camp?

The theme of the present study is Treblinka , which was situated not far from the hamlet of the same name , approximately 80 km northeast of Warsaw .
Treblinka is without a doubt the best known of the four ‘ pure extermination camps ’ ; in public consciousness , imprinted by media reports , it has become one of the darkest hallmarks of the ‘ Holocaust , ’ second only to Auschwitz .
Two of these camps , Auschwitz and Majdanek , are supposed to have originally been established as normal concentration camps , but later served as ‘ @ @ @ @ @ @ @ which the able-bodied jews were used in forced labor , while those unable to work were gassed .
Furthermore , as the official historical version would have it , there were four ‘ pure extermination camps , ’ namely Treblinka , Sobibór , Bełżec , and Chełmno ( Kulmhof ) , serving the exclusive purpose of annihilating jews .
Except for a handful of ‘ labor jews , ’ who were necessary for keeping the camp in operation , all jews transported there , regardless of age or state of health , were @ @ @ @ @ @ @ them .
Treblinka , Sobibór , and Bełżec , often designated in the literature as ‘ camps of Operation Reinhardt , ’ were located in the east of the General Gouvernement , thus in German-occupied Poland .
In these three camps , mass murder was supposedly committed in stationary gas chambers by means of exhaust gasses from diesel engines .
On the other hand , in Chełmno , situated northwest of Lodz , gas vehicles were supposed to have served as murder weapons .
According to the official version of history , in @ @ @ @ @ @ @ the corpses of the murdered were initially buried in enormous mass graves , but later , when it became clear that the military defeat of the German Reich was impending , exhumed and burned in the open air .
The claims regarding mass murder and the disposal of bodies are based entirely and exclusively upon eyewitness testimony .
Documents from these camps are almost completely missing , which the official version of history explains by saying that either the National Socialists did not compile any or – in the case that documents did @ @ @ @ @ @ @ , enough not to leave behind any proof of their atrocities .
For the same reason , it is claimed , Treblinka , Sobibór , Bełżec , and Chełmno were also totally destroyed before the German retreat .
In fact , the visitor finds almost no tangible traces at the sites where these camps once were .
Under these circumstances , an historian who wishes to check the picture of the four ‘ pure extermination camps ’ outlined here with scientific methods sees himself confronting a far more difficult task than a researcher @ @ @ @ @ @ @ with respect to Auschwitz or Majdanek .
The latter can study the documents of the camp administration , which are available in great number ; he can examine the facilities – some of them preserved in undamaged condition , others in ruins – which according to the prevailing notion served as gas chambers for killing human beings , to see whether their structure was suited for such a function and whether the crematoria were capable of turning into ashes the number of bodies claimed .
All of these possibilities are denied to the @ @ @ @ @ @ @ ’ The Treblinka camp consisted of two camps , Treblinka I and Treblinka II .
It is undisputed that Treblinka I served purely as a labor camp .
The alleged ‘ extermination camp ’ bore the designation Treblinka II .
This was about 4 km distant from the village of the same name , less than 2 km from the Bug River ; it was on the train line running from Ostrów Mazowiecki to Siedlce , which intersected with the more important railway line from Warsaw to Białystok at the Małkinia Station .
@ @ @ @ @ @ @ extermination camps ’ were erected in a border zone : Treblinka near the border between the General Gouvernement and the Białystok region , Sobibór not far from the border between the General Gouvernement and the Reichskommissariat Ukraine , and Bełżec between the district of Lublin and the district of Galicia .
Treblinka II was situated in an area that was by no means particularly remote , and it concealed few secrets .
The train line leading from the village of Treblinka to Siedlce ran at a distance of only 300 meters from the @ @ @ @ @ @ @ ; a branch of this train line led to the camp , and from there to the labor camp Treblinka I. Scarcely two kilometers farther on is the village of Wólka Okrąglik ; in the opposite direction , approximately 2 km distant from Treblinka I , were the hamlets of Grady and Poniatowo .
The few material traces of Treblinka II , which still existed at the arrival of the Bolsheviks in August 1944 , were completely removed during the course of the years and no longer exist today .
From 1959 until @ @ @ @ @ @ @ : a large sector of the camp ground was embedded in concrete and 17,000 cement blocks reminiscent of grave monuments were erected there .
In the center , a gigantic monument of stone was built .
At the entrance to the camp , stones proclaim in several languages that here “ more than 800,000 jews ” were killed between July 1942 and August 1943 .
Concrete railroad ties , flanked by a platform likewise made of concrete , symbolize the train tracks and the train platform of the camp .
Otherwise there is @ @ @ @ @ @ @ a meadow rimmed by fir trees .
One reaches the area where Treblinka I once stood by a forest path of some two kilometers length , and along the way one can see the old gravel pit .
Shortly before this , one comes upon a small cemetery where Polish prisoners rest who died in the labor camp .
In an area of the former camp ground , surrounded by a forest of fir trees , concrete foundations can be found , approximately 12 m × 60 m in dimension , upon which @ @ @ @ @ @ @ 3 of Chapter III , the reader will find a detailed description of the area in which Treblinka I and Treblinka II were located .
From time to time during the immediate postwar period , there was talk of up to three million people having been murdered in Treblinka II .
The two most important standard works of contemporary ‘ Holocaust ’ historiography mention the number of victims as 750,000 ( Raul Hilberg ) , or as 870,000 ( Encyclopedia of the Holocaust ) .
We have set ourselves the task of subjecting @ @ @ @ @ @ @ ’ of Treblinka as summarized above to a critical examination , and should it not stand up to this examination , of offering an alternative thesis regarding the real function of the camp .
In 1987 , Robert Faurisson wrote the following noteworthy lines : “ ‘ Shoah ’ -business will continue to prosper .
The Holocaust Museums are going to multiply and Holocaust propaganda will continue to invade the high schools and universities .
The concentration camps will become attractions comparable to Disneyland .
[ … ] Tour operators are beginning to @ @ @ @ @ @ @ these places , at which there is in reality nothing to see but where , as a result , they will fill the void with ‘ symbols.
’ The less there is to see with your eyes , the more they will give you to see in your imagination .
From that point of view , Treblinka is an ideal place .
Everything there is symbolic : the entrance to the camp , its boundaries , the railway line , the access ramp , the path to the ‘ gas chambers , ’ @ @ @ @ @ @ @ ’ and the sites of the ‘ chambers ’ and ‘ funeral pyres.
’ ” Yes , Treblinka is , in fact , the most fitting landmark of the ‘ Holocaust , ’ a mirage of a million-fold genocide in gas chambers , of which not the slightest documentary or material trace exists and about which we would know nothing without the tales of a handful of ‘ eyewitnesses.
’ From the beginning of the ‘ Holocaust ’ propaganda , Auschwitz has had first rank and Treblinka second ; there has always been @ @ @ @ @ @ @ ‘ extermination camps.
’ The facts and circumstantial evidence assembled so far lead to the conclusion that Treblinka was mainly a transit camp established for the jewish population of the Warsaw district , which fits within the framework of National Socialist policy of the resettlement of jews to the east .
The verifiable deportations to Treblinka can be explained in this sense .
Above all , it is entirely unclear where the jews deported to Treblinka ultimately wound up .
That Treblinka served as a transit camp is proven , but for the @ @ @ @ @ @ @ dark as to the details ( the number of those resettled , their destinations , and their fate during the war and afterwards ) .
In coming years , it is to be hoped that the improving access to archives in the successor states of the Soviet Union will make it possible for researchers to shed more and more light into this darkness .
When we speak of researchers , we of course mean the revisionists , for their opponents will hardly be doing such work .

By Carlo Mattogno
The theme of the present study is Treblinka, which was situated not far from the hamlet of the same name, approximately 80 km northeast of Warsaw. Treblinka is without a doubt the best known of the four ‘pure extermination camps’; in public consciousness, imprinted by media reports, it has become one of the darkest hallmarks of the ‘Holocaust,’ second only to Auschwitz.
Two of these camps, Auschwitz and Majdanek, are supposed to have originally been established as normal concentration camps, but later served as ‘extermination camps’ as well, in which the able-bodied jews were used in forced labor, while those unable to work were gassed. Furthermore, as the official historical version would have it, there were four ‘pure extermination camps,’ namely Treblinka, Sobibór, Bełżec, and Chełmno (Kulmhof), serving the exclusive purpose of annihilating jews. Except for a handful of ‘labor jews,’ who were necessary for keeping the camp in operation, all jews transported there, regardless of age or state of health, were murdered without any record being made of them.
Treblinka, Sobibór, and Bełżec, often designated in the literature as ‘camps of Operation Reinhardt,’ were located in the east of the General Gouvernement, thus in German-occupied Poland. In these three camps, mass murder was supposedly committed in stationary gas chambers by means of exhaust gasses from diesel engines. On the other hand, in Chełmno, situated northwest of Lodz, gas vehicles were supposed to have served as murder weapons. According to the official version of history, in all four ‘pure extermination camps’ the corpses of the murdered were initially buried in enormous mass graves, but later, when it became clear that the military defeat of the German Reich was impending, exhumed and burned in the open air.
The claims regarding mass murder and the disposal of bodies are based entirely and exclusively upon eyewitness testimony. Documents from these camps are almost completely missing, which the official version of history explains by saying that either the National Socialists did not compile any or – in the case that documents did exist – they destroyed them in time, enough not to leave behind any proof of their atrocities. For the same reason, it is claimed, Treblinka, Sobibór, Bełżec, and Chełmno were also totally destroyed before the German retreat. In fact, the visitor finds almost no tangible traces at the sites where these camps once were.
Under these circumstances, an historian who wishes to check the picture of the four ‘pure extermination camps’ outlined here with scientific methods sees himself confronting a far more difficult task than a researcher who has set himself the same goal with respect to Auschwitz or Majdanek. The latter can study the documents of the camp administration, which are available in great number; he can examine the facilities – some of them preserved in undamaged condition, others in ruins – which according to the prevailing notion served as gas chambers for killing human beings, to see whether their structure was suited for such a function and whether the crematoria were capable of turning into ashes the number of bodies claimed. All of these possibilities are denied to the historian of the ‘pure extermination camps.’
The Treblinka camp consisted of two camps, Treblinka I and Treblinka II. It is undisputed that Treblinka I served purely as a labor camp. The alleged ‘extermination camp’ bore the designation Treblinka II. This was about 4 km distant from the village of the same name, less than 2 km from the Bug River; it was on the train line running from Ostrów Mazowiecki to Siedlce, which intersected with the more important railway line from Warsaw to Białystok at the Małkinia Station. All three of the alleged ‘eastern extermination camps’ were erected in a border zone: Treblinka near the border between the General Gouvernement and the Białystok region, Sobibór not far from the border between the General Gouvernement and the Reichskommissariat Ukraine, and Bełżec between the district of Lublin and the district of Galicia.
Treblinka II was situated in an area that was by no means particularly remote, and it concealed few secrets. The train line leading from the village of Treblinka to Siedlce ran at a distance of only 300 meters from the camp, parallel to the nearby road; a branch of this train line led to the camp, and from there to the labor camp Treblinka I. Scarcely two kilometers farther on is the village of Wólka Okrąglik; in the opposite direction, approximately 2 km distant from Treblinka I, were the hamlets of Grady and Poniatowo.
The few material traces of Treblinka II, which still existed at the arrival of the Bolsheviks in August 1944, were completely removed during the course of the years and no longer exist today. From 1959 until 1964, Treblinka attained its present form: a large sector of the camp ground was embedded in concrete and 17,000 cement blocks reminiscent of grave monuments were erected there. In the center, a gigantic monument of stone was built. At the entrance to the camp, stones proclaim in several languages that here “more than 800,000 jews” were killed between July 1942 and August 1943. Concrete railroad ties, flanked by a platform likewise made of concrete, symbolize the train tracks and the train platform of the camp. Otherwise there is nothing for the eye to see but a meadow rimmed by fir trees.
One reaches the area where Treblinka I once stood by a forest path of some two kilometers length, and along the way one can see the old gravel pit. Shortly before this, one comes upon a small cemetery where Polish prisoners rest who died in the labor camp. In an area of the former camp ground, surrounded by a forest of fir trees, concrete foundations can be found, approximately 12 m × 60 m in dimension, upon which former camp barracks stood. In Section 3 of Chapter III, the reader will find a detailed description of the area in which Treblinka I and Treblinka II were located.
From time to time during the immediate postwar period, there was talk of up to three million people having been murdered in Treblinka II. The two most important standard works of contemporary ‘Holocaust’ historiography mention the number of victims as 750,000 (Raul Hilberg), or as 870,000 (Encyclopedia of the Holocaust).
We have set ourselves the task of subjecting the portrait of the ‘extermination camp’ of Treblinka as summarized above to a critical examination, and should it not stand up to this examination, of offering an alternative thesis regarding the real function of the camp.
In 1987, Robert Faurisson wrote the following noteworthy lines:
“‘Shoah’-business will continue to prosper. The Holocaust Museums are going to multiply and Holocaust propaganda will continue to invade the high schools and universities. The concentration camps will become attractions comparable to Disneyland. […] Tour operators are beginning to calculate the profit they can derive from these places, at which there is in reality nothing to see but where, as a result, they will fill the void with ‘symbols.’ The less there is to see with your eyes, the more they will give you to see in your imagination. From that point of view, Treblinka is an ideal place. Everything there is symbolic: the entrance to the camp, its boundaries, the railway line, the access ramp, the path to the ‘gas chambers,’ the ‘open air funeral pyres,’ and the sites of the ‘chambers’ and ‘funeral pyres.’”
Yes, Treblinka is, in fact, the most fitting landmark of the ‘Holocaust,’ a mirage of a million-fold genocide in gas chambers, of which not the slightest documentary or material trace exists and about which we would know nothing without the tales of a handful of ‘eyewitnesses.’ From the beginning of the ‘Holocaust’ propaganda, Auschwitz has had first rank and Treblinka second; there has always been far less discussion of the other four ‘extermination camps.’
The facts and circumstantial evidence assembled so far lead to the conclusion that Treblinka was mainly a transit camp established for the jewish population of the Warsaw district, which fits within the framework of National Socialist policy of the resettlement of jews to the east. The verifiable deportations to Treblinka can be explained in this sense.
Above all, it is entirely unclear where the jews deported to Treblinka ultimately wound up. That Treblinka served as a transit camp is proven, but for the most part we are still in the dark as to the details (the number of those resettled, their destinations, and their fate during the war and afterwards). In coming years, it is to be hoped that the improving access to archives in the successor states of the Soviet Union will make it possible for researchers to shed more and more light into this darkness. When we speak of researchers, we of course mean the revisionists, for their opponents will hardly be doing such work.
file:///home/chronos/u-17202e3b10259cac245ef0fdffb1b575fcde4624/MyFiles/Downloads/Holohoax%20Handbooks/Vol8CampTreblinka.pdf
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Author: Aryan - "National Socialist" - Musician Aryan - "National Socialist" - Musician


renegadetribune--2020-03-15--Mayor of Englewood, NJ Says the Real Danger of Coronavirus is Anti-Semitism

Stopping the spread of the coronavirus really appears to be an excuse to “ shut it down ” and actually @ @ @ @ @ “ viral ” anti-semitism .
Englewood NJ mayor says the real dangers of coronavirus are @ @ @ @ @

Stopping the spread of the coronavirus really appears to be an excuse to “shut it down” and actually go after the people spreading “viral” anti-semitism.
Englewood NJ mayor says the real dangers of coronavirus are anti-Semitism and anti-Asian bias pic.twitter.com/XcXB5VgSBP — Scott Greer 6’2” IQ 187 (@ScottMGreer) March 12, 2020
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Author: Thanks for being a reader of this site. Your contributions make this all possible. You can send support to: Kyle Hunt, PO Box 1052, Sorrento FL 32776. Bitcoin address: 1AfppjYZddJzc2C15PXKMsnyBPjPJQezwA . CashApp: Thanks for being a reader of this site. Your contributions make this all possible. You can send support to: Kyle Hunt, PO Box 1052, Sorrento FL 32776. Bitcoin address: 1AfppjYZddJzc2C15PXKMsnyBPjPJQezwA . CashApp: https://cash.app/$thekylehunt


renegadetribune--2020-03-15--Pat Buchanan Says the Coronavirus Could Kill the NWO, But It’s Their Excuse for Totalitarian Control

Guys , the spread of Covid-19 is destroying the elite ’ s vision for a globalized world !
Countries are taking control of the situation and looking after their own , disallowing mass migration across the borders .
When the dust has settled , we ’ ll all be embracing nationalism !
Well , that ’ s at least the vision being sold by people like Patrick J. Buchanan , a member of the Knights of Malta .
This hopeful story is popular amongst many people who are still clinging to hope for the Sheldon Adelson ’ s GOP and @ @ @ @ @ @ @ want to believe Q ’ s prophecies about Trump using the cover of coronavirus to declare medical martial law and finally take out the Deep State , or whatever they are claiming these days .
The reality of the situation is that the jew World Order is behind the spread of the coronavirus , whether it ’ s a real bioweapon or just one gigantic hoax to cover for the effects of 5G and give a new diagnosis to the old flu .
The world powers are working together , using a very @ @ @ @ @ @ @ down various institutions and quarantining the population .
They are all waiting for the vaccine to be developed so as to administer it to the public , and it sure is a good thing our “ greatest ally ” in Israel has been working on a coronavirus vaccine for a few years now .
Let ’ s just take a look at all of the JWO agendas being furthered by this panic , even if all have not yet come to fruition : • crash the economy while not taking the blame • @ @ @ @ @ @ @ • implementation of martial law under the guise of a national emergency • isolation of the populace via quarantines and “ social distancing ” • robots/drones being rolled out to help disinfect , treat , and police • and much , much more I wonder if Pat Buchanan will still be heralding the end of the NWO when we are being required to get our chips scanned , so as to ensure we are healthy , before entering the store to buy essential supplies with the ZOGbucks on the “ mark of the @ @ @ @ @ @ @ could still opt out leaving your home all together and have Amazon deliver your supplies via drone .
I think you all get my point .
Coronavirus = JWO .

Guys, the spread of Covid-19 is destroying the elite’s vision for a globalized world! Countries are taking control of the situation and looking after their own, disallowing mass migration across the borders. When the dust has settled, we’ll all be embracing nationalism!
Well, that’s at least the vision being sold by people like Patrick J. Buchanan, a member of the Knights of Malta.
What does the future hold? It may one day be said that the coronavirus delivered the deathblow to the New World Order, to a half-century of globalization, and to the era of interdependence of the world’s great nations. ~ Patrick Buchanan
This hopeful story is popular amongst many people who are still clinging to hope for the Sheldon Adelson’s GOP and their ZOG emperor Donald Trump. They want to believe Q’s prophecies about Trump using the cover of coronavirus to declare medical martial law and finally take out the Deep State, or whatever they are claiming these days.
The reality of the situation is that the NWO jew World Order is behind the spread of the coronavirus, whether it’s a real bioweapon or just one gigantic hoax to cover for the effects of 5G and give a new diagnosis to the old flu. The world powers are working together, using a very similar playbook in each country, shutting down various institutions and quarantining the population. They are all waiting for the vaccine to be developed so as to administer it to the public, and it sure is a good thing our “greatest ally” in Israel has been working on a coronavirus vaccine for a few years now.
Let’s just take a look at all of the JWO agendas being furthered by this panic, even if all have not yet come to fruition:
crash the economy while not taking the blame
shutting down mass gatherings (including protests)
shutting down conspiracy theories on the internet
mandatory mass vaccinations
implantable microchips to monitor “health” (see Gates’ ID2020)
implementation of martial law under the guise of a national emergency
coordinated international response to combat the spread
isolation of the populace via quarantines and “social distancing”
robots/drones being rolled out to help disinfect, treat, and police
the end of “dirty” cash
and much, much more
I wonder if Pat Buchanan will still be heralding the end of the NWO when we are being required to get our chips scanned, so as to ensure we are healthy, before entering the store to buy essential supplies with the ZOGbucks on the “mark of the beast” chip. I bet you could still opt out leaving your home all together and have Amazon deliver your supplies via drone.
I think you all get my point. Coronavirus = JWO.
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Author: Kyle Hunt Kyle is the publisher of the Renegade Tribune and the founder of Kyle is the publisher of the Renegade Tribune and the founder of Renegade Broadcasting , where he hosts The Solar Storm . He also organized the 2014 White Man March and created the film adaptation of Hellstorm . You can send support to: Kyle Hunt, PO Box 1052, Sorrento FL 32776. Bitcoin address: 1AfppjYZddJzc2C15PXKMsnyBPjPJQezwA


renegadetribune--2020-03-15--Blast From The Past: Swine Flu Spreads, US Prepares for Pandemic in 2009

Remember when the swine flu was the great big pandemic that was going to completely devastate us all ?
Our @ @ @ @ @ us .

Remember when the swine flu was the great big pandemic that was going to completely devastate us all? Our rulers use fear to control us.


renegadetribune--2020-03-16--Beethoven – 6th Symphony ‘Pastoral’

Beethoven – 6th Symphony ‘Pastoral’

The Pastoral Symphony is a charming masterpiece which both paints a picture of nature and describes man ’ s feelings towards it .
Beethoven ’ s great love of nature , the delight in strolling through the countryside in Vienna , the fact that he always found his equilibrium in the heart of nature , all these inspired him to create his sixth symphony .
Beethoven ’ s 6th Symphony is filled with colorful sounds , simple folk tunes , nice development , and a feeling of calm beauty .
It contains meaningful emotional aspect which reflects mankind ’ s @ @ @ @ @ @ @ began sketching out his 6th symphony in 1802 and finished it in 1808 .
“ How happy I am to be able to walk among the shrubs , the trees , the woods , the grass and the rocks !
For the woods , the trees and the rocks give man the resonance he needs , ” Beethoven said in the summer of 1808 .
The premiere of the 6th Symphony was probably the grandest musical event in Beethoven ’ s life .
It was a massive concert packed with indelible moments of @ @ @ @ @ @ @ endeavor is clearly expressed through the suggestive title of the symphony , as well as through the titles of each movement .
When Beethoven found refuge in the midst of nature , he jotted down themes inspired by the trill of birds , the trickling of creeks or the rustle of leaves .
In a notebook from 1803 was found an outline of a river ’ s trickling with the additional note : “ The greater the river , the more grave the tone.
” Beethoven spread out the symphony into five movements @ @ @ @ @ @ @ explaining what it was about .
I .
“ Happy Arrival ” ( Awakening of cheerful feelings upon arrival in the country ) The Pastoral symphony opens with warmth and calm , setting the scene as we arrive in the countryside .
This has a programmatic indication .
In this movement , we find a genuine popular sonority through the choice of instruments neatly weaved together .
[ Allegro ma non troppo ] II .
“ By the Brook ” ( The natural scene of the stream ) This slow movement is a @ @ @ @ @ @ @ nature itself .
It is a wonderful scene of nature with exceptionally musical themes in the pure pastoral air .
You can almost breathe the fresh country air !
It is more of a description of sensations rather than images .
Towards the end , we find the onomatopoeic sounds of birds .
[ Andante molto mosso ] III .
“ Merrymaking ” ( Joyful gathering of countryfolk ) Now we turn our attention to the loud , jolly peasants who live in the countryside .
Here we see them celebrate with a @ @ @ @ @ @ @ are simple folks , so the music itself is simple , but very energetic .
[ Allegro ] IV .
“ ThunderStorm ” ( Heavy rumblings of natural forces ) 29:21 With no pause between the previous movement and this movement , there is a dramatic surprise , hinting at trouble ahead .
Yes , a storm is brewing !
Beethoven inserts fantastic lightning crashes and a whirl of wind .
He renders the stages of the storm as it unravels on the horizon and moves closer more and more threatening .
The @ @ @ @ @ @ @ double basses – through their sounds announce the storm , then the staccato sounds of the violins render the falling raindrops , and through the timpani and the flutes we sense the thunder and lightning .
Then comes the rainbow .
Above all these images , we feel the tense disposition that captures man facing the realities of nature .
There is an urgent sense of human fear since humanity is powerless against the forces of nature .
When the storm is over , all living creatures come to the surface , taking @ @ @ @ @ @ @ This is rendered by a choral of flutes which come as a sunray .
[ Allegro ] V. “ Shepherd ’ s Song ” ( Expression of thanks when the storm is over ) As the storm fades away , all the animals emerge , and there ’ s a general feeling of relief .
Sunshine reappears , and everyone ’ s mind is relaxed again .
This is the song of gratitude towards nature .
It is a calm movement , full of grace .
It starts out quiet , but quickly @ @ @ @ @ @ @ is fairly simple , but this makes its emotions of gratitude endearing .
[ Allegretto ] Beethoven ’ s Pastoral Symphony , through its simplicity , is just sincere and natural .

From Youtube Description:
A Love of Nature
The Pastoral Symphony is a charming masterpiece which both paints a picture of nature and describes man’s feelings towards it. Beethoven’s great love of nature, the delight in strolling through the countryside in Vienna, the fact that he always found his equilibrium in the heart of nature, all these inspired him to create his sixth symphony.
Beethoven’s 6th Symphony is filled with colorful sounds, simple folk tunes, nice development, and a feeling of calm beauty. It contains meaningful emotional aspect which reflects mankind’s feelings towards the natural world.
Beethoven began sketching out his 6th symphony in 1802 and finished it in 1808. “How happy I am to be able to walk among the shrubs, the trees, the woods, the grass and the rocks! For the woods, the trees and the rocks give man the resonance he needs,” Beethoven said in the summer of 1808. The premiere of the 6th Symphony was probably the grandest musical event in Beethoven’s life. It was a massive concert packed with indelible moments of brand new Beethoven music!
This programmatic endeavor is clearly expressed through the suggestive title of the symphony, as well as through the titles of each movement. When Beethoven found refuge in the midst of nature, he jotted down themes inspired by the trill of birds, the trickling of creeks or the rustle of leaves. In a notebook from 1803 was found an outline of a river’s trickling with the additional note: “The greater the river, the more grave the tone.”
Beethoven spread out the symphony into five movements and gave each movement a little subtitle explaining what it was about.
I. “Happy Arrival” (Awakening of cheerful feelings upon arrival in the country)
The Pastoral symphony opens with warmth and calm, setting the scene as we arrive in the countryside. This has a programmatic indication. In this movement, we find a genuine popular sonority through the choice of instruments neatly weaved together. [Allegro ma non troppo]
II. “By the Brook” (The natural scene of the stream)
This slow movement is a beautiful depiction of the delicate nature of… nature itself. It is a wonderful scene of nature with exceptionally musical themes in the pure pastoral air. You can almost breathe the fresh country air! It is more of a description of sensations rather than images. Towards the end, we find the onomatopoeic sounds of birds. [Andante molto mosso]
III. “Merrymaking” (Joyful gathering of countryfolk)
Now we turn our attention to the loud, jolly peasants who live in the countryside. Here we see them celebrate with a joyful dance. Of course, these are simple folks, so the music itself is simple, but very energetic. [Allegro]
IV. “ThunderStorm” (Heavy rumblings of natural forces) 29:21
With no pause between the previous movement and this movement, there is a dramatic surprise, hinting at trouble ahead. Yes, a storm is brewing! Beethoven inserts fantastic lightning crashes and a whirl of wind. He renders the stages of the storm as it unravels on the horizon and moves closer more and more threatening. The instruments with grave chords – cellos and double basses – through their sounds announce the storm, then the staccato sounds of the violins render the falling raindrops, and through the timpani and the flutes we sense the thunder and lightning. Then comes the rainbow. Above all these images, we feel the tense disposition that captures man facing the realities of nature. There is an urgent sense of human fear since humanity is powerless against the forces of nature. When the storm is over, all living creatures come to the surface, taking their place in the natural cycle. This is rendered by a choral of flutes which come as a sunray. [Allegro]
V. “Shepherd’s Song” (Expression of thanks when the storm is over)
As the storm fades away, all the animals emerge, and there’s a general feeling of relief. Sunshine reappears, and everyone’s mind is relaxed again. This is the song of gratitude towards nature. It is a calm movement, full of grace. It starts out quiet, but quickly gets faster and happier. The music is fairly simple, but this makes its emotions of gratitude endearing. [Allegretto]
Beethoven’s Pastoral Symphony, through its simplicity, is just sincere and natural.
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Author: Thanks for being a reader of this site. Your contributions make this all possible. You can send support to: Kyle Hunt, PO Box 1052, Sorrento FL 32776. Bitcoin address: 1AfppjYZddJzc2C15PXKMsnyBPjPJQezwA . CashApp: Thanks for being a reader of this site. Your contributions make this all possible. You can send support to: Kyle Hunt, PO Box 1052, Sorrento FL 32776. Bitcoin address: 1AfppjYZddJzc2C15PXKMsnyBPjPJQezwA . CashApp: https://cash.app/$thekylehunt


renegadetribune--2020-03-16--Special Treatment in Aushwitz: Origin and Meaning of a Term

In the anthology Nazi Mass Murder , Adalbert Rückerl writes of the meaning of the term “ special treatment ” : “ In all areas involving the physical extermination of people , the code word was ‘ special treatment ’ – Sonderbehandlung , sometimes shortened on the initials SB.
” It can not be disputed that in numerous documents of the Third Reich , the term “ special treatment ” is , in fact , synonymous with execution or liquidation , but this does not mean that the meaning of this term always and exclusively had this significance .
We @ @ @ @ @ @ @ in which “ special treatment ” was by no means equivalent to killing , as well as those , in which the word described privileged treatment .
Moreover , we have at our disposal a great number of important documents , in which the expression “ special treatment ” ( as well as other alleged “ code words ” like “ special measures , ” “ special operation , ” or “ special unit ” ) exhibit an entire palette of varied meanings , which nonetheless refer to perfectly normal aspects of camp @ @ @ @ @ @ @ single instance indicate the murder of human beings .
These documents are for the most part unknown to researchers , and those already well known have been and are given distorted interpretations by the representatives of the official historiography .
In the present study these documents are made accessible to the reader and analyzed in their historical context , and cross-references are made .
In doing so , we show what the documents actually say and not what the “ decipherment ” and mechanistic interpretation of supposed “ code words ” allegedly reveal @ @ @ @ @ @ @ ” was by no means a “ code word , ” behind which the unspeakable was concealed , but rather a bureaucratic concept , which – depending on the context of its use – designated entirely different things , all the way from liquidation to preferred treatment .
This fact refutes the interpretation advocated by the official historiography , according to which “ special treatment ” is supposed to have always been synonymous with murder , with no ifs , ands , or buts .
The results of the present study of the @ @ @ @ @ @ @ ” in Auschwitz , it should be well understood , pertain solely to the theme dealt with here .
They do not extend to the existing uncontested documents – clearly not originating from Auschwitz – in which the term “ special treatment ” actually did refer to executions .
Yet even those documents can not alter in any way the validity of the conclusions presented here .
During the investigations leading to the two Polish Auschwitz trials conducted directly after the war , the term “ special treatment ” ( Sonderbehandlung ) as @ @ @ @ @ @ @ such as “ special operation ” ( Sonderaktion ) , “ special measure ” ( Sondermaßnahme ) etc.
, were systematically interpreted as “ code words ” for the gassing of human beings .
By the end of 1946 , the Główna Komisja badania zbrodni niemieckich w Polsce ( Chief Commission for the Investigation of German Crimes in Poland ) had developed the orthodox interpretation of this term that was gradually to become an unshakeable cornerstone of the orthodox narrative of Auschwitz .
Therefore , in order to deduce a criminal meaning from @ @ @ @ @ @ @ Sonder- ) , the Polish commission began its “ decoding ” with the assumption that homicidal gas chambers were located in the crematoria of Birkenau .
Later , the official historiography switched to the converse argument : Starting from the premise that a criminal meaning was inherent in these terms , it derived from this the existence of homicidal gas chambers in Auschwitz .
In this way , a pseudo-logical circular reasoning came into being which leads from expressions beginning with “ special ” to homicidal gas chambers , and returns back from @ @ @ @ @ @ @ special ” terms .
In this vicious circle orthodox historiography has been trapped for decades .
The term “ special unit ” ( Sonderkommando ) also belongs into that same “ logical ” framework .
Orthodox historians always used this term to refer exclusively to the staff of the crematoria in order to create the illusion that criminal activities took place in these facilities .
The opening of the Moscow Archives , despite the enormous mass of documents made accessible to researchers thereby , resulted only in insignificant corrections to the arguments developed @ @ @ @ @ @ @ .
Jean Claude Pressac , who was the first to study the documents of the Central Construction Office of Auschwitz , emphatically maintained : “ The extraordinary abundance of materials that the Soviet Army brought back permits an almost seamless reconstruction of the criminals ’ inventiveness.
” and he adds that the documentation now available makes possible “ an historical reconstruction that does without oral or written eyewitness reports , which are ultimately fallible and become ever less accurate with time.
” But in Pressac ’ s “ historical reconstruction , ” his @ @ @ @ @ @ @ proves to be without documentary basis .
In this respect , Pressac ’ s method manifests enormous deficiencies .
The same applies even more to Robert Jan van Pelt , author of a 438-page expert report dedicated to a large extent to the Auschwitz camp ( The Pelt Report ) .
It was submitted during the libel suit of British historian David Irving against Deborah Lipstadt and her publisher Penguin Books ( which ended on April 11 , 2000 , with Irving ’ s defeat ) .
This expert report was published as @ @ @ @ @ @ @ and expanded form .
In it , van Pelt presented a sketchy reprise of Pressac ’ s theses , and with regard to the topic at hand , as well as with regard to many other issues , he remained well below the quality level of the French scholar ’ s exposition .
According to orthodox historiography , the beginning of special treatment in Auschwitz coincided with the first “ selection , ” which took place on July 4 , 1942 .
Under this date the Auschwitz Chronicle notes : “ For the @ @ @ @ @ @ @ out a selection among the jews sent to the camp ; these are in an RSHA transport from Slovakia .
During the selection , 264 men from the transport are chosen as able-bodied and admitted to the camp as registered prisoners .
They receive Nos .
44727–44990 .
In addition , 108 women are selected and given Nos .
8389–8496 .
The rest of the people are taken to the bunker and killed with gas.
” This interpretation leads to another circular reasoning , since unregistered prisoners can be regarded as “ gassed @ @ @ @ @ @ @ the existence of extermination facilities in the Bunkers of Birkenau , based upon mere eyewitness statements .
The new documentation mentioned by Pressac allows a complete picture to be drawn of the facilities in Auschwitz which were finished in the first half of 1942 , and it permits us to verify how well-founded claims about the homicidal function of these bunkers really are .
However , instead of undertaking this verification , Pressac uncritically parroted the interpretation promoted by orthodox historiography and even attempted to round it out by referring to a document @ @ @ @ @ @ @ ” appears , but which has nothing to do with the so-called bunkers .
I shall examine this question more closely in Chapter 4 of Part One .
This is most certainly not the only weak point of Pressac ’ s method .
In his “ historical reconstruction , ” he never even attempted to study the great abundance of recently accessible documents in which expressions beginning with “ special ” occur .
Despite these serious weaknesses , Pressac was the most renowned representative of orthodox historiography concerning Auschwitz .
For this reason @ @ @ @ @ @ @ as a starting point for my investigation .
In 2014 , the Auschwitz Museum published an important book containing 74 documents , many of which are pertinent to the present study and have previously been unknown or ignored .
I have dealt with this collection in detail in my book Curated Lies : The Auschwitz Museum ’ s Misrepresentations , Distortions and Deceptions , so where necessary , I will limit myself here to pointing out these new documents and referring to Curated Lies for further study .
The purpose of the present @ @ @ @ @ @ @ hypothesis proposed by the Polish postwar commission , which was later generally appropriated by orthodox historiography , as well as the emendations made to it by Pressac .
The problem of mass gassing of jews in Auschwitz is not the immediate subject of this study , since answering the question of whether there were homicidal gas chambers in Auschwitz is not the aim here , but rather whether or not expressions beginning with “ special ” refer to possibly existing homicidal gas chambers or to mass gassings .
Since the analysis I proposed @ @ @ @ @ @ @ problem of the prisoners deported to Auschwitz , but not registered there , will merely be treated in passing , as I have discussed this topic in yet another dedicated study which in a way complements the present study .
After all , the documents cited in Chapters 1 and 7 of Part Two incontestably prove that in August and September of 1942 the jews deported to Auschwitz were shipped farther to the east and that one of their destinations was a camp in Russia .
The historical and documentary analysis presented in @ @ @ @ @ @ @ to the question raised at the beginning : The prefix “ special , ” which occurs in the documents examined , referred to various aspects of life in the Auschwitz camp : – the disinfestation and storage of personal effects taken from the prisoners ; – the delousing facility of Birkenau ( the Central Sauna ) ; – the Zyklon B deliveries , which were shipped for the purpose of disinfestation ; – the prisoners ’ hospital planned for Sector BIII of the Birkenau camp ; – the classification of those suitable for @ @ @ @ @ @ @ instance did this prefix have a criminal meaning .
For this reason the “ deciphering ” performed by orthodox Holocaust historiography is historically and documentarily untenable .
Thus the vicious circle of the orthodox historians has been broken , and the claim that expressions in documents pertaining to the Auschwitz camp which contain the prefix “ special ” belonged to a “ code language ” concealing unspeakable atrocities is exposed for what it really is : a crude ploy meant to conjure up with mere words the kind of evidence that these historians @ @ @ @ @ @ @ have been quite unable to provide and in fact continue to be unable to provide .
The documentary collection The Beginnings of the Extermination of jews in KL Auschwitz in the Light of the Source Materials , published in 2014 by the Auschwitz Museum , contains the result of years of research by the historians at that museum , who carefully perused all the documents stored in their archive .
In a certain way , this work is an official confirmation for the fact that no document exists which in any way refers @ @ @ @ @ @ @ at Birkenau , to the alleged homicidal gas chambers of the crematoria , or in general to any form of killings of registered or unregistered inmates at Auschwitz .

By Carlo Mattogno
In the anthology Nazi Mass Murder, Adalbert Rückerl writes of the meaning of the term “special treatment”:
“In all areas involving the physical extermination of people, the code word was ‘special treatment’ – Sonderbehandlung, sometimes shortened on the initials SB.”
It cannot be disputed that in numerous documents of the Third Reich, the term “special treatment” is, in fact, synonymous with execution or liquidation, but this does not mean that the meaning of this term always and exclusively had this significance. We have available to us other documents, in which “special treatment” was by no means equivalent to killing, as well as those, in which the word described privileged treatment.
Moreover, we have at our disposal a great number of important documents, in which the expression “special treatment” (as well as other alleged “code words” like “special measures,” “special operation,” or “special unit”) exhibit an entire palette of varied meanings, which nonetheless refer to perfectly normal aspects of camp life in Auschwitz and which in no single instance indicate the murder of human beings. These documents are for the most part unknown to researchers, and those already well known have been and are given distorted interpretations by the representatives of the official historiography.
In the present study these documents are made accessible to the reader and analyzed in their historical context, and cross-references are made. In doing so, we show what the documents actually say and not what the “decipherment” and mechanistic interpretation of supposed “code words” allegedly reveal. In reality, “special treatment” was by no means a “code word,” behind which the unspeakable was concealed, but rather a bureaucratic concept, which – depending on the context of its use – designated entirely different things, all the way from liquidation to preferred treatment. This fact refutes the interpretation advocated by the official historiography, according to which “special treatment” is supposed to have always been synonymous with murder, with no ifs, ands, or buts.
The results of the present study of the origin and meaning of “special treatment” in Auschwitz, it should be well understood, pertain solely to the theme dealt with here. They do not extend to the existing uncontested documents – clearly not originating from Auschwitz – in which the term “special treatment” actually did refer to executions. Yet even those documents cannot alter in any way the validity of the conclusions presented here.
During the investigations leading to the two Polish Auschwitz trials conducted directly after the war, the term “special treatment” (Sonderbehandlung) as well as expressions related to it, such as “special operation” (Sonderaktion), “special measure” (Sondermaßnahme) etc., were systematically interpreted as “code words” for the gassing of human beings. By the end of 1946, the Główna Komisja badania zbrodni niemieckich w Polsce (Chief Commission for the Investigation of German Crimes in Poland) had developed the orthodox interpretation of this term that was gradually to become an unshakeable cornerstone of the orthodox narrative of Auschwitz.
Therefore, in order to deduce a criminal meaning from expressions beginning with “special” (Sonder-), the Polish commission began its “decoding” with the assumption that homicidal gas chambers were located in the crematoria of Birkenau. Later, the official historiography switched to the converse argument: Starting from the premise that a criminal meaning was inherent in these terms, it derived from this the existence of homicidal gas chambers in Auschwitz. In this way, a pseudo-logical circular reasoning came into being which leads from expressions beginning with “special” to homicidal gas chambers, and returns back from these gas chambers to the pertinent “special” terms. In this vicious circle orthodox historiography has been trapped for decades. The term “special unit” (Sonderkommando) also belongs into that same “logical” framework. Orthodox historians always used this term to refer exclusively to the staff of the crematoria in order to create the illusion that criminal activities took place in these facilities.
The opening of the Moscow Archives, despite the enormous mass of documents made accessible to researchers thereby, resulted only in insignificant corrections to the arguments developed by the Poles right after the war. Jean Claude Pressac, who was the first to study the documents of the Central Construction Office of Auschwitz, emphatically maintained:
“The extraordinary abundance of materials that the Soviet Army brought back permits an almost seamless reconstruction of the criminals’ inventiveness.”
and he adds that the documentation now available makes possible
“an historical reconstruction that does without oral or written eyewitness reports, which are ultimately fallible and become ever less accurate with time.”
But in Pressac’s “historical reconstruction,” his interpretation of the special treatment in Auschwitz proves to be without documentary basis. In this respect, Pressac’s method manifests enormous deficiencies.
The same applies even more to Robert Jan van Pelt, author of a 438-page expert report dedicated to a large extent to the Auschwitz camp (The Pelt Report). It was submitted during the libel suit of British historian David Irving against Deborah Lipstadt and her publisher Penguin Books (which ended on April 11, 2000, with Irving’s defeat). This expert report was published as a book in 2002 in a revised and expanded form. In it, van Pelt presented a sketchy reprise of Pressac’s theses, and with regard to the topic at hand, as well as with regard to many other issues, he remained well below the quality level of the French scholar’s exposition.
According to orthodox historiography, the beginning of special treatment in Auschwitz coincided with the first “selection,” which took place on July 4, 1942. Under this date the Auschwitz Chronicle notes:
“For the first time, the camp administration carries out a selection among the jews sent to the camp; these are in an RSHA transport from Slovakia. During the selection, 264 men from the transport are chosen as able-bodied and admitted to the camp as registered prisoners. They receive Nos. 44727–44990. In addition, 108 women are selected and given Nos. 8389–8496. The rest of the people are taken to the bunker and killed with gas.”
This interpretation leads to another circular reasoning, since unregistered prisoners can be regarded as “gassed” only if one assumes a priori the existence of extermination facilities in the Bunkers of Birkenau, based upon mere eyewitness statements.
The new documentation mentioned by Pressac allows a complete picture to be drawn of the facilities in Auschwitz which were finished in the first half of 1942, and it permits us to verify how well-founded claims about the homicidal function of these bunkers really are. However, instead of undertaking this verification, Pressac uncritically parroted the interpretation promoted by orthodox historiography and even attempted to round it out by referring to a document in which the expression “special treatment” appears, but which has nothing to do with the so-called bunkers. I shall examine this question more closely in Chapter 4 of Part One.
This is most certainly not the only weak point of Pressac’s method. In his “historical reconstruction,” he never even attempted to study the great abundance of recently accessible documents in which expressions beginning with “special” occur. Despite these serious weaknesses, Pressac was the most renowned representative of orthodox historiography concerning Auschwitz. For this reason it seemed appropriate to take his conclusions as a starting point for my investigation.
In 2014, the Auschwitz Museum published an important book containing 74 documents, many of which are pertinent to the present study and have previously been unknown or ignored. I have dealt with this collection in detail in my book Curated Lies: The Auschwitz Museum’s Misrepresentations, Distortions and Deceptions, so where necessary, I will limit myself here to pointing out these new documents and referring to Curated Lies for further study.
The purpose of the present study is the documentary examination of the hypothesis proposed by the Polish postwar commission, which was later generally appropriated by orthodox historiography, as well as the emendations made to it by Pressac. The problem of mass gassing of jews in Auschwitz is not the immediate subject of this study, since answering the question of whether there were homicidal gas chambers in Auschwitz is not the aim here, but rather whether or not expressions beginning with “special” refer to possibly existing homicidal gas chambers or to mass gassings.
Since the analysis I proposed is of a documentary nature, the problem of the prisoners deported to Auschwitz, but not registered there, will merely be treated in passing, as I have discussed this topic in yet another dedicated study which in a way complements the present study. After all, the documents cited in Chapters 1 and 7 of Part Two incontestably prove that in August and September of 1942 the jews deported to Auschwitz were shipped farther to the east and that one of their destinations was a camp in Russia.
The historical and documentary analysis presented in the present study enables a definitive answer to the question raised at the beginning: The prefix “special,” which occurs in the documents examined, referred to various aspects of life in the Auschwitz camp:
– the disinfestation and storage of personal effects taken from the prisoners;
– the delousing facility of Birkenau (the Central Sauna);
– the Zyklon B deliveries, which were shipped for the purpose of disinfestation;
– the prisoners’ hospital planned for Sector BIII of the Birkenau camp;
– the reception of deportees;
– the classification of those suitable for labor.
But in not a single instance did this prefix have a criminal meaning. For this reason the “deciphering” performed by orthodox Holocaust historiography is historically and documentarily untenable. Thus the vicious circle of the orthodox historians has been broken, and the claim that expressions in documents pertaining to the Auschwitz camp which contain the prefix “special” belonged to a “code language” concealing unspeakable atrocities is exposed for what it really is: a crude ploy meant to conjure up with mere words the kind of evidence that these historians should long since have provided, yet have been quite unable to provide and in fact continue to be unable to provide.
The documentary collection The Beginnings of the Extermination of jews in KL Auschwitz in the Light of the Source Materials, published in 2014 by the Auschwitz Museum, contains the result of years of research by the historians at that museum, who carefully perused all the documents stored in their archive. In a certain way, this work is an official confirmation for the fact that no document exists which in any way refers to the alleged gassing “bunkers” at Birkenau, to the alleged homicidal gas chambers of the crematoria, or in general to any form of killings of registered or unregistered inmates at Auschwitz.
file:///home/chronos/u-17202e3b10259cac245ef0fdffb1b575fcde4624/MyFiles/Downloads/Holohoax%20Handbooks/Vol10SpecialTreatmentInAuschwitz.pdf
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Author: Aryan - "National Socialist" - Musician Aryan - "National Socialist" - Musician


renegadetribune--2020-03-16--2013 Korean Film ‘Flu’ Marketed Abroad as ‘Coronavirus’

Here is the Wikipedia for Flu ( 2013 ) .
In Korean it is called : 감기 and in the @ @ @ @ @ Gamgi .
In some countries it was marketed as Coronavirus .
Here is the trailer @

Here is the Wikipedia for Flu (2013). In Korean it is called: 감기 and in the revised Romanization of Korean: Gamgi. In some countries it was marketed as Coronavirus.
Here is the trailer:
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Author: Thanks for being a reader of this site. Your contributions make this all possible. You can send support to: Kyle Hunt, PO Box 1052, Sorrento FL 32776. Bitcoin address: 1AfppjYZddJzc2C15PXKMsnyBPjPJQezwA . CashApp: Thanks for being a reader of this site. Your contributions make this all possible. You can send support to: Kyle Hunt, PO Box 1052, Sorrento FL 32776. Bitcoin address: 1AfppjYZddJzc2C15PXKMsnyBPjPJQezwA . CashApp: https://cash.app/$thekylehunt


renegadetribune--2020-03-16--$1.5 Trillion Fed Injection Sparks Outrage Among Struggling Workers

The United States is at the beginning of a nationwide lockdown that is slowly taking effect across the country .
Schools are being closed , events are getting canceled , and many people are realizing that their way of life is going to radically change for the next few months , often in very scary and dramatic ways .
Most of the working class does not have the luxury of taking the social distancing measures that will protect them from catching the virus , because so many people are just one missed paycheck away from being homeless or unable to @ @ @ @ @ @ @ in an article published by Truth Theory earlier this week , which pointed out that service workers will have no choice but to work while they are feeling ill because they don ’ t have enough sick time .
Meanwhile , the US government seems more concerned with giving bailouts to corporate CEOs and banks than helping out the people who need it the most .
This week , the Federal Reserve injected $ 1.5 trillion into Wall Street to help mitigate the losses from the coronavirus outbreak , a total which is @ @ @ @ @ @ @ given to banks during the 2008 financial crisis .
Large numbers of people who live paycheck to paycheck will be missing out on work in the coming months , and some of them could even lose their jobs , while the wealthy CEOs and stockholders who are benefiting from the $ 1.5 trillion bailout have multiple houses and safe bunkers to retreat to in times like this .
Defenders of the central banking system insist that any bailouts for average Americans should come from Congress , not the central bank .
The Federal @ @ @ @ @ @ @ markets steady by controlling interest rates and injecting cash and low-interest loans when needed , but the general population gains very little from this , and in fact , usually end up worse off through inflation .
Regardless of the specifics behind the arrangement , these types of bailouts show that there is plenty of help for the wealthy in our society when things go wrong for them , but very little help for the poor when they are in the same situation .
There has been debate in Washington about relief packages @ @ @ @ @ @ @ , but these measures will likely be a bare minimum offering that will come a day late and a dollar short , as they typically do .
John Vibes is an author and journalist who takes a special interest in the counter culture , and focuses solutions-oriented approaches to social problems .
He is also a host of The Free Your Mind Conference and The Free Thought Project Podcast .
Read More stories by John Vibes

By John Vibes
The United States is at the beginning of a nationwide lockdown that is slowly taking effect across the country. Schools are being closed, events are getting canceled, and many people are realizing that their way of life is going to radically change for the next few months, often in very scary and dramatic ways.
Most of the working class does not have the luxury of taking the social distancing measures that will protect them from catching the virus, because so many people are just one missed paycheck away from being homeless or unable to afford food. This issue was raised in an article published by Truth Theory earlier this week, which pointed out that service workers will have no choice but to work while they are feeling ill because they don’t have enough sick time.
Meanwhile, the US government seems more concerned with giving bailouts to corporate CEOs and banks than helping out the people who need it the most.
This week, the Federal Reserve injected $1.5 trillion into Wall Street to help mitigate the losses from the coronavirus outbreak, a total which is more than double the $700 billion given to banks during the 2008 financial crisis.
Large numbers of people who live paycheck to paycheck will be missing out on work in the coming months, and some of them could even lose their jobs, while the wealthy CEOs and stockholders who are benefiting from the $1.5 trillion bailout have multiple houses and safe bunkers to retreat to in times like this.
This is another bailout for the rich with no cries of "BUT HOW WILL WE PAY FOR IT" to be heard. https://t.co/rCoNU3OH8l — Amee Vanderpool (@girlsreallyrule) March 12, 2020
Defenders of the central banking system insist that any bailouts for average Americans should come from Congress, not the central bank. The Federal Reserve is supposedly tasked with keeping financial markets steady by controlling interest rates and injecting cash and low-interest loans when needed, but the general population gains very little from this, and in fact, usually end up worse off through inflation.
Regardless of the specifics behind the arrangement, these types of bailouts show that there is plenty of help for the wealthy in our society when things go wrong for them, but very little help for the poor when they are in the same situation. There has been debate in Washington about relief packages and paid sick leave for hourly workers, but these measures will likely be a bare minimum offering that will come a day late and a dollar short, as they typically do.
Article source: Truth Theory
John Vibes is an author and journalist who takes a special interest in the counter culture, and focuses solutions-oriented approaches to social problems. He is also a host of The Free Your Mind Conference and The Free Thought Project Podcast. Read More stories by John Vibes
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Author: Thanks for being a reader of this site. Your contributions make this all possible. You can send support to: Kyle Hunt, PO Box 1052, Sorrento FL 32776. Bitcoin address: 1AfppjYZddJzc2C15PXKMsnyBPjPJQezwA . CashApp: Thanks for being a reader of this site. Your contributions make this all possible. You can send support to: Kyle Hunt, PO Box 1052, Sorrento FL 32776. Bitcoin address: 1AfppjYZddJzc2C15PXKMsnyBPjPJQezwA . CashApp: https://cash.app/$thekylehunt


renegadetribune--2020-03-16--Al Jazeera Wants Muslims Afraid of White Nationalists Instead of jewish Supremacists

They are bringing the fake-as-hell Christchurch shooting back into the news in order to vilify White people .
Al Jazeera recently had on “ former Neo Nazi ” Christian Picciolini , who has been funded by the White House ’ s Countering Violent Extremism ( CVE ) program , to discuss the rising international threat of White people who don ’ t hate themselves .
Picciolini said , “ The level of violence , the number of people killed , the way it was live-streamed … I think was really shocking.
” I guess the United States government mass murdering @ @ @ @ @ @ @ not a big deal and not shocking at all , since it is really all done out of love and the desire to “ spread democracy.
” I have not killed one single brown or black person , but the US government steals our tax money to mass murder brown and black people in their own countries , while claiming that people like me are the real threat .
Of course no one on Al Jazeera is going to point out this hypocrisy .
Miller-Idris said , “ You do see mainstream politicians @ @ @ @ @ @ @ of anti-immigrant , Islamophobic , anti-Semitic kinds of ideas or conspiracy theories.
” Oh yeah , you just see rampant xenophobia and jew-hatred in mainstream media all the time , right ?
That ’ s why 2/3 of the Congress was at AIPAC this year , right ?
They are trying hard to make “ White Nationalism ” seem like an international terrorist group , rather than just indigenous Whites standing up for their rights .
When I was involved in the white supremacist movement in the US , from ’ 87 to @ @ @ @ @ @ @ those connections in places like Germany .
So I think that it ’ s ramping up .
I think that these connections overseas are starting to get more violent.
” Of course these jew shills can just reference some recent PsyOp shootings to make their case .
Has Christian Picciolini ever spoken up to counter the “ violent extremism ” that is targeting White people , inciting by the jewish mainstream media ?
I can assure you the answer is no .
He is an agent of White genocide and his purpose is @ @ @ @ @ @ @ propagate it against the enemies of world jewry .

They are bringing the fake-as-hell Christchurch shooting back into the news in order to vilify White people.
Al Jazeera recently had on “former Neo Nazi” Christian Picciolini, who has been funded by the White House’s Countering Violent Extremism (CVE) program, to discuss the rising international threat of White people who don’t hate themselves.

Picciolini said, “The level of violence, the number of people killed, the way it was live-streamed … I think was really shocking.” I guess the United States government mass murdering and displacing millions of Middle Easterners is not a big deal and not shocking at all, since it is really all done out of love and the desire to “spread democracy.” I have not killed one single brown or black person, but the US government steals our tax money to mass murder brown and black people in their own countries, while claiming that people like me are the real threat. Of course no one on Al Jazeera is going to point out this hypocrisy.
Miller-Idris said, “You do see mainstream politicians here and overseas echoing the same kind of anti-immigrant, Islamophobic, anti-Semitic kinds of ideas or conspiracy theories.” Oh yeah, you just see rampant xenophobia and jew-hatred in mainstream media all the time, right? That’s why 2/3 of the Congress was at AIPAC this year, right?
They are trying hard to make “White Nationalism” seem like an international terrorist group, rather than just indigenous Whites standing up for their rights.
Picciolini said:
When I was involved in the white supremacist movement in the US, from ’87 to ’96, we were already forging those connections in places like Germany. So I think that it’s ramping up. I think that these connections overseas are starting to get more violent.”
Of course these jew shills can just reference some recent PsyOp shootings to make their case.
The last couple of attacks in Germany, either the live-streaming or the manifestos were in English for a reason, right? … They were designed to communicate to a larger audience and trying to speak to people outside of the country.”
Has Christian Picciolini ever spoken up to counter the “violent extremism” that is targeting White people, inciting by the jewish mainstream media? I can assure you the answer is no. He is an agent of White genocide and his purpose is not to stop hate, but to propagate it against the enemies of world jewry.
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Author: Thanks for being a reader of this site. Your contributions make this all possible. You can send support to: Kyle Hunt, PO Box 1052, Sorrento FL 32776. Bitcoin address: 1AfppjYZddJzc2C15PXKMsnyBPjPJQezwA . CashApp: Thanks for being a reader of this site. Your contributions make this all possible. You can send support to: Kyle Hunt, PO Box 1052, Sorrento FL 32776. Bitcoin address: 1AfppjYZddJzc2C15PXKMsnyBPjPJQezwA . CashApp: https://cash.app/$thekylehunt


renegadetribune--2020-03-17--Happy Motherhood Days: The Art of Richard Heymann

One of the advantages that this Internet era offers is the ability to place certain historical events and people objectively in their proper context , freeing them from the officially condoned biases and atrocity propaganda .
This should not be any different in the case of German painter Richard Heymann , another great artist from the Third Reich era , who a bunch of “ art connoisseurs ” will derisively file under the category of “ propaganda artist working for the Evil Nazi regime ” without consideration towards his message , let alone his achievements or artistic output .
Rather @ @ @ @ @ @ @ purposes in support of any given “ regime ” Heymann ’ s paintings clearly depicted the bucolic life of pastoral Germany during that era and , in many cases , represented images of motherhood from a healthy and encouraging perspective from which we can -at least- learn something today .
This becomes all the more evident when we think about the contrasting debased image of “ motherhood ” and “ parenthood ” that is being promoted by our judeomasonic rulers and Marxist social engineers of this day and age which only serves a @ @ @ @ @ @ @ .
So basically when referring to artworks of painters such as Heymann we can safely assume that we are talking about images from another world in a different time and space .
A world long gone which , as for the controlled mainstream world is concerned , must be demonized and belittled by all means necessary for the sake of the aforementioned anti-White agenda .
Unfortunately it seems that neither a self-portrait nor a photo of Heymann is available on the Internet to be seen .
Only the picture of a jewish jazz @ @ @ @ @ @ @ happened to have the same name , pops-up omnipresently all over google when searching for Heymann ’ s pictures .
It is a shame that an artist who enjoyed Adolf Hitler ’ s deepest appreciation ( one only has to take a look to the amount of Reichsmarks the Führer spent buying his artworks ) has been so deliberately thrown to the dustbin of art history in such unceremonial fashion .
It just could not have happened in any other way , I guess .
However four of Heymann ’ s most important @ @ @ @ @ @ @ their country of origin ( Germany ) * instead of ending up in some American Army ’ s secret vault , as stolen booty , as in the case of other items produced by other German artists of that era .
That is quite something , if you ask me .
Richard Heymann , born in 1900 in Sachsen was the son of a saddle-maker and wall-paperer .
He had his first education in glass and memorial art in the Sächsischen Glasmanufaktur C. Hey , in his hometown .
Shortly after World War @ @ @ @ @ @ @ decorative painting from 1920 to 1925 at the Kunstgewerbeschule with Robert Engels .
His painting style reflected that of impressionists like Liebermann , Slevogt and Corinth .
Heymann was represented with 19 paintings at the Great German Art Exhibitions .
Six of them were bought by Adolf Hitler for prices of up to 10,000 Reichsmarks .
One work , Die Träumende ( The Dreamer ) was bought in 1942 for 3,000 Reichsmarks by Martin Bormann who hung it in his house at the Obersalzberg .
Photos of the after-wedding party on 3 June @ @ @ @ @ @ @ Eva Braun ) and SS-Gruppenführer Hermann Fegelein , show the painting hanging in Bormann ’ s house .
Most of Heymann ’ s works depicted nudes or women with healthy children .
During the Third Reich his works were printed in several magazines and newspapers as Heymann ’ s nickname became ‘ Painter of German Mothers ’ .
In 1944 he took part in the exhibition Deutsche Künstler und die SS ( German Artist and the SS ) in Breslau and Salzburg .
Of the 589 artworks , 63 were presented in a @ @ @ @ @ @ @ Heymann ’ s works , HJ-Streifendienst .
*Four GDK works by Heymann are in the possession of the German Historical Museum , Berlin , works such as Psyche ( ‘ Spirit ’ , GDK 1941 , bought by Hitler for 4,000 Reichsmarks ) , Reife Früchte ( ‘ Ripe Fruit ’ , GDK 1944 , bought by Hitler for 6,000 Reichsmarks ) and Sonniges Leben ( ‘ Sunny Life ’ , GDK 1939 , bought by Hitler for 5,000 Reichsmarks ) were displayed at the exhibition Aufstieg und Fall der Moderne , Weimar @ @ @ @ @ @ @ ‘ Source of Life ’ , GDK 1942 room 23 , bought by Hitler for 10,000 Reichsmarks ) was displayed at the exhibition Artige Kunst , Kunst und Politik im Nationalsozialismus ( ‘ Compliant Art , Art and Politics in the National Socialist Era ’ ) held at Museum Situation Kunst , Bochum ( November 2016 – April 2017 ) , Kunsthalle Rostock , Rostock ( April – June 2017 ) and at Kunstforum Ostdeutsche Galerie , Regensburg ( July – October 2017 ) .
Reife Früchte was again displayed at the exhibition @ @ @ @ @ @ @ , Paris , 2017 .

One of the advantages that this Internet era offers is the ability to place certain historical events and people objectively in their proper context, freeing them from the officially condoned biases and atrocity propaganda. This should not be any different in the case of German painter Richard Heymann, another great artist from the Third Reich era, who a bunch of “art connoisseurs” will derisively file under the category of “propaganda artist working for the Evil Nazi regime” without consideration towards his message, let alone his achievements or artistic output.
Rather than just being utilitarian works for propaganda purposes in support of any given “regime” Heymann’s paintings clearly depicted the bucolic life of pastoral Germany during that era and, in many cases, represented images of motherhood from a healthy and encouraging perspective from which we can -at least- learn something today. This becomes all the more evident when we think about the contrasting debased image of “motherhood” and “parenthood” that is being promoted by our judeomasonic rulers and Marxist social engineers of this day and age which only serves a White Genocide agenda. Thanks Edward Bernays.
So basically when referring to artworks of painters such as Heymann we can safely assume that we are talking about images from another world in a different time and space. A world long gone which, as for the controlled mainstream world is concerned, must be demonized and belittled by all means necessary for the sake of the aforementioned anti-White agenda.
“The sacrifices which the man makes in the struggle of his nation, the woman makes in the preservation of that nation in individual cases. What the man gives in courage on the battlefield, the woman gives in eternal self-sacrifice, in eternal pain and suffering. Every child that a woman brings into the world is a battle, a battle waged for the existence of her people”. – Quote from Adolf Hitler’s speech to the National Socialist Women’s League on September 8, 1934, Nürnberg.
Unfortunately it seems that neither a self-portrait nor a photo of Heymann is available on the Internet to be seen. Only the picture of a jewish jazz composer from the same period, who happened to have the same name, pops-up omnipresently all over google when searching for Heymann’s pictures. It is a shame that an artist who enjoyed Adolf Hitler’s deepest appreciation (one only has to take a look to the amount of Reichsmarks the Führer spent buying his artworks) has been so deliberately thrown to the dustbin of art history in such unceremonial fashion. It just could not have happened in any other way, I guess.
However four of Heymann’s most important artworks have survived to this day in their country of origin (Germany)* instead of ending up in some American Army’s secret vault, as stolen booty, as in the case of other items produced by other German artists of that era. That is quite something, if you ask me.
Biography: Richard Heymann, ‘the painter of German mothers’
Richard Heymann, born in 1900 in Sachsen was the son of a saddle-maker and wall-paperer. He had his first education in glass and memorial art in the Sächsischen Glasmanufaktur C. Hey, in his hometown. Shortly after World War I he went to Munich to study decorative painting from 1920 to 1925 at the Kunstgewerbeschule with Robert Engels. His painting style reflected that of impressionists like Liebermann, Slevogt and Corinth.
Heymann was represented with 19 paintings at the Great German Art Exhibitions. Six of them were bought by Adolf Hitler for prices of up to 10,000 Reichsmarks. One work, Die Träumende (The Dreamer) was bought in 1942 for 3,000 Reichsmarks by Martin Bormann who hung it in his house at the Obersalzberg. Photos of the after-wedding party on 3 June 1944 of Gretl Braun (sister of Eva Braun) and SS-Gruppenführer Hermann Fegelein, show the painting hanging in Bormann’s house.
Most of Heymann’s works depicted nudes or women with healthy children. During the Third Reich his works were printed in several magazines and newspapers as Heymann’s nickname became ‘Painter of German Mothers’. In 1944 he took part in the exhibition Deutsche Künstler und die SS (German Artist and the SS) in Breslau and Salzburg. Of the 589 artworks, 63 were presented in a separate catalogue, including one of Richard Heymann’s works, HJ-Streifendienst.
Richard Heymann died in 1973.
*Four GDK works by Heymann are in the possession of the German Historical Museum, Berlin, works such as Psyche (‘Spirit’, GDK 1941, bought by Hitler for 4,000 Reichsmarks), Reife Früchte (‘Ripe Fruit’, GDK 1944, bought by Hitler for 6,000 Reichsmarks) and Sonniges Leben (‘Sunny Life’, GDK 1939, bought by Hitler for 5,000 Reichsmarks) were displayed at the exhibition Aufstieg und Fall der Moderne, Weimar, 1999. Des Volkes Lebensquell (‘Source of Life’, GDK 1942 room 23, bought by Hitler for 10,000 Reichsmarks) was displayed at the exhibition Artige Kunst, Kunst und Politik im Nationalsozialismus (‘Compliant Art, Art and Politics in the National Socialist Era’) held at Museum Situation Kunst, Bochum (November 2016 – April 2017), Kunsthalle Rostock, Rostock (April – June 2017) and at Kunstforum Ostdeutsche Galerie, Regensburg (July – October 2017). Reife Früchte was again displayed at the exhibition 21 Rue La Boétie, Museum Maillol, Paris, 2017.
Sources:
German Art Gallery, Deutsches Historisches Museum Berlin and Metapedia.
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'In Sicheren Hut' (In Save Hands) (1941) A favourite of mine: 'Sonniges Leben' (Sunny Life) (1939) Bought by Hitler for 5,000 Reichsmarks. 'Im Herbstlichen Garten' (In The Autumn Garden) (1942) 'Des Volkes Lebensquell' (Source of Life) (1942) 'Vaters Feldpostbrief' (Father's Letter) (1941) 'Reife Früchte' (Ripe Fruit) (1944) 'Einer Junge Mutter' (Young Mother) (1942) black and white version for postcard. 'Einer Junge Mutter' (Young Mother) (1942) 'Die Ersten Schritte' (The First Steps) (1940) 'Friedliche Stunde' (Peaceful Hour) (1943) 'Glückliche Mütter' (Happy Mothers) (1943) 'Die Traumende' (The Dreamer) (1942) Bought by Martin Bormann for 3,000 Reichsmarks. 'Die Erbe' (The Heritage) (1944) postcard 'Fruchtbarheit' (Fertility) (1943) 'Junger Tag' (Yound Day) (1944) 'Psyche' (1941) Bought by Hitler for 4,000 Reichmarks. Probably one of Heymann's earlier works: 'In der Loge' by Richard Heymann 'HJ-Streifendienst' (Hitler Youth Patrol Force of the district Süd Hochland) (1943)
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Author: J. Belenger J.Belenger (pronounced with a hard 'G') is a musician, composer and experienced graphic artist. He participated in the soundtrack for the documentary ‘Hellstorm’, directed by Kyle Hunt, in 2015. He has also collaborated extensively with Justice 4 Germans in the past. J.Belenger (pronounced with a hard 'G') is a musician, composer and experienced graphic artist. He participated in the soundtrack for the documentary ‘Hellstorm’, directed by Kyle Hunt, in 2015. He has also collaborated extensively with Justice 4 Germans in the past. Twitter Facebook


renegadetribune--2020-03-17--Bill Gates’ TED Talk from 2015: The Next Outbreak? We’re Not Ready

Bill Gates needs to be investigated immediately , not only for his connections to Epstein , but also his obvious @ @ @ @ @ ” craze .
Description : In 2014 , the world avoided a horrific global outbreak @ @ @ @ @ thousands of selfless health workers — plus , frankly , thanks to some very good @ @ @ @ @ we know what we should have done better .
So , now ’ s the @ @ @ @ @ , to put all our good ideas into practice , from scenario planning to vaccine @ @ @ @ @ .
As he says , “ There ’ s no need to panic … but @ @ @ @ @ .
”

Bill Gates needs to be investigated immediately, not only for his connections to Epstein, but also his obvious role in the “coronavirus” craze.
Description: In 2014, the world avoided a horrific global outbreak of Ebola, thanks to thousands of selfless health workers — plus, frankly, thanks to some very good luck. In hindsight, we know what we should have done better. So, now’s the time, Bill Gates suggests, to put all our good ideas into practice, from scenario planning to vaccine research to health worker training. As he says, “There’s no need to panic … but we need to get going.”
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Author: Thanks for being a reader of this site. Your contributions make this all possible. You can send support to: Kyle Hunt, PO Box 1052, Sorrento FL 32776. Bitcoin address: 1AfppjYZddJzc2C15PXKMsnyBPjPJQezwA . CashApp: Thanks for being a reader of this site. Your contributions make this all possible. You can send support to: Kyle Hunt, PO Box 1052, Sorrento FL 32776. Bitcoin address: 1AfppjYZddJzc2C15PXKMsnyBPjPJQezwA . CashApp: https://cash.app/$thekylehunt