renegadetribune--2020-10-16--1964 Documentary on Slave Trade in Middle East and Africa

Renegade Editor ’ s Note : the filmmakers could have chosen to show less nudity and been more effective .
@ @ @ @ @ footage shot only a little more than 50 years ago of various forms of slavery @ @ @ @ @ auctions , none of which White Europeans played any role in .
They take place @ @ @ @ @ and Asia , in countries under Muslim rule .

Renegade Editor’s Note: the filmmakers could have chosen to show less nudity and been more effective.
This mondo documentary reveals actual footage shot only a little more than 50 years ago of various forms of slavery, human trafficking and slave auctions, none of which White Europeans played any role in. They take place in various parts of Africa and Asia, in countries under Muslim rule.
Bitchute link
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Author: Thanks for being a reader of this site. Your contributions make this all possible. You can send support to: Kyle Hunt, PO Box 1052, Sorrento FL 32776. Bitcoin address: 1AfppjYZddJzc2C15PXKMsnyBPjPJQezwA . CashApp: Thanks for being a reader of this site. Your contributions make this all possible. You can send support to: Kyle Hunt, PO Box 1052, Sorrento FL 32776. Bitcoin address: 1AfppjYZddJzc2C15PXKMsnyBPjPJQezwA . CashApp: https://cash.app/$thekylehunt


renegadetribune--2020-10-16--The Hidden Truth About the Mythical Jesus Story – The Empty Cross

1 .
The Life History Of Jesus Parallels That Of Other Mythical Beings Too Closely To Be Real .
2 @ @ @ @ @ Did Not Exist During The Time Jesus Is Reputed To Have Been Alive .
3 @ @ @ @ @ Historical Artifacts Linked To Jesus .
4 .
There Is No Historical Evidence Of An @ @ @ @ @ Of The Veil In The Temple Supposed To Have Happened At The Moment Of Jesus @ @ @ @ @ The New Testament Was Designed To Promote Christianity Not Document Historical Fact .
6 .
@ @ @ @ @ New Testament , The Epistles Of Paul , Do Not Ever Refer To Jesus As @ @ @ @ @ .
The Gospels Are Unlikely To Have Been Written By Disciples Who Knew Jesus .
@ @ @ @ @ Written As Christian Propaganda 9 .
All Later Accounts Of The Life Of Jesus Are @ @ @ @ @ is no contemporaneous account of the life of Jesus

Top Ten reasons why jesus never existed
1. The Life History Of Jesus Parallels That Of Other Mythical Beings Too Closely To Be Real.
2. The City Of Nazareth Did Not Exist During The Time Jesus Is Reputed To Have Been Alive.
3. There Are No Tangible Historical Artifacts Linked To Jesus.
4. There Is No Historical Evidence Of An Eclipse, Earthquake Or Rending Of The Veil In The Temple Supposed To Have Happened At The Moment Of Jesus’ Death.
5. The New Testament Was Designed To Promote Christianity Not Document Historical Fact.
6. The Earliest Books Of The New Testament, The Epistles Of Paul, Do Not Ever Refer To Jesus As A Living Being.
7. The Gospels Are Unlikely To Have Been Written By Disciples Who Knew Jesus.
8. The Gospels Were Written As Christian Propaganda
9. All Later Accounts Of The Life Of Jesus Are Pure Hearsay
10. There is no contemporaneous account of the life of Jesus
Found on World Truth Videos
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Author: Thanks for being a reader of this site. Your contributions make this all possible. You can send support to: Kyle Hunt, PO Box 1052, Sorrento FL 32776. Bitcoin address: 1AfppjYZddJzc2C15PXKMsnyBPjPJQezwA . CashApp: Thanks for being a reader of this site. Your contributions make this all possible. You can send support to: Kyle Hunt, PO Box 1052, Sorrento FL 32776. Bitcoin address: 1AfppjYZddJzc2C15PXKMsnyBPjPJQezwA . CashApp: https://cash.app/$thekylehunt


renegadetribune--2020-10-16--According to Google a ‘Happy White Woman’ Has a Black Man

Google is run by jewish supremacists who are doing everything in their power to further the White genocide agenda .
For a while people have been showing how doing a Google image search for terms related to White people brings back some telling results .
For example , if you search for “ White history ” you will see a bunch of images of Black people and the history of slavery , as if all of White history is about the enslavement of Blacks .
Recently I saw that Googling “ happy White woman ” also yielded some disturbing results @ @ @ @ @ @ @ tweet above , this is not organic and data-driven , since DuckDuckGo is easily able to pull up relevant images of happy White women .
This is an editorial decision on the part of Google to show White women with dark men .
Try for yourself .
Here is what I got .
As you can see , there are now some image results that are actually screenshots of people searching “ happy White woman , ” trying to show the anti-White bias .
There is not one single image of a White @ @ @ @ @ @ @ .
That is hateful and “ racist ” in today ’ s judeo-Communist world .
Google ’ s G apparently stands for Genocide , since that is what the company should be charged with based on its anti-White actions .
Seriously , Google is engaged in genocide according to the UN ’ s definition .
jewish supremacists across Silicon Valley , the mainstream media , academia , the corporate world , and political structure are very much intent on destroying our racial group , and speaking out against this genocide gets you banned @ @ @ @ @ @ @ who calls this a “ suicide ” is seeking to cover up for the jewish plan to exterminate the White race .

Google is run by jewish supremacists who are doing everything in their power to further the White genocide agenda. For a while people have been showing how doing a Google image search for terms related to White people brings back some telling results. For example, if you search for “White history” you will see a bunch of images of Black people and the history of slavery, as if all of White history is about the enslavement of Blacks.
Recently I saw that Googling “happy White woman” also yielded some disturbing results.
https://twitter.com/magdalenap0l/status/1292733857528197120
As you can see in the tweet above, this is not organic and data-driven, since DuckDuckGo is easily able to pull up relevant images of happy White women. This is an editorial decision on the part of Google to show White women with dark men.
Try for yourself. Here is what I got.
As you can see, there are now some image results that are actually screenshots of people searching “happy White woman,” trying to show the anti-White bias. There is not one single image of a White woman being happy with a White man. That is hateful and “racist” in today’s judeo-Communist world.
Google’s G apparently stands for Genocide, since that is what the company should be charged with based on its anti-White actions. Seriously, Google is engaged in genocide according to the UN’s definition.
jewish supremacists across Silicon Valley, the mainstream media, academia, the corporate world, and political structure are very much intent on destroying our racial group, and speaking out against this genocide gets you banned, attacked, and fired. Anyone who calls this a “suicide” is seeking to cover up for the jewish plan to exterminate the White race.
White genocide must be stopped.
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Author: Kyle Hunt Kyle is the publisher of the Renegade Tribune and the founder of Kyle is the publisher of the Renegade Tribune and the founder of Renegade Broadcasting , where he hosts The Solar Storm . He also organized the 2014 White Man March and created the film adaptation of Hellstorm . You can send support to: Kyle Hunt, PO Box 1052, Sorrento FL 32776. Bitcoin address: 1AfppjYZddJzc2C15PXKMsnyBPjPJQezwA


renegadetribune--2020-10-17--Inside the Auschwitz ‘Gas Chambers’

Inside the Auschwitz ‘Gas Chambers’

1988 was a very informative and likewise disturbing year .
I was appalled to learn that much of what I was taught in school about twentieth-century history and World War II was a myth , if not a lie .
I was first amazed ; then annoyed ; then aware : the myth of the Holocaust was dead .
Like all American children born during and after World War II , I was taught about the genocide perpetrated by the “ Nazis ” on the jews .
By the time I had reached college , I had no reason to @ @ @ @ @ @ @ that I had some problems swallowing the numbers of decedents , said to total some six million .
But there it stopped .
I believed in the “ Nazi ” genocide .
I had no reason to disbelieve .
Some 24 years later , a very believing engineer sat at his desk working one snowy January afternoon in 1988 , when the telephone rang .
This very believing engineer was about to receive a very shocking history lesson , one which would cause him to question that 50-year-old Holocaust lie and the application @ @ @ @ @ @ @ .
“ Hello , this is Robert Faurisson ” — and that very believing engineer would believe no more .
I have for the past nine years worked with most , if not all , of the states in the United States having capital punishment .
I design and manufacture execution equipment of all types , including electrocution systems , lethal injection equipment , gallows and gas-chamber hardware .
I have consulted for , or supplied equipment to , most of the applicable states and the federal government .
Because of my association @ @ @ @ @ @ @ I was recommended to the Zündel defense as a consultant on gas chambers by Warden Bill Armontrout of the Missouri State Penitentiary .
After answering my telephone on that cold January afternoon , I met with Dr. Robert Faurisson twice in Boston and , as a result of these meetings , I was summoned to Toronto to meet with Ernst Zündel , attorney Douglas Christie and the rest of Zündel ’ s very able staff .
Dr. Robert Faurisson had postulated 13 years ago that a gas-chamber specialist should be sought who could @ @ @ @ @ @ @ and report on their efficacy for execution purposes .
Valentine ’ s Day weekend found me and Carolyn , my wife of two weeks , in Toronto .
Two days of lengthy meetings followed , during which I was shown photos of the alleged German gas chambers in Poland , German documents and Allied aerial photographs .
My examination of this material led me to question whether these alleged gas chambers were , in fact , execution facilities .
I was asked if I would go to Poland and undertake a physical inspection @ @ @ @ @ @ @ evaluation of these alleged execution gas chambers , some at places I had never even heard of .
After due consideration , I agreed and made plans to leave for Poland , awaiting a time of minimal snow covering .
I also stated that although the photos and documents seemed to support the view that these places were , indeed , not execution facilities , I would reserve final judgment until after my examination and , if I determined that these facilities were , in fact , or could have been , execution @ @ @ @ @ @ @ in my report .
The final report was to be utilized as evidence in Ernst Zündel ’ s defense in his pending criminal trial at Toronto , and I had to be prepared to testify under oath .
Preparations for the trip required me to take sample bags , documentation journals and tools .
Because we were in a Communist country , I would have to be careful with the tools .
Very few tourists carry hammers , chisels , star drills and tape measures while travelling .
I hid them in the @ @ @ @ @ @ @ the best .
Further , I had maps of Poland , Czechoslovakia and Austria , in the event that we might have to make a hasty and unscheduled exit .
And finally , I had gifts with which we bribed the museum people to supply us with copies of documents from the Museum Archives .
I was fortunate to have a competent and dependable party of professionals : my wife Carolyn , my general assistant ; Mr. Howard Miller , draftsman ; Mr. Jürgen Neumann , cinematographer ; Mr. Tijudar Rudolf , interpreter @ @ @ @ @ @ @ , the Polish government would take a dim view of our activities and purpose , let alone my removal of forensic samples from national shrines and monuments .
And the two ex officio members of our party , Mr. Ernst Zündel and Dr. Robert Faurisson , who could not accompany us in person , but who nevertheless were with us every step of the way in spirit .
On February 25 , 1988 , we left for Poland .
Neumann and Rudolf , the Canadian contingent , joined me and the remainder of @ @ @ @ @ @ @ at Cracow in the late afternoon and spent our first night at the Hotel Orbis .
We consumed the first of our three decent meals while in Poland .
The following day we drove to Oswiecim ( Auschwitz ) .
We arrived at the Auschwitz hotel and were greeted by the smell of sulphur napthal disinfectant , a smell I had not encountered for many years .
The hotel is apparently the old officers ’ quarters for the camp .
We ate lunch at the hotel dining room , a cafeteria style facility @ @ @ @ @ @ @ , starch soup and sundries .
We made a reconnaissance tour of the camp , lasting into the dim light of the Polish afternoon and several snow squalls , a common occurrence .
We ate no supper , in that we found no place to eat in Auschwitz after sundown our first evening .
The following day we began our work in the alleged gas chamber at the Auschwitz [ camp ] facility .
Unfortunately , we were unable to accomplish much due to constant interruptions by both official and unofficial Sunday tours @ @ @ @ @ @ @ and Tijudar at the other , advising myself , Jürgen and Howard of their arrival .
It was too dangerous to take forensic samples and tape , so we left for Birkenau [ camp site ] about noon .
At Birkenau we began a four-hour walk into the damp Polish cold and through snow squalls so dense we could not see each other at a distance of a few feet .
Unfortunately , we did not expect to spend that much time walking through the camp and , since vehicles are not permitted @ @ @ @ @ @ @ behind in the car .
Since we forgot to leave her the keys , she nearly froze in the cold Polish afternoon .
We visited the barracks , crematories II , III , IV and V , the sauna and the alleged burning pits .
We took samples , documented our activities on video tape and in still photos , and made scale drawings of these facilities , carefully documenting the removal locations of all the forensic samples .
We had to break into the sauna building , since it was locked .
@ @ @ @ @ @ @ the depths of the alleged gas chamber , a wet , dank subterranean place not visited by man in almost 50 years , since the building had been reduced to rubble , probably by a German military demolition team .
Fortunately , there were fewer guards and less pedestrian traffic , making working conditions considerably better than they had been earlier at Auschwitz .
Having been instructed by our empty stomachs of the evening before , we found and ate at the restaurant at the bus station , the only legitimate restaurant in @ @ @ @ @ @ @ hotel for the night .
The following day , Monday , we again began our work at Auschwitz [ camp site ] , the Sunday tours having subsided .
We were able to get our samples , tapes and documentation .
We had , by this time , obtained blueprints of the alleged gas-chamber facility and were able to follow the structural changes back to the dates in question .
We also verified the existence of the floor drain for the periods of alleged gas chamber usage .
Upon completion at Auschwitz , @ @ @ @ @ @ @ our control sample at delousing facility 1 .
Unfortunately , the building was locked and again we had to break and enter in order to access the delousing chamber .
Again we ate at the bus station , and retired early to the Auschwitz hotel .
Tuesday morning , while awaiting Tijudar ’ s unsuccessful attempt to obtain a can of Zyklon B , Jürgen and I made video tapes of locations within the camp .
We moved from the Auschwitz hotel to a hostel nearby , obtaining newly vacated rooms .
We @ @ @ @ @ @ @ early .
On Wednesday morning [ the 24th ] we ate a very enjoyable breakfast of ham , cheese and bread ( our second decent meal in Poland ) and began our trip to Lublin to see the Majdanek camp site .
After one final look in at Auschwitz , we set off by car for Majdanek .
Several hours later , we arrived at Majdanek ( Lublin ) , and visited the museum , the reconstructed alleged gas chamber and the crematory .
We finally arrived at disinfection [ buildings ] 1 @ @ @ @ @ @ @ .
It was extremely difficult to work , in that a guard made rounds every 10 or 15 minutes .
The alleged gas chambers were blocked by gates and not accessible for a detailed inspection by the general public .
It was necessary for me to trespass beyond these gates in forbidden areas .
Again Carolyn and Tijudar stood watch while I made measurements and did a detailed examination in these areas .
Once we were caught short : I was forced to hurdle the gate , and was still in the air @ @ @ @ @ @ @ .
Fortunately , he was more interested in Jürgen and his camera to see me before I touched ground .
The camp closed in early afternoon and the guard rather nastily told us to leave .
By three o ’ clock we were en route to Warsaw , a trip that would take five hours through rain and snow .
Our hotel reservation had been fouled up but , fortunately , with the help of an embassy attache , we were able to secure rooms at another hotel .
We had our third @ @ @ @ @ @ @ and went to bed in preparation for our trip home on Thursday .
The following morning we had breakfast and proceeded to the airport for our return trip .
We boarded the Polish airlines plane after clearing customs — my suitcase containing twenty pounds of the forbidden samples , fortunately none of which were found .
I did not breathe easy until we cleared the passport checkpoint at Frankfurt .
Our team split at Frankfurt for the return trips to the United States and Canada , respectively .
After our return [ on @ @ @ @ @ @ @ forensic samples to the test laboratory in Massachusetts .
Upon receipt of the test results , I prepared my report , combining my knowledge of gas execution facilities and procedures with the research I had completed at crematories and with retort manufacturers in the United States .
With the results of my research I believe you are all familiar .
Upon completion of my report I testified at Toronto — but that is another story .
The results published in the Leuchter Report are the important thing .
Categorically , none of the @ @ @ @ @ @ @ Lublin ( Majdanek ) could have supported , or in fact did support , multiple executions utilizing hydrogen cyanide , carbon monoxide or any other allegedly or factually lethal gas .
Based upon very generous maximum usage rates for all the alleged gas chambers , totalling 1,693 persons per week , and assuming these facilities could support gas executions , it would have required sixty-eight ( 68 ) years to execute the alleged number of six millions of persons .
This must mean the Third Reich was in existence for some seventy-five ( @ @ @ @ @ @ @ as being capable of effecting mass , multiple or even singular executions is both ludicrous and insulting to every individual on this planet .
Further , those who do promote this mistruth are negligent and irresponsible for not investigating these facilities earlier and ascertaining the truth before indoctrinating the world with what may have become the greatest propaganda ploy in history .
Of equal importance are Exterminationist errors relating to the crematories .
If these crematories , operated at a theoretical rate of maximum output per day , without any down time and @ @ @ @ @ @ @ situation ) , and we accept the figure of at least six million executed , the Third Reich lasted for at least forty-two ( 42 ) years , since it would take thirty-five ( 35 ) years at an impossible minimum to cremate these six million souls .
No one by any stretch of the imagination would allege ( or even believe ) that the Third Reich ever lasted for seventy-five ( 75 ) or even forty-two ( 42 ) years , yet they would have us believe that six million souls were @ @ @ @ @ @ @ have functioned , in less than one-seventh of the absolute minimum time it could possibly have taken .
Forensic samples were taken from the visited sites .
A control sample was removed from delousing facility 1 at Birkenau .
It was postulated that because of the high iron content of the building materials at these camps the presence of hydrogen cyanide gas would result in a ferric-ferro-cyanide compound being formed , as evidenced by the Prussian blue staining on the walls in the delousing facilities .
A detailed analysis of the 32 samples @ @ @ @ @ @ @ mg/kg of cyanide and 6,170 mg/kg of iron .
Higher iron results were found at all of the alleged gas chambers but no significant cyanide traces .
This would be impossible if these sites were exposed to hydrogen cyanide gas , because the alleged gas chambers supposedly were exposed to much greater quantities of gas than the delousing facility .
Thus , chemical analysis supports the fact that these facilities were never utilized as gas execution facilities .
Construction of these facilities shows that they were never used as gas chambers .
None @ @ @ @ @ @ @ .
No provision was ever made to prevent condensation of gas on the walls , floor or ceiling .
No provision ever existed to exhaust the air-gas mixture from these buildings .
No provision ever existed to introduce or distribute the gas throughout the chamber .
No explosion-proof lighting existed and no attempt was ever made to prevent gas from entering the crematories , even though the gas is highly explosive .
No attempt was made to protect operating personnel from exposure to the gas or to protect other non-participating persons from exposure @ @ @ @ @ @ @ floor drain in the alleged gas chamber was connected directly to the camp ’ s storm drain system .
At Majdanek a depressed walkway around the alleged gas chambers would have collected gas seepage and resulted in a death trap for camp personnel .
No exhaust stacks ever existed .
Hydrogen cyanide gas is an extremely dangerous and lethal gas , and nowhere were there any provisions to effect any amount of safe handling .
The chambers were too small to accommodate more than a small fraction of the alleged numbers .
Plain @ @ @ @ @ @ @ have operated as execution gas chambers .
After a thorough examination of the alleged execution facilities in Poland and their associated crematories , the only conclusion that can be arrived at by a rational , responsible person is the absurdity of the notion that any of these facilities were ever capable of , or were utilized as , execution gas chambers .

Inside the Auschwitz ‘Gas Chambers’
Introduction
1988 was a very informative and likewise disturbing year. I was appalled to learn that much of what I was taught in school about twentieth-century history and World War II was a myth, if not a lie. I was first amazed; then annoyed; then aware: the myth of the Holocaust was dead.
Like all American children born during and after World War II, I was taught about the genocide perpetrated by the “Nazis” on the jews. By the time I had reached college, I had no reason to disbelieve any of my education, except that I had some problems swallowing the numbers of decedents, said to total some six million. But there it stopped. I believed in the “Nazi” genocide. I had no reason to disbelieve.
Some 24 years later, a very believing engineer sat at his desk working one snowy January afternoon in 1988, when the telephone rang. This very believing engineer was about to receive a very shocking history lesson, one which would cause him to question that 50-year-old Holocaust lie and the application of that lie to generations of children. “Hello, this is Robert Faurisson” — and that very believing engineer would believe no more.
Background
I have for the past nine years worked with most, if not all, of the states in the United States having capital punishment. I design and manufacture execution equipment of all types, including electrocution systems, lethal injection equipment, gallows and gas-chamber hardware.
I have consulted for, or supplied equipment to, most of the applicable states and the federal government.
Because of my association with the states in this capacity, I was recommended to the Zündel defense as a consultant on gas chambers by Warden Bill Armontrout of the Missouri State Penitentiary.
After answering my telephone on that cold January afternoon, I met with Dr. Robert Faurisson twice in Boston and, as a result of these meetings, I was summoned to Toronto to meet with Ernst Zündel, attorney Douglas Christie and the rest of Zündel’s very able staff.
Dr. Robert Faurisson had postulated 13 years ago that a gas-chamber specialist should be sought who could evaluate the alleged gas chambers in Poland and report on their efficacy for execution purposes.
Valentine’s Day weekend found me and Carolyn, my wife of two weeks, in Toronto. Two days of lengthy meetings followed, during which I was shown photos of the alleged German gas chambers in Poland, German documents and Allied aerial photographs. My examination of this material led me to question whether these alleged gas chambers were, in fact, execution facilities. I was asked if I would go to Poland and undertake a physical inspection and forensic analysis resulting in a written evaluation of these alleged execution gas chambers, some at places I had never even heard of.
After due consideration, I agreed and made plans to leave for Poland, awaiting a time of minimal snow covering. I also stated that although the photos and documents seemed to support the view that these places were, indeed, not execution facilities, I would reserve final judgment until after my examination and, if I determined that these facilities were, in fact, or could have been, execution gas chambers, I would state this in my report. The final report was to be utilized as evidence in Ernst Zündel’s defense in his pending criminal trial at Toronto, and I had to be prepared to testify under oath.
Preparations for the trip required me to take sample bags, documentation journals and tools. Because we were in a Communist country, I would have to be careful with the tools. Very few tourists carry hammers, chisels, star drills and tape measures while travelling. I hid them in the lining of my valise and hoped for the best. Further, I had maps of Poland, Czechoslovakia and Austria, in the event that we might have to make a hasty and unscheduled exit. And finally, I had gifts with which we bribed the museum people to supply us with copies of documents from the Museum Archives.
Our Staff
I was fortunate to have a competent and dependable party of professionals: my wife Carolyn, my general assistant; Mr. Howard Miller, draftsman; Mr. Jürgen Neumann, cinematographer; Mr. Tijudar Rudolf, interpreter. All knew that, if caught, the Polish government would take a dim view of our activities and purpose, let alone my removal of forensic samples from national shrines and monuments.
And the two ex officio members of our party, Mr. Ernst Zündel and Dr. Robert Faurisson, who could not accompany us in person, but who nevertheless were with us every step of the way in spirit.
The Trip
On February 25, 1988, we left for Poland. Neumann and Rudolf, the Canadian contingent, joined me and the remainder of our team in Frankfurt.
We arrived at Cracow in the late afternoon and spent our first night at the Hotel Orbis. We consumed the first of our three decent meals while in Poland. The following day we drove to Oswiecim (Auschwitz). We arrived at the Auschwitz hotel and were greeted by the smell of sulphur napthal disinfectant, a smell I had not encountered for many years. The hotel is apparently the old officers’ quarters for the camp. We ate lunch at the hotel dining room, a cafeteria style facility. This was our first unidentifiable meal, starch soup and sundries.
We made a reconnaissance tour of the camp, lasting into the dim light of the Polish afternoon and several snow squalls, a common occurrence. We ate no supper, in that we found no place to eat in Auschwitz after sundown our first evening.
Auschwitz and Birkenau
The following day we began our work in the alleged gas chamber at the Auschwitz [camp] facility. Unfortunately, we were unable to accomplish much due to constant interruptions by both official and unofficial Sunday tours. Carolyn stood guard at one entrance and Tijudar at the other, advising myself, Jürgen and Howard of their arrival. It was too dangerous to take forensic samples and tape, so we left for Birkenau [camp site] about noon.
At Birkenau we began a four-hour walk into the damp Polish cold and through snow squalls so dense we could not see each other at a distance of a few feet. Unfortunately, we did not expect to spend that much time walking through the camp and, since vehicles are not permitted within the camp, we left Carolyn behind in the car. Since we forgot to leave her the keys, she nearly froze in the cold Polish afternoon. We visited the barracks, crematories II, III, IV and V, the sauna and the alleged burning pits. We took samples, documented our activities on video tape and in still photos, and made scale drawings of these facilities, carefully documenting the removal locations of all the forensic samples. We had to break into the sauna building, since it was locked.
At crematory II, I descended into the depths of the alleged gas chamber, a wet, dank subterranean place not visited by man in almost 50 years, since the building had been reduced to rubble, probably by a German military demolition team. Fortunately, there were fewer guards and less pedestrian traffic, making working conditions considerably better than they had been earlier at Auschwitz.
Having been instructed by our empty stomachs of the evening before, we found and ate at the restaurant at the bus station, the only legitimate restaurant in Auschwitz. We returned to the Auschwitz hotel for the night.
The following day, Monday, we again began our work at Auschwitz [camp site], the Sunday tours having subsided. We were able to get our samples, tapes and documentation. We had, by this time, obtained blueprints of the alleged gas-chamber facility and were able to follow the structural changes back to the dates in question. We also verified the existence of the floor drain for the periods of alleged gas chamber usage. Upon completion at Auschwitz, we drove again to Birkenau to take our control sample at delousing facility 1. Unfortunately, the building was locked and again we had to break and enter in order to access the delousing chamber. Again we ate at the bus station, and retired early to the Auschwitz hotel.
Tuesday morning, while awaiting Tijudar’s unsuccessful attempt to obtain a can of Zyklon B, Jürgen and I made video tapes of locations within the camp. We moved from the Auschwitz hotel to a hostel nearby, obtaining newly vacated rooms. We ate at the bus station and retired early.
On Wednesday morning [the 24th] we ate a very enjoyable breakfast of ham, cheese and bread (our second decent meal in Poland) and began our trip to Lublin to see the Majdanek camp site. After one final look in at Auschwitz, we set off by car for Majdanek.
Majdanek
Several hours later, we arrived at Majdanek (Lublin), and visited the museum, the reconstructed alleged gas chamber and the crematory. We finally arrived at disinfection [buildings] 1 and 2, and examined the facilities. It was extremely difficult to work, in that a guard made rounds every 10 or 15 minutes. The alleged gas chambers were blocked by gates and not accessible for a detailed inspection by the general public. It was necessary for me to trespass beyond these gates in forbidden areas. Again Carolyn and Tijudar stood watch while I made measurements and did a detailed examination in these areas. Once we were caught short: I was forced to hurdle the gate, and was still in the air and in mid-jump when the guard entered. Fortunately, he was more interested in Jürgen and his camera to see me before I touched ground.
Return
The camp closed in early afternoon and the guard rather nastily told us to leave. By three o’clock we were en route to Warsaw, a trip that would take five hours through rain and snow. Our hotel reservation had been fouled up but, fortunately, with the help of an embassy attache, we were able to secure rooms at another hotel.
We had our third edible meal in Poland that evening, and went to bed in preparation for our trip home on Thursday. The following morning we had breakfast and proceeded to the airport for our return trip.
We boarded the Polish airlines plane after clearing customs — my suitcase containing twenty pounds of the forbidden samples, fortunately none of which were found. I did not breathe easy until we cleared the passport checkpoint at Frankfurt. Our team split at Frankfurt for the return trips to the United States and Canada, respectively. After our return [on March 3], I delivered the forensic samples to the test laboratory in Massachusetts. Upon receipt of the test results, I prepared my report, combining my knowledge of gas execution facilities and procedures with the research I had completed at crematories and with retort manufacturers in the United States. With the results of my research I believe you are all familiar.
Upon completion of my report I testified at Toronto — but that is another story.
The Findings:
1. Gas Chambers
The results published in the Leuchter Report are the important thing. Categorically, none of the facilities examined at Auschwitz, Birkenau or Lublin (Majdanek) could have supported, or in fact did support, multiple executions utilizing hydrogen cyanide, carbon monoxide or any other allegedly or factually lethal gas. Based upon very generous maximum usage rates for all the alleged gas chambers, totalling 1,693 persons per week, and assuming these facilities could support gas executions, it would have required sixty-eight (68) years to execute the alleged number of six millions of persons. This must mean the Third Reich was in existence for some seventy-five (75) years. Promoting these facilities as being capable of effecting mass, multiple or even singular executions is both ludicrous and insulting to every individual on this planet. Further, those who do promote this mistruth are negligent and irresponsible for not investigating these facilities earlier and ascertaining the truth before indoctrinating the world with what may have become the greatest propaganda ploy in history.
2. Crematories
Of equal importance are Exterminationist errors relating to the crematories. If these crematories, operated at a theoretical rate of maximum output per day, without any down time and at a constant pace (an impossible situation), and we accept the figure of at least six million executed, the Third Reich lasted for at least forty-two (42) years, since it would take thirty-five (35) years at an impossible minimum to cremate these six million souls.
No one by any stretch of the imagination would allege (or even believe) that the Third Reich ever lasted for seventy-five (75) or even forty-two (42) years, yet they would have us believe that six million souls were executed with equipment that could not possibly have functioned, in less than one-seventh of the absolute minimum time it could possibly have taken.
3. Forensics
Forensic samples were taken from the visited sites. A control sample was removed from delousing facility 1 at Birkenau. It was postulated that because of the high iron content of the building materials at these camps the presence of hydrogen cyanide gas would result in a ferric-ferro-cyanide compound being formed, as evidenced by the Prussian blue staining on the walls in the delousing facilities.
A detailed analysis of the 32 samples taken at the Auschwitz-Birkenau complexes showed 1,050 mg/kg of cyanide and 6,170 mg/kg of iron. Higher iron results were found at all of the alleged gas chambers but no significant cyanide traces. This would be impossible if these sites were exposed to hydrogen cyanide gas, because the alleged gas chambers supposedly were exposed to much greater quantities of gas than the delousing facility. Thus, chemical analysis supports the fact that these facilities were never utilized as gas execution facilities.
4. Construction
Construction of these facilities shows that they were never used as gas chambers. None of these facilities were sealed or gasketed. No provision was ever made to prevent condensation of gas on the walls, floor or ceiling. No provision ever existed to exhaust the air-gas mixture from these buildings. No provision ever existed to introduce or distribute the gas throughout the chamber. No explosion-proof lighting existed and no attempt was ever made to prevent gas from entering the crematories, even though the gas is highly explosive. No attempt was made to protect operating personnel from exposure to the gas or to protect other non-participating persons from exposure. Specifically, at Auschwitz, a floor drain in the alleged gas chamber was connected directly to the camp’s storm drain system. At Majdanek a depressed walkway around the alleged gas chambers would have collected gas seepage and resulted in a death trap for camp personnel. No exhaust stacks ever existed. Hydrogen cyanide gas is an extremely dangerous and lethal gas, and nowhere were there any provisions to effect any amount of safe handling. The chambers were too small to accommodate more than a small fraction of the alleged numbers. Plain and simple, these facilities could not have operated as execution gas chambers.
5. Conclusion
After a thorough examination of the alleged execution facilities in Poland and their associated crematories, the only conclusion that can be arrived at by a rational, responsible person is the absurdity of the notion that any of these facilities were ever capable of, or were utilized as, execution gas chambers.


renegadetribune--2020-10-17--Marxism at Literary Agencies

Marxism at Literary Agencies

Literary agencies house the agents , and the agents hold the keys to your literary career .
Not all wish to self-publish and so you must send manuscripts of all varieties to the literary agent gatekeepers .
Only if the agent likes your work , or rather , if they like you , will they send your novel or cookbook or whatever you have written to the publisher , while taking a large piece of the profit for themselves .
So how do the agents , these veritable strangers who are nothing more than an email address on an agency @ @ @ @ @ @ @ , who will soon decide whether one has a career or not , select the work that they send to the publisher ?
Surprisingly , they do not base their decision merely on the quality of the work .
One would think that an agent would take all submissions , read them , then pick out the best in terms of writing , plot , pacing , character development , etc , and send only those manuscripts to the publisher .
That process , however , is too sensible in the current political @ @ @ @ @ @ @ , full of fantasy and romance and nothing at all political , I sent a manuscript to a few agents .
I received two responses .
One was only concerned with the racial group that I self-identified as and did not wish to read the work until I responded as they were focused only upon particular racial and sexual groups .
When I sent the manuscript , I purposefully did not state my race , sex , sexual preferences , or any political or religious affiliation .
I wished that my work be @ @ @ @ @ @ @ no regard to any politicised attributes of the author .
So I simply sent my work , nothing else .
But that won ’ t do in a world where bias and agendas are considered tolerance and diversity .
Where being racist against a particular group is said to be combating racism .
And selecting quality work is less important than the colour or sexual habits of the author .
Naturally , I did not respond to this agent .
Another agent did apparently read some of my manuscript .
She did not @ @ @ @ @ @ @ system , or any reasonable characteristic of a novel .
Instead she admonished me , about a gothic novel mind , in a Victorian setting , of having a female character be seen as unusual for wearing trousers in the city rather than a gown .
Certainly in the Victorian era , both before it and after , a woman in a city in strange trousers would be considered heresy .
Similar to seeing a gentleman without his hat .
This innocent remark in my novel apparently caused some distress in the agent @ @ @ @ @ @ @ acceptable to show those modelled after the Victorians as non-Europeans listening to pop music as they discuss to the crowds their preferred pronouns and what they self-identify as .
A Victorian era novel such as that would be hailed as being brave and as smashing the oppressive past !
After these two ridiculous encounters with agents I thought it best to thoroughly research the literary agencies before accidentally submitting my work to any more , shall we say , Marxist agents who are masquerading as saviours of the free world .
Books !
@ @ @ @ @ @ @ lifted us out of our primitive savagery and set us on a course which would soon include poetry , philosophy , mathematics , science , and which is now sending us to the stars .
Nothing is more important than language .
If the electricity fails , so does almost everything else .
But not books .
Not language .
Our most important and pivotal discovery shall always remain as long as we do and even long after we are gone .
But what do the gatekeepers to the publishers say about books @ @ @ @ @ @ @ public will be allowed to read should be the paragon of fairness and integrity , yet oddly , they say quite little about books .
In my research into the literary agencies I found that they mostly speak of racial identities and sexual preferences and some go beyond even that .
Red Sofa Literary had an agent on their website who stated that they wanted stories with “ No white dudes ” .
Other agents were interested only in “ The Left ” , “ leftism ” , “ race ” , and @ @ @ @ @ @ @ wants to see stories “ that set up shop in the many divides , dangers , and inequities of late capitalism ” , and states that he is not the right agent for “ stories of privileged people ” , or stories of “ police or other types of officers as protagonists ; benevolent rich people ” .
Red Sofa Literary is just one of many agencies with agents who seemingly discriminate against white men , straight people , Christians , and police being shown as heroes .
Donald Maass Literary Agency , @ @ @ @ @ @ @ Chiara , Writers House , and others have agents who state that they are looking for “ poc ” or “ persons of color ” authors , or that LGBT authors or characters are preferred , or say “ no Christian fiction ” , or that they are looking for works that , “ dissect the right wing ” , and a Transatlantic Agency agent stated that , “ If you are comfortable , please include your social and cultural identities in your bio , especially if you self-identify as a person of @ @ @ @ @ @ @ if ” you identify as a person of colour .
Does that mean those who aren ’ t persons of colour are treated differently ?
Is giving preference to an author with a particular skin tone moral or even legal ?
Why do these agents care more about the author ’ s skin colour and sexual preference rather than the quality of their work ?
We already know the answer .
Cultural Marxism is unfortunately alive and well .
These agencies choose agents who will specifically employ non-white , non-straight authors to further @ @ @ @ @ @ @ however , do we have a right to discriminate against authors ?
If the answer is yes , then a literary agent should be allowed to say “ no black dudes ” or “ no Islamic fiction ” .
What would the reaction be then ?
Certainly rioting would be involved if a black queer self-identifying female was discriminated against based on her attributes , but if a white straight male is , well then , that ’ s just the new normal .
If using the physical or sexual characteristics of a @ @ @ @ @ @ @ if an author should be represented then that standard applies to both sides , or it applies to no sides in which case these agents and their agencies which permit this non-inclusive , racist , and intolerant behaviour have lots to answer for .
Imaging trying , in this world of smart phones , and tv streaming , to make books and literary agency discrimination seem important or worthy of discussion .
If you ’ re still reading then thank you .
You are wise to believe in the fundamental precept that all @ @ @ @ @ @ @ open to everyone at all times without censorship or agendas .
Are books really any less important than a social media company discriminating ?
I ’ d say books are more important than any other cultural discrimination .
Books are our foundation , yet they are being funnelled through leftist literary agencies who control what you read and who are ultimately trying to control what you are allowed think .
So how do we combat this issue ?
First , we must make more people care about books .
I ’ m going @ @ @ @ @ @ @ few have ever thought .
Books are sexy !
That ’ s right !
Books are sexy !
Not just foundational , not only important , not triumphantly the cornerstone of civilisation , but just plain sexy !
Ever see a girl sitting on a bench reading one of the Brontë sisters , or going on a Verne adventure ?
There is no other word to describe such a scene besides sexy .
For you ladies , ever see a guy in a suit and waistcoat reading Dickens ?
You marry that guy @ @ @ @ @ @ @ , or sci-fi adventures , it matters not .
Books and those reading them are sexy .
Books are our past and our future .
The stories found within stay with you longer than any film , portrait , or piece of music .
Our books , like most everything else under Marxist assault , are being suppressed or censored and we must not allow this to happen .
Favouring authors or their characters based upon racial attributes , sexual preferences , or self-identities is not acceptable .
In fact , it ’ @ @ @ @ @ @ @ authors not have the talent to compete with straight white male authors ?
Shouldn ’ t an agent read all books without looking at biological characteristics and simply accept the best ?
We all have access to paper and pencils , even computers and smart phones , libraries are free and the internet is available to all .
There is no excuse .
We all have the same resources .
All should be competing equally with only the best winning .
That is nature ’ s way , that is the only fair @ @ @ @ @ @ @ only non-Marxist way which is why it isn ’ t currently in fashion .
The purpose of writing this isn ’ t to target specific literary agents or agencies .
It ’ s simply to bring awareness to the depressing fact that we have to monitor for cultural Marxism and all its tentacles in all walks of life .
Authors need to have agents available who either specifically cater to straight white conservative males , or if that is deemed unacceptable as the left would violently point out , the leftist agencies must @ @ @ @ @ @ @ and therefore have agents who cover the full spectrum , or better yet , have agents who only read the work and do not even look at the racial or sexual preferences of the author .
In this political climate , despite the focus on equality , fairness is apparently too much to ask for .
As a response to the blatant discrimination , I wrote a dystopian novella which I am giving away free , available below , as a way to bring attention to the literary bias and to myself as @ @ @ @ @ @ @ stay silent in the face of cultural Marxist bias , but rather I will challenge those who only find success based on their race or sexual preferences to pit their work against mine .
Having seen the Marxist anti-white sentiment that has infiltrated most literary agencies , I now have every intention of writing only pro-European , pro-white , and pro-family novels , and I would hope that many others in the literary , film , and music fields will follow suit .
Thank you .

Literary agencies house the agents, and the agents hold the keys to your literary career. Not all wish to self-publish and so you must send manuscripts of all varieties to the literary agent gatekeepers. Only if the agent likes your work, or rather, if they like you, will they send your novel or cookbook or whatever you have written to the publisher, while taking a large piece of the profit for themselves. So how do the agents, these veritable strangers who are nothing more than an email address on an agency website, perhaps with a small photo, who will soon decide whether one has a career or not, select the work that they send to the publisher? Surprisingly, they do not base their decision merely on the quality of the work. One would think that an agent would take all submissions, read them, then pick out the best in terms of writing, plot, pacing, character development, etc, and send only those manuscripts to the publisher. That process, however, is too sensible in the current political climate.
Books! The written word. That which has lifted us out of our primitive savagery and set us on a course which would soon include poetry, philosophy, mathematics, science, and which is now sending us to the stars. Nothing is more important than language. If the electricity fails, so does almost everything else. But not books. Not language. Our most important and pivotal discovery shall always remain as long as we do and even long after we are gone. But what do the gatekeepers to the publishers say about books? Those few who decide what the public will be allowed to read should be the paragon of fairness and integrity, yet oddly, they say quite little about books. In my research into the literary agencies I found that they mostly speak of racial identities and sexual preferences and some go beyond even that.
Red Sofa Literary had an agent on their website who stated that they wanted stories with “No white dudes”.
Other agents were interested only in “The Left”, “leftism”, “race”, and “marginalised authors”.
One agent wants to see stories “that set up shop in the many divides, dangers, and inequities of late capitalism”, and states that he is not the right agent for “stories of privileged people”, or stories of “police or other types of officers as protagonists; benevolent rich people”.
Red Sofa Literary is just one of many agencies with agents who seemingly discriminate against white men, straight people, Christians, and police being shown as heroes. Donald Maass Literary Agency, Frances Goldin, Jaberwocky, Jennifer Di Chiara, Writers House, and others have agents who state that they are looking for “poc” or “persons of color” authors, or that LGBT authors or characters are preferred, or say “no Christian fiction”, or that they are looking for works that, “dissect the right wing”, and a Transatlantic Agency agent stated that, “If you are comfortable, please include your social and cultural identities in your bio, especially if you self-identify as a person of color”. She says “especially if” you identify as a person of colour. Does that mean those who aren’t persons of colour are treated differently? Is giving preference to an author with a particular skin tone moral or even legal? Why do these agents care more about the author’s skin colour and sexual preference rather than the quality of their work? We already know the answer.
Cultural Marxism is unfortunately alive and well. These agencies choose agents who will specifically employ non-white, non-straight authors to further their agenda. The question is, however, do we have a right to discriminate against authors? If the answer is yes, then a literary agent should be allowed to say “no black dudes” or “no Islamic fiction”. What would the reaction be then? Certainly rioting would be involved if a black queer self-identifying female was discriminated against based on her attributes, but if a white straight male is, well then, that’s just the new normal. If using the physical or sexual characteristics of a person are in anyway used to determine if an author should be represented then that standard applies to both sides, or it applies to no sides in which case these agents and their agencies which permit this non-inclusive, racist, and intolerant behaviour have lots to answer for.
Imagine trying, in this world of smart phones, and tv streaming, to make books and literary agency discrimination seem important or worthy of discussion. If you’re still reading then thank you. You are wise to believe in the fundamental precept that all knowledge and all viewpoints are to be open to everyone at all times without censorship or agendas. Are books really any less important than a social media company discriminating? I’d say books are more important than any other cultural discrimination. Books are our foundation, yet they are being funnelled through leftist literary agencies who control what you read and who are ultimately trying to control what you are allowed think. So how do we combat this issue? First, we must make more people care about books. I’m going to say something now that only a few have ever thought. Books are sexy! That’s right! Books are sexy! Not just foundational, not only important, not triumphantly the cornerstone of civilisation, but just plain sexy!
Ever see a girl sitting on a bench reading one of the Brontë sisters, or going on a Verne adventure? There is no other word to describe such a scene besides sexy. For you ladies, ever see a guy in a suit and waistcoat reading Dickens? You marry that guy. Engineering, mathematics, gothic romance, or sci-fi adventures, it matters not. Books and those reading them are sexy. Books are our past and our future. The stories found within stay with you longer than any film, portrait, or piece of music. Our books, like most everything else under Marxist assault, are being suppressed or censored and we must not allow this to happen. Favouring authors or their characters based upon racial attributes, sexual preferences, or self-identities is not acceptable. In fact, it’s cowardly. Do non-white, non-straight authors not have the talent to compete with straight white male authors? Shouldn’t an agent read all books without looking at biological characteristics and simply accept the best? We all have access to paper and pencils, even computers and smart phones, libraries are free and the internet is available to all. There is no excuse. We all have the same resources. All should be competing equally with only the best winning. That is nature’s way, that is the only fair way, and certainly that is the only non-Marxist way which is why it isn’t currently in fashion.
The purpose of writing this isn’t to target specific literary agents or agencies. It’s simply to bring awareness to the depressing fact that we have to monitor for cultural Marxism and all its tentacles in all walks of life. Authors need to have agents available who either specifically cater to straight white conservative males, or if that is deemed unacceptable as the left would violently point out, the leftist agencies must stop their discrimination against white straight males and therefore have agents who cover the full spectrum, or better yet, have agents who only read the work and do not even look at the racial or sexual preferences of the author. In this political climate, despite the focus on equality, fairness is apparently too much to ask for.
I won’t stay silent in the face of cultural Marxist bias, but rather I will challenge those who only find success based on their race or sexual preferences to pit their work against mine. Having seen the Marxist anti-white sentiment that has infiltrated most literary agencies, I now have every intention of writing only pro-European, pro-white, and pro-family novels, and I would hope that many others in the literary, film, and music fields will follow suit. Thank you.
– Ritter Sieggraf
DiversityIsDeath@protonmail.com
Share now!


renegadetribune--2020-10-17--The Dick Show – Dax Herrera Receives Justice

You guys remember Dick Masterson ( aka Dax Herrera ) ?
He ’ s a frequent guest on Ethan Ralph @ @ @ @ @ appeared on Red Ice TV .
He thinks people masturbating to cartoons of little children @ @ @ @ @ , there is a new video out that shows what it would be like if @ @ @ @ @ justice .
By the way , what a weird “ coincidence ” that Dax likes @ @ @ @ @ raped and also did a pizza commercial .

You guys remember Dick Masterson (aka Dax Herrera)? He’s a frequent guest on Ethan Ralph’s Killstream and has appeared on Red Ice TV. He thinks people masturbating to cartoons of little children being raped is A-OK.
http://www.renegadetribune.com/dick-masterson-lolicon-pedophile-defender-extraordinaire/
Well, there is a new video out that shows what it would be like if Dax was actually brought to justice.
By the way, what a weird “coincidence” that Dax likes cartoons of little girls being raped and also did a pizza commercial.
Share now!
Author: Thanks for being a reader of this site. Your contributions make this all possible. You can send support to: Kyle Hunt, PO Box 1052, Sorrento FL 32776. Bitcoin address: 1AfppjYZddJzc2C15PXKMsnyBPjPJQezwA . CashApp: Thanks for being a reader of this site. Your contributions make this all possible. You can send support to: Kyle Hunt, PO Box 1052, Sorrento FL 32776. Bitcoin address: 1AfppjYZddJzc2C15PXKMsnyBPjPJQezwA . CashApp: https://cash.app/$thekylehunt


renegadetribune--2020-10-17--The Wagnerian Art and Architectural Vision of Hermann Hendrich

Hermann Hendrich is one of those artists whose work has been used time and again to illustrate articles related to Germanic and Norse sagas all over the Internet , although up until now , I had not considered the idea of writing a piece about him .
In spite of personally finding some of his paintings -from a strictly technical perspective- sketchy at best , I finally decided to dedicate an article to this German artist whose name seems to have been completely forgotten by the world at large , in spite of the apparent success that he achieved at @ @ @ @ @ @ @ Said all this , what caught my attention most powerfully about Hendrich was obviously not his paintings , but the work he devised in collaboration with architect Bernhard Sehring .
I think that is doubtlessly where his strongest legacy actually resides .
I ’ m talking about the Nibelungenhalle Königswinters and Walpurgishalle Thale temples dedicated to the figure of Richard Wagner and the world of the Norse Sagas .
Suffice to say it is precisely inside these magnificent late Art Nouveau buildings where Hendrich ’ s recently restored paintings are accessible to the @ @ @ @ @ @ @ aspect that I find a bit questionable about Heindrich ’ s work is related to the fact that he used his Walpurgishalle museum to sell an image about witchcraft that originally came from the Christian Middle Ages , hence linking “ evil Wotan ” with that particular negative perception which was/is considered “ demonic ” .
Even if the somewhat ambiguous Wotan himself is connected to magic ( via seiðr ) the whole concept seems to be wrong , at least the way Heindrich portrayed it probably thinking that the whole thing was @ @ @ @ @ @ @ particular line of thought I would recommend taking a look to the old movie The Virgin Spring ( 1960 ) by Ingmar Bergman in connection with one of the female characters in the story , known as “ Ingeri ” , who happens to be an “ Odin-worshipping witch ” .
In the German art world of the turn-of-the-century a nostalgic and spiritually-driven need to recreate the themes of Romanticism -but most especially a will to revive the sacred and the mythical ancient sagas- made its apparition .
Hermann Hendrich ’ s work @ @ @ @ @ @ @ symbolism that heralded this artistic tendency during that time period .
Together with Fidus ( a.k.a .
Hugo Höppener ) , Franz Stassen , and Ludwig Fahrenkrog , Hermann Hendrich was part of a group of young artists and painters who were strongly inspired by the idea of the Wagnerian Gesamtkunstwerk .
They shared a passion for a Germanic heritage transmitted from fairy tales and sagas from the Edda which influenced many mystical and esoteric movements .
At the end of the year 1800 these artists formed the cultural milieu which , through @ @ @ @ @ @ @ mystical approach to nature , tried to create a new form of paganism , a philosophical and spiritual wave that we still feel reverberating these days .
Hermann Hendrich ( ᛉ October 31 , 1854 in Heringen , Thuringia , Germany – ᛦ July 18 , 1931 in Schreiberhau in Niederschlesien , Germany ) was a German painter .
Hermann Hendrich was born in the vicinity of the historical Kyffhäuser , his parents were Auguste Friederike Hendrich née Ziegler and the baker August Hendrich .
From 1870 to 1872 he served his apprenticeship @ @ @ @ @ @ @ the regular duration due to his evident talent .
He then started a job in a Hanoverian lamp factory where he had to create drawings for a catalog .
At that time , he attended the Wagnerian opera , Tannhäuser , which provoked in him a wish to artistically portray such musical impressions .
In 1875 , Hendrich got a job at a Berlin art institution where he had to lithograph oil paintings .
in 1876 , he visited Norway for further art studies .
However the jury of the Grosse Berliner Kunstausstellung @ @ @ @ @ @ @ not impressed by his paintings .
Hendrich then started a job as painter in Amsterdam , the place where he met his future wife Clara ( Kläre ) Becker in 1882 .
In their honeymoon trip they visited Hendrich ’ s brother in Auburn , New York , where he exhibited his paintings for the first time .
After some initial sales , the remaining amount of pictures was sold to a single art dealer .
Using the earned money Hendrich then made a study trip through the USA .
To further deepen @ @ @ @ @ @ @ back to Germany .
He started lessons with Professor Joseph Wenglein in Munich , but then moved to Berlin shortly after , making a study trip to Norway .
In 1886 , Hendrich entered a studio of the Berlin Academy of Art and received a stipend from the Prussian Ministry of Education and Arts .
By this time his paintings were firstly exhibited in Germany .
In 1889 the Kaiser himself bought a picture from Hendrich , a highlight for his recognition .
In 1901 the Walpurgishalle , a hall on the Witches @ @ @ @ @ @ @ Harz mountains , was inaugurated .
Hendrich did the paintings for the interior and created sketches that were used by Bernhard Sehring to create the architecture .
Hendrich considered this the apex of his career .
By 1903 in Schreiberhau Henrich erected the Sagenhalle , inspired by the Walpurgishalle .
Hendrich became a co-founder of the Werdandibund in 1905 , a society against the modern developments of art , which the group considered decadent .
In 1910 Hendrich was awarded the title of professor .
The Nibelungenhalle at the Drachenfels was opened in @ @ @ @ @ @ @ ’ s centenary .
It contains twelve paintings by Hendrich with scenes from Der Ring des Nibelungen .
The idea for the dome building came from Hermann Hendrich himself but was implemented by the Berlin architects Hans Meier and Werner Behrendt ( no information on these two architects is to be found online though ) .
In 1933 the Dragon Cave was built in the outside area of the hall , and in 1958 the Reptilienzoo was added .
In 1921 , Hermann Hendrich published illustrations for an edition of Das Märchen ( @ @ @ @ @ @ @ the Beautiful Lily ) , a 1795 story written by Johann Wolfgang von Goethe .
In 1926 , the Halle Deutscher Sagenring in Burg an der Wupper ( today part of Solingen ) was opened .
The hall exhibited Hendrich ’ s paintings from the Percival saga .
Hendrich died in 1931 in Schreiberhau in an accident ( no more information about his death is provided ) .
Despite accurate research on the life and works of Hendrich many aspects about his life remain unknown .
Suffice to say a considerable number of @ @ @ @ @ @ @ WWII .
Many of his early paintings were exhibited and sold in the USA , although their current location is completely unknown to this date .
As both the Nibelungenhalle and the Walpurgishalle were showing clear signs of deterioration the buildings underwent extensive restoration and refurbishment from 2013 to 2015 .
By that time , Elke Rohling had the idea of forming a nonprofit organization to collect and disseminate the artistic work of Hermann Hendrich in order to preserve his architectural temples for future generations .
The result of this effort has been @ @ @ @ @ @ @ book and a CD of the same title on the life and works of this German artist .
On November 19 , 2013 in Heringen , birthplace of the artist , a plaque by “ Friends of the painter Hermann Hendrich ” was affixed .
The inscription on the plaque reads : The above excerpts and notes are mostly taken ( via wikipedia ) from the book ‘ Hermann Hendrich Leben und Werk ’ by Elke Rohling , published by Werdandi , 2001 .
IBSN 3-00-008228-X .
The introductory notes ( that I @ @ @ @ @ @ @ are mostly taken from the Galleria d ’ Arte Thule ’ s entry on Hermann Hendrich .
In order to find more information on both the Nibelungenhalle Königswinters and Walpurgishalle Thale temples visit their respective official websites using the links provided here .
For a brief touring video of the Nibelungenhalle am Drachenfels click HERE

Hermann Hendrich is one of those artists whose work has been used time and again to illustrate articles related to Germanic and Norse sagas all over the Internet, although up until now, I had not considered the idea of writing a piece about him. In spite of personally finding some of his paintings -from a strictly technical perspective- sketchy at best, I finally decided to dedicate an article to this German artist whose name seems to have been completely forgotten by the world at large, in spite of the apparent success that he achieved at the end of the 20th Century.
Said all this, what caught my attention most powerfully about Hendrich was obviously not his paintings, but the work he devised in collaboration with architect Bernhard Sehring. I think that is doubtlessly where his strongest legacy actually resides. I’m talking about the Nibelungenhalle Königswinters and Walpurgishalle Thale temples dedicated to the figure of Richard Wagner and the world of the Norse Sagas. Suffice to say it is precisely inside these magnificent late Art Nouveau buildings where Hendrich’s recently restored paintings are accessible to the public to be seen.
Regardless another aspect that I find a bit questionable about Heindrich’s work is related to the fact that he used his Walpurgishalle museum to sell an image about witchcraft that originally came from the Christian Middle Ages, hence linking “evil Wotan” with that particular negative perception which was/is considered “demonic”. Even if the somewhat ambiguous Wotan himself is connected to magic (via seiðr) the whole concept seems to be wrong, at least the way Heindrich portrayed it probably thinking that the whole thing was “traditional” Germanic-wise. On that particular line of thought I would recommend taking a look to the old movie The Virgin Spring (1960) by Ingmar Bergman in connection with one of the female characters in the story, known as “Ingeri”, who happens to be an “Odin-worshipping witch”.
The Germanic Spirit’s Revival
In the German art world of the turn-of-the-century a nostalgic and spiritually-driven need to recreate the themes of Romanticism -but most especially a will to revive the sacred and the mythical ancient sagas- made its apparition. Hermann Hendrich’s work was inspired by the burgeoning neo-romanticism and symbolism that heralded this artistic tendency during that time period. Together with Fidus (a.k.a. Hugo Höppener), Franz Stassen, and Ludwig Fahrenkrog, Hermann Hendrich was part of a group of young artists and painters who were strongly inspired by the idea of the Wagnerian Gesamtkunstwerk. They shared a passion for a Germanic heritage transmitted from fairy tales and sagas from the Edda which influenced many mystical and esoteric movements.
At the end of the year 1800 these artists formed the cultural milieu which, through art, literature and love for a mystical approach to nature, tried to create a new form of paganism, a philosophical and spiritual wave that we still feel reverberating these days.
Biography
Hermann Hendrich (ᛉ October 31, 1854 in Heringen, Thuringia, Germany – ᛦ July 18, 1931 in Schreiberhau in Niederschlesien, Germany) was a German painter. Hermann Hendrich was born in the vicinity of the historical Kyffhäuser, his parents were Auguste Friederike Hendrich née Ziegler and the baker August Hendrich. From 1870 to 1872 he served his apprenticeship as lithographer with one year shorter than the regular duration due to his evident talent. He then started a job in a Hanoverian lamp factory where he had to create drawings for a catalog. At that time, he attended the Wagnerian opera, Tannhäuser, which provoked in him a wish to artistically portray such musical impressions.
In 1875, Hendrich got a job at a Berlin art institution where he had to lithograph oil paintings. in 1876, he visited Norway for further art studies. However the jury of the Grosse Berliner Kunstausstellung (Great Berlin Art Exhibition) was not impressed by his paintings. Hendrich then started a job as painter in Amsterdam, the place where he met his future wife Clara (Kläre) Becker in 1882. In their honeymoon trip they visited Hendrich’s brother in Auburn, New York, where he exhibited his paintings for the first time. After some initial sales, the remaining amount of pictures was sold to a single art dealer. Using the earned money Hendrich then made a study trip through the USA.
To further deepen his education, in 1885 he went back to Germany. He started lessons with Professor Joseph Wenglein in Munich, but then moved to Berlin shortly after, making a study trip to Norway. In 1886, Hendrich entered a studio of the Berlin Academy of Art and received a stipend from the Prussian Ministry of Education and Arts. By this time his paintings were firstly exhibited in Germany. In 1889 the Kaiser himself bought a picture from Hendrich, a highlight for his recognition.
In 1901 the Walpurgishalle, a hall on the Witches’ Dance Floor near Thale in the Harz mountains, was inaugurated. Hendrich did the paintings for the interior and created sketches that were used by Bernhard Sehring to create the architecture. Hendrich considered this the apex of his career.
By 1903 in Schreiberhau Henrich erected the Sagenhalle, inspired by the Walpurgishalle. Hendrich became a co-founder of the Werdandibund in 1905, a society against the modern developments of art, which the group considered decadent. In 1910 Hendrich was awarded the title of professor.
The Nibelungenhalle at the Drachenfels was opened in 1913 on the occasion of Richard Wagner’s centenary. It contains twelve paintings by Hendrich with scenes from Der Ring des Nibelungen. The idea for the dome building came from Hermann Hendrich himself but was implemented by the Berlin architects Hans Meier and Werner Behrendt (no information on these two architects is to be found online though). In 1933 the Dragon Cave was built in the outside area of the hall, and in 1958 the Reptilienzoo was added.
In 1921, Hermann Hendrich published illustrations for an edition of Das Märchen (also known as The Green Snake and the Beautiful Lily), a 1795 story written by Johann Wolfgang von Goethe.
In 1926, the Halle Deutscher Sagenring in Burg an der Wupper (today part of Solingen) was opened. The hall exhibited Hendrich’s paintings from the Percival saga.
Hendrich died in 1931 in Schreiberhau in an accident (no more information about his death is provided). Despite accurate research on the life and works of Hendrich many aspects about his life remain unknown. Suffice to say a considerable number of Hendrich’s paintings were destroyed during WWII. Many of his early paintings were exhibited and sold in the USA, although their current location is completely unknown to this date.
Legacy
As both the Nibelungenhalle and the Walpurgishalle were showing clear signs of deterioration the buildings underwent extensive restoration and refurbishment from 2013 to 2015. By that time, Elke Rohling had the idea of forming a nonprofit organization to collect and disseminate the artistic work of Hermann Hendrich in order to preserve his architectural temples for future generations. The result of this effort has been the cultural association Nibelungenhort that produced a book and a CD of the same title on the life and works of this German artist. On November 19, 2013 in Heringen, birthplace of the artist, a plaque by “Friends of the painter Hermann Hendrich” was affixed. The inscription on the plaque reads:
“Here on October 31, 1851 was born the great German painter Hermann Hendrich”.
The above excerpts and notes are mostly taken (via wikipedia) from the book ‘Hermann Hendrich Leben und Werk’ by Elke Rohling, published by Werdandi, 2001. IBSN 3-00-008228-X. The introductory notes (that I have combined with my personal commentary) are mostly taken from the Galleria d’Arte Thule’s entry on Hermann Hendrich. In order to find more information on both the Nibelungenhalle Königswinters and Walpurgishalle Thale temples visit their respective official websites using the links provided here.
For a brief touring video of the Nibelungenhalle am Drachenfels click HERE
Sources: Galleria d’Arte Thule, wikipedia, Monumente website, Atlas Obscura, Nibelungenhalle (official website), Awayn, and Stadtjournal.
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The Nibelungenhalle Königswinters and Walpurgishalle Thale temples
Front view of the Nibelungenhalle in Königswinter (photo by Roland Rossner) Nibelungenhalle's interior with paintings by Hermann Hendrich on display. Nibelungenhalle's interior with bust of Hermann Hendrich. The magnificent ironwork to be found on the Nibelungenhalle's main entrance doors. A dragon's sculpture by Hermann Josef Krings, directly inspired by one of Hendrich's paintings, to be found inside the Dragon's Cave at the Nibelungenhalle. Nibelungenhalle's aereal view (2015 photo by Wolkenkratzer). Over the years The Nibelungenhalle showed signs of serious damage. The dome roof was leaking. Originally it was supposed to be clad with copper, but the financial means were lacking when the hall was built. One of the "dragons" that can be found at the Nibelungenhalle's reptilian zoo. One of a total of six reliefs in the outside area of the hall. They were created by architect and sculptor Franz Josef Krings. These reliefs show the heads of the gods Wotan and Loki, the giants Fasolt and Fafner and the Nibelung heroes Hagen and Siegfried (photo by Axel Kirch). One of the circular swastikas which can be seen at the main entrance of the Nibelungenhalle. Front view of the amazing Walpurgis Hall, Witches' Point in Thale, Germany (2018 photo by A.Savin ) Wotan, the father of the gods, and the ravens Hugin and Munin on the gable of the Walpurgis Hall (photo by Helgoland01) The Restoration: Recently restored interiors of the Walpurgishalle in Thale. Both the Walpurgishalle and the Nibelungenhalle showed structural damage in numerous places. Fortunately rehabilitation for both buildings came in 2013. Sagenhalle in Schreiberhau (Old Photo): At the end of WWII, in 1945, the Sagenhalle was destroyed. The whereabouts of the paintings and other art objects inside the building have not been clarified. Today a hotel and a rest-home for a university stand in its place.
Hermann Hendrich’s art gallery
'Thor (Donner), The God of Thunder' (version 1) by Hermann Hendrich 'Thor (Donner), The God of Thunder' (version 2) by Hermann Hendrich 'The Walhall, Das Rheingold' by Hermann Hendrich 'Alberich stealing Gold from the Daughters of the Rhine', Das Rheingold, Scene 1 by Hermann Hendrich 'Awakening of Brunnhilde' (1906) by Hermann Hendrich 'Moonlight At The Sea' by Hermann Hendrich 'Der Rheintöchter Klage' (1915) by Hermann Hendrich 'Die Meerfrau' (The Mermaid) by Hermann Hendrich 'Die Nymphe Echo an einem Seerosenteich in der Dämmerung' (1905) by Hermann Hendrich 'Freya's Garden' (Das Rheingold) (1913) by Hermann Hendrich 'Die Traurige Weise' (c.1900) by Hermann Hendrich 'Mondnacht auf dem Palatin' (1886) by Hermann Hendrich Scene from Wagner's Opera "Parsifal" by Hermann Hendrick 'Rit Durch Einen Gespenstischen Wald' by Hermann Hendrich 'Hampel' by Hermann Hendrich 'Old German Folk Tale' (1896) by Hermann Hendrich 'Nibelheim' by Hermann Hendrich 'Ludwig Jacobowski as Loki' (1899) by Hermann Hendrich 'Ride of The Valkyries' (1906) by Hermann Hendrich 'Sagenhalle in Schreiberhau' sketch painted by Hermann Hendrich 'Siegfried und Fafner' by Hermann Hendrich 'Bride of the Wind' (exhibited at The Walpurgishalle) by Hermann Hendrich 'Saint Grail Legend, The Incantation' by Hermann Hendrich 'Parsifal' from Eponymous Opera by Richard Wagner (1813-1883) by Hermann Hendrich 'The Rhine Gold' (1906) by Hermann Hendrich 'The Norns' (1906) by Hermann Hendrich 'The Fog Women' by Hermann Hendrich 'Wotan, Götterdämmerung' by Hermann Hendrich 'Wotan and the Sleeping Brünhilde from Wagner's Die Walküre, Act III' (1928) by Hermann Hendrich 'Walpurgis Hall' (Witches' Dance Floor) sketch by Hermann Hendrich 'Wotan, The Cloud Walker' by Hermann Hendrich 'The Charm of Fire (Feuerzauber), Die Walküre, Act III, Scene 3' by Hermann Hendrich One of the very sketchy ones: 'Walhall' by Hermann Hendrich 'Sigurd and Fafnir' (c.1906) by Hermann Hendrich 'Siegfried Kills The Dragon' by Hermann Hendrich 'Ritter Parsival vor der Gralsburg' by Hermann Hendrich 'Rocky Coast' by Hermann Hendrich
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Author: J. Belenger J.Belenger (pronounced with a hard 'G') is a musician, composer and experienced graphic artist. He participated in the soundtrack for the documentary ‘Hellstorm’, directed by Kyle Hunt, in 2015. He has also collaborated extensively with Justice 4 Germans in the past. J.Belenger (pronounced with a hard 'G') is a musician, composer and experienced graphic artist. He participated in the soundtrack for the documentary ‘Hellstorm’, directed by Kyle Hunt, in 2015. He has also collaborated extensively with Justice 4 Germans in the past. Twitter Facebook


renegadetribune--2020-10-17--Bill Gates: ‘A Second Wave of (COVID) Vaccines Will Come Next Year’ After The First

What Happened : Bill Gates recently appeared on NBC news stating that after the first generation of COVID vaccines becomes available , a second wave of vaccines will then hit the market , letting the public know that the COVID vaccine will be a multi-dose vaccine .
Approximately 6 months ago he gave multiple interviews , in one of them stating that “ It is fair to say that things won ’ t go back to truly normal until we have a vaccine that we ’ ve gotten out to basically the entire world.
” In this most recent interview @ @ @ @ @ @ @ at an all time high , but did not address the concerns that vaccine safety advocates commonly bring up , some of which you can see in the articles listed towards the end of this article .
Instead , like many other mainstream media interviews and pieces about vaccines , the idea that they ’ re not completely safe and effective for everyone seemed to be brushed off as a mere “ conspiracy theory.
” From here he was asked about misinformation that ’ s spread on social media outlets , and the @ @ @ @ @ @ @ stop and slow down its spread .
But this begs the question , how much of this information is actually misinformation ?
If scientists and various publications raise legitimate concerns about vaccines , it also seems to be pilled into the ‘ misinformation ’ category in the minds of people like Bill Gates .
This is a very serious issue , as legitimate safety concerns regarding vaccines continue to be completely ignored and never really addressed .
That being said , there is a lot of misinformation out there .
Whenever writing about @ @ @ @ @ @ @ uses credible sources and information .
Right now we have a digital authoritarian “ fact-checker ” patrolling the internet telling people what is and what isn ’ t .
Should people not have the right to examine information and sources for themselves and decide on their own what they choose to believe ?
Are we really so unintelligent that we can ’ t determine what a credible source is anymore , and require a ‘ ministry of truth ’ to tell us what is ?
Why This Is Important : Why doesn ’ @ @ @ @ @ @ @ addresses the concerns that are being raised by scientists and doctors ?
Why is ridicule and terms like “ conspiracy theory ” always used instead ?
What are the concerns ?
Vaccine injury is one of them .
The National Childhood Vaccine Injury Act has paid more than $ 4 billion to families of vaccine injured children .
A 2010 HHS pilot study by the Federal Agency for Health Care Research ( AHCR ) found that 1 in every 39 vaccines causes injury , a shocking comparison to the claims from the CDC @ @ @ @ @ @ @ , it ’ s no secret that vaccine hesitancy is at an all time high , even among physicians .
Professor Heidi Larson , a Professor of Anthropology and the Risk and Decision Scientist Director at the Vaccine Confidence Project stated at a World Health Organization ( WHO ) conference that : Are these health care professionals being had by “ conspiracy theories ?
” Again , there are many concerns with vaccine safety , and if you browse through our site they are not hard to find .
You can refer to @ @ @ @ @ @ @ to dive deeper into a few examples that are backed by proper sources .
This is the information that never seems to be acknowledged by the mainstream .
The question on many people ’ s minds seems to be if the vaccine will be made mandatory for things like travel or to enter into certain buildings .
No doubt health authorities will face many backlashes and protests if this is the case .
We will see what happens .
37 % of Measles Cases Analyzed In The US In 2015 Were Caused By @ @ @ @ @ @ @ Consent Ask If The MMR Vaccine Is More Dangerous Than The Measles Lawsuit Filed Against Merck For Lying To Doctors & Moms About The HPV Gardasil Vaccine New Study Explains Why It ’ s “ Uncertain ” If The HPV Vaccine Even Prevents Cervical Cancer Reasons Why Many People Refuse The Flu Shot

By
What Happened: Bill Gates recently appeared on NBC news stating that after the first generation of COVID vaccines becomes available, a second wave of vaccines will then hit the market, letting the public know that the COVID vaccine will be a multi-dose vaccine.
Approximately 6 months ago he gave multiple interviews, in one of them stating that “It is fair to say that things won’t go back to truly normal until we have a vaccine that we’ve gotten out to basically the entire world.”
In this most recent interview, he discussed how vaccine hesitancy is at an all time high, but did not address the concerns that vaccine safety advocates commonly bring up, some of which you can see in the articles listed towards the end of this article. Instead, like many other mainstream media interviews and pieces about vaccines, the idea that they’re not completely safe and effective for everyone seemed to be brushed off as a mere “conspiracy theory.”
From here he was asked about misinformation that’s spread on social media outlets, and the responsibility the government has to limit, stop and slow down its spread. But this begs the question, how much of this information is actually misinformation? If scientists and various publications raise legitimate concerns about vaccines, it also seems to be pilled into the ‘misinformation’ category in the minds of people like Bill Gates.
This is a very serious issue, as legitimate safety concerns regarding vaccines continue to be completely ignored and never really addressed. That being said, there is a lot of misinformation out there. Whenever writing about this topic it’s imperative one uses credible sources and information.
Right now we have a digital authoritarian “fact-checker” patrolling the internet telling people what is and what isn’t. Should people not have the right to examine information and sources for themselves and decide on their own what they choose to believe? Are we really so unintelligent that we can’t determine what a credible source is anymore, and require a ‘ministry of truth’ to tell us what is?
Why This Is Important: Why doesn’t mainstream media or Bill Gates actually addresses the concerns that are being raised by scientists and doctors? Why is ridicule and terms like “conspiracy theory” always used instead?
What are the concerns? Vaccine injury is one of them. The National Childhood Vaccine Injury Act has paid more than $4 billion to families of vaccine injured children. A 2010 HHS pilot study by the Federal Agency for Health Care Research (AHCR) found that 1 in every 39 vaccines causes injury, a shocking comparison to the claims from the CDC of 1 in every million.
Again, it’s no secret that vaccine hesitancy is at an all time high, even among physicians. Professor Heidi Larson, a Professor of Anthropology and the Risk and Decision Scientist Director at the Vaccine Confidence Project stated at a World Health Organization (WHO) conference that:
The other thing that’s a trend, and an issue, is not just confidence in providers but confidence of health care providers, we have a very wobbly health professional frontline that is starting to question vaccines and the safety of vaccines. That’s a huge problem, because to this day any study I’ve seen… still, the most trusted person on any study I’ve seen globally is the health care provider…
Are these health care professionals being had by “conspiracy theories?”
Again, there are many concerns with vaccine safety, and if you browse through our site they are not hard to find. You can refer to the articles listed below if you want to dive deeper into a few examples that are backed by proper sources. This is the information that never seems to be acknowledged by the mainstream.
The question on many people’s minds seems to be if the vaccine will be made mandatory for things like travel or to enter into certain buildings. No doubt health authorities will face many backlashes and protests if this is the case. We will see what happens.
Scientists Call For Safety Testing of Aluminum Based Vaccine Adjuvants
37% of Measles Cases Analyzed In The US In 2015 Were Caused By The MMR Vaccine
The Physicians For Informed Consent Ask If The MMR Vaccine Is More Dangerous Than The Measles
Lawsuit Filed Against Merck For Lying To Doctors & Moms About The HPV Gardasil Vaccine
New Study Explains Why It’s “Uncertain” If The HPV Vaccine Even Prevents Cervical Cancer
Reasons Why Many People Refuse The Flu Shot
This article originally appeared on Collective Evolution.
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Author: Thanks for being a reader of this site. Your contributions make this all possible. You can send support to: Kyle Hunt, PO Box 1052, Sorrento FL 32776. Bitcoin address: 1AfppjYZddJzc2C15PXKMsnyBPjPJQezwA . CashApp: Thanks for being a reader of this site. Your contributions make this all possible. You can send support to: Kyle Hunt, PO Box 1052, Sorrento FL 32776. Bitcoin address: 1AfppjYZddJzc2C15PXKMsnyBPjPJQezwA . CashApp: https://cash.app/$thekylehunt


renegadetribune--2020-10-18--Is Trump’s October Surprise Another Piece of Pizzagate? Hunter Biden’s Laptop Investigated by FBI’s

Is Trump’s October Surprise Another Piece of Pizzagate? Hunter Biden’s Laptop Investigated by FBI’s Top Child Porn Investigator

Right before the 2016 election Pizzagate went viral .
Many people were convinced that the Clintons , the Podesta brothers , Obama , Biden , James Alefantis , and other big names in the Democrat establishment were partaking in Satanic rituals , which included the torture , rape , and murder of little children .
Most of the information appears to be true , but the big con was getting people to think that not only do Republicans have nothing to do with the abuse of children , but that Trump and his team of white hats are swooping in @ @ @ @ @ @ @ drain the swamp , dismantling the Democrat Deep State .
Yup , Roy Cohn ’ s protege , who was buddies with Epstein and Maxwell , was going to take down the the Pizzagate conspiracy .
The Pizzagate surprise was certainly very effective in turning lots of people against Hillary Clinton , with Trump winning the election , and getting Trump ’ s Q army started .
Now it looks like there is another piece of pizzagate being put out to turn people against Joe Biden , by way of exposing his son @ @ @ @ @ @ @ for years about Hunter taking money from Ukrainian oligarchs in order to peddle influence with his father , who was then vice president of the country .
The new development is that a computer repairman was provided with Hunter ’ s laptop , who ended up sending it to the FBI , as well as sending a copy to Rudy Giuliani , due to the incriminating material contained therein .
Not only are there emails about financial transactions with Ukraine and China , but the NY Post reports that it also contains a @ @ @ @ @ @ @ to show Hunter smoking crack while engaged in a sex act with an unidentified woman , ’ as well as ‘ numerous other sexually explicit images.
’ The NY Post story has been blocked from being shared on Facebook and Twitter .
One piece of evidence that points to Hunter Biden being potentially involved in a child rape scandal is that the FBI subpoena contains the signature of special agent Joshua Wilson , who is the agency ’ s top child pornography investigator .
Last year , The Star-Ledger newspaper described Wilson as @ @ @ @ @ @ @ Jersey who has spent nearly five years working full time on child pornography.
” In 2012 , the same Joshua Wilson signed a criminal complaint that charged a New Jersey man with collecting and distributing child pornography .
The signature on that complaint clearly matches the unreversed signature on the subpoena published by the New York Post .
It ’ s unclear whether the FBI employs more than one agent named Joshua Wilson .
But the available evidence seems to show the Joshua Wilson who signed the subpoena for Hunter Biden ’ s @ @ @ @ @ @ @ investigates child pornography for the FBI , are the same person .
This raises the possibility , not explored by the Post , that the FBI issued the subpoena for reasons unrelated to Hunter Biden ’ s role in Ukraine and Burisma .
Would this really shock anyone ?
Hunter ’ s father sexually assaults children on TV .
Seriously , if a man was to touch grown women the same way Joe Biden touches these children , he would be charged with sexual assault .
You would think Trump would bring this @ @ @ @ @ @ @ but perhaps he does not want his own connections to child sex trafficking to be brought into the spotlight .
What do you think ?
Is Trump ’ s team pulling off another Pizzagate October surprise in order to sway the election ?
Is another four years of Trump as CEO of ZOG actually what the world rulers want to see ?
It ’ s certainly possible .

Right before the 2016 election Pizzagate went viral. Many people were convinced that the Clintons, the Podesta brothers, Obama, Biden, James Alefantis, and other big names in the Democrat establishment were partaking in Satanic rituals, which included the torture, rape, and murder of little children. Most of the information appears to be true, but the big con was getting people to think that not only do Republicans have nothing to do with the abuse of children, but that Trump and his team of white hats are swooping in to “lock her up” and drain the swamp, dismantling the Democrat Deep State. Yup, Roy Cohn’s protege, who was buddies with Epstein and Maxwell, was going to take down the the Pizzagate conspiracy.
The Pizzagate surprise was certainly very effective in turning lots of people against Hillary Clinton, with Trump winning the election, and getting Trump’s Q army started.
Now it looks like there is another piece of pizzagate being put out to turn people against Joe Biden, by way of exposing his son, Hunter Biden. We have heard for years about Hunter taking money from Ukrainian oligarchs in order to peddle influence with his father, who was then vice president of the country. The new development is that a computer repairman was provided with Hunter’s laptop, who ended up sending it to the FBI, as well as sending a copy to Rudy Giuliani, due to the incriminating material contained therein.
Not only are there emails about financial transactions with Ukraine and China, but the NY Post reports that it also contains a ‘raunchy, 12-minute video that appears to show Hunter smoking crack while engaged in a sex act with an unidentified woman,’ as well as ‘numerous other sexually explicit images.’ The NY Post story has been blocked from being shared on Facebook and Twitter.
OAN is claiming the material involves “underage obsessions.”
Just saw for myself a behind the scenes look at the #HunterBiden hard drive: Drugs, underage obsessions, power deals… Druggie Hunter makes Anthony Weiner's down under selfie addiction look normal.#BidenCrimeFamily has a lot of apologizing to do. So does Big Tech. @OANN — Chanel Rion OAN (@ChanelRion) October 15, 2020
One piece of evidence that points to Hunter Biden being potentially involved in a child rape scandal is that the FBI subpoena contains the signature of special agent Joshua Wilson, who is the agency’s top child pornography investigator.
According to Business Insider:
Last year, The Star-Ledger newspaper described Wilson as “an FBI agent based in New Jersey who has spent nearly five years working full time on child pornography.” In 2012, the same Joshua Wilson signed a criminal complaint that charged a New Jersey man with collecting and distributing child pornography. The signature on that complaint clearly matches the unreversed signature on the subpoena published by the New York Post. It’s unclear whether the FBI employs more than one agent named Joshua Wilson. But the available evidence seems to show the Joshua Wilson who signed the subpoena for Hunter Biden’s laptop, and the Joshua Wilson who investigates child pornography for the FBI, are the same person. This raises the possibility, not explored by the Post, that the FBI issued the subpoena for reasons unrelated to Hunter Biden’s role in Ukraine and Burisma.
Would this really shock anyone? Hunter’s father sexually assaults children on TV.
Seriously, if a man was to touch grown women the same way Joe Biden touches these children, he would be charged with sexual assault. You would think Trump would bring this up when confronting and exposing Joe, but perhaps he does not want his own connections to child sex trafficking to be brought into the spotlight.
What do you think? Is Trump’s team pulling off another Pizzagate October surprise in order to sway the election? Is another four years of Trump as CEO of ZOG actually what the world rulers want to see? It’s certainly possible.
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Author: Kyle Hunt Kyle is the publisher of the Renegade Tribune and the founder of Kyle is the publisher of the Renegade Tribune and the founder of Renegade Broadcasting , where he hosts The Solar Storm . He also organized the 2014 White Man March and created the film adaptation of Hellstorm . You can send support to: Kyle Hunt, PO Box 1052, Sorrento FL 32776. Bitcoin address: 1AfppjYZddJzc2C15PXKMsnyBPjPJQezwA


renegadetribune--2020-10-18--Seattle Art Teacher Tells 8th Graders That Peace is “Racist” and Art History is “White Supremacist”

Could you imagine being in 8th grade , being forced to take school virtually , and listening to your art @ @ @ @ @ evil White people are ?

Could you imagine being in 8th grade, being forced to take school virtually, and listening to your art teacher explaining to you how evil White people are?