vigilantcitizen--2020-11-26--Busta Rhymes’ Album “ELE2”: It’s Messages About the New World Order and the Five-Percent Nation

If you know something about rap music , you certainly know about Busta Rhymes .
Often characterized as “ iconic ” and “ legendary ” , Busta Rhymes has been rapping for over 30 years , releasing over 10 albums and 56 music videos .
The Brooklyn rapper rose to prominence during the early 90s , right as New York rap was entering its golden age .
While most NY rappers of that era were all about grimey beats , rhymes , clothing , and music videos , Busta Rhymes came through like a colorful tornado of hyperactivity .
His @ @ @ @ @ @ @ to East Coast rap while redefining the esthetics of music videos for years to come .
While Busta ’ s videos were about general fun and craziness , his albums mostly revolved around a sinister theme : The Apocalypse .
Indeed , his three first albums were named The Coming ( 1996 ) , When Disaster Strikes ( 1997 ) , and E.L.E .
( Extinction Level Event ) : The Final World Front ( 1998 ) .
All of these albums predicted the coming of a major disaster in the near future @ @ @ @ @ @ @ context is a lot bleaker than it was in the 90s .
Also , Busta Rhymes is 48 years old and a lot heavier .
Understandably enough , he probably doesn ’ t really feel like bouncing around in videos while wearing funny hats .
Instead , he decided that the time was right to release Extinction Level Event 2 : The Wrath of God – an album filled with intense messages and symbolism .
Judging by this creepy cover alone , one can already feel that ELE2 carries a different vibe than @ @ @ @ @ @ @ the 90s , his apocalyptic theme was mainly perceived as a creative concept that gave his albums an interesting vibe and intensity .
However , in his 2020 album ELE2 , Busta is not really joking around anymore .
One gets the feeling that he actually believes that the world ( as we know it ) is ending .
In an interview with NME , Busta explains the meaning of his album cover and its relation with the current COVID crisis .
Hello Busta !
Your new album ’ s artwork shows a @ @ @ @ @ @ @ you coping with this COVID-19 period ?
This is one of the most unfortunate times in the history of the existence of this planet .
It feels like our intelligence is being insulted significantly and there ’ s no accountability for the suffering we have to encounter as a result .
There feels like there ’ s a blatant inconsistency in truth for us to be able to protect our well-being in the right way .
People want to go to work and not be subjected to doing anything illegal to take care @ @ @ @ @ @ @ have worked hard to build businesses that are being taken away from them , and can ’ t see family members .
Who ’ s ‘ they ’ ?
What would anyone exactly have to gain from this ?
There ’ s obviously something wrong and some other agenda going on – a lot of it is political .
It feels super-imbalanced and unfair .
We ’ re getting caught up in the overwhelming abundances of propaganda that ’ s keeping us distracted from realising that there ’ s some truth we need @ @ @ @ @ @ @ the bottom of .
Let ’ s agree to disagree .
1998 ’ s ‘ E.L.E .
( Extinction Level Event ) : The Final World Front ’ was loaded with apocalyptic imagery , so 2020 feels an appropriate time to release the follow-up… With my work , I try to point out that a day was coming that is going to permanently end the world we ’ ve grown to know and love .
I never knew we would live to see this time ( Laughs ) .
I named my albums @ @ @ @ @ @ @ Disaster Strikes… ’ , ‘ E.L.E .
( Extinction Level Event ) : The Final World Front ’ , ‘ Anarchy ’ , ‘ It Ain ’ t Safe No More… ’ , and ‘ The Big Bang ’ .
I was hoping none of these events did happen , but felt it was my duty to start these conversations about how do we prepare for it if it does .
So I would always have these narratives attached to the themes of my albums .
That ’ s why ‘ Everything Remains @ @ @ @ @ @ @ 1996 single ‘ Woo Hah !
!
Got You All In Check ’ , I said ‘ There ’ s only five years left ’ .
Five years later , the World Trade Centre falls .
Then in 1998 , my first ‘ E.L.E .
( Extinction Level Event ) ’ album , the artwork is the World Trade Centre gone and New York in flames .
Three years later , it actually happens .
I wasn ’ t prophesising anything ; I just wanted to share the sh*t that was actually out @ @ @ @ @ @ @ re conspiracy theorists if they read it .
You know , the ‘ conspiracy theorist ’ term is to discredit whatever truth you might be getting close to .
Now there ’ s no changing my mind .
It ’ s not coincidence .
Somebody planned this sh*t , but I don ’ t know who .
This interview revealed a couple of things .
First , the interviewer is kind of a douche .
Second , Busta Rhymes clearly believes that there are shady forces at work in the world and they @ @ @ @ @ @ @ .
Finally , the rapper is looking to share some important messages through his album E.L.E 2 .
Here ’ s a look at some of its messages .
As soon as the listener presses “ play ” , things get very real , very fast .
A narrator greets listeners with this prophetic monologue : The intro talks about the Biblical figure Nimrod who is said to have unified the world through one language and one religion while building the Tower of Babel to defy God .
The narrator then says “ @ @ @ @ @ @ @ ’ s elite is building a New World Order that is perceived as a new version of the Tower of Babel – one that will inevitably attract the wrath of God , again .
The intro also contains a reference to 9/11 .
By stating that “ conspiracy is reality ” and “ fear is the weapon of thine enemy ” , the narrator conveys the sense that the destruction of the twin towers in 2001 launched an era of false flag attacks meant to terrorize the population into submission .
The intro @ @ @ @ @ @ @ words saying “ An incurable virus to decimate the dark , nuclear rain to set us aflame ” .
During this chaotic 7-minute intro , the veteran rapper Rakim also drops a verse of “ biblical ” proportions .
Here ’ s the first part of it .
In short , there ’ s a lot going on in this intro .
It ties in a lot of the issues we hear about in 2020 as signs that the world is ending .
On a deeper level , the intro ( and the @ @ @ @ @ @ @ concepts and symbolism relating to the Five-Percent Nation .
Considering the fact that both Busta Rhymes and Rakim are prominent Five-Percenters , the message of this intro can only be fully understood through the lens of Five-Percent philosophy ( more on this later ) .
The rest of ELE 2 tackles several issues ( riots , police brutality , etc . )
while also containing a hefty dose of lighter tracks .
However , the last song of the album is not “ light ” at all .
The final song of the @ @ @ @ @ @ @ the overtly satanic imagery that has taken over rap in the last years .
Busta warns artists that , by bowing down to Satan in their music , they ’ re “ playing with a match that can grow into an inferno ” .
Here ’ s the entire verse .
Look , I had to compile this sh*t in a song It ’ s so intriguing , all this f*ckin ’ satanic sh*t goin ’ on Playin ’ with symbols and signs , devil worshippin ’ People talk like thеy prayin ’ @ @ @ @ @ @ @ “ Jеsus Walks ” ?
Yeah , we have demented thoughts , then you conversate with your savior Askin ’ for forgiveness while displayin ’ blasphemous behavior At first , we seen it subtle , now n*ggas display it major And goin ’ out they way like they doin ’ Satan a favor And gamble with they life like rattlin ’ dice in a shaker Another life forsaken , turnin ’ your back on your maker I ’ m only tryna cater to the facts and sh*t I ’ m seein ’ a @ @ @ @ @ @ @ f*ck these n*ggas believe in ?
But now , we don ’ t figure the same , your music is lifeless And your visuals lookin ’ like rituals and sacrifices Makin ’ deals with the Devil in exchange to be the nicest You dead like your flesh was eaten by maggots and lices We ’ ve all witnessed the change , now nobody wan na be righteous The days we live is dark and unquestionably a crisis The Devil tried to plant the fear from when we was in diapers And some grew @ @ @ @ @ @ @ of Osiris Now I know you see this sh*t while you sit and wonder what happened It ’ s strange how n -- -- s brandish devil worship like a fashion The signs of the times , clouds from the heavens open Where birds fall from the sky and fish die in the ocean Now who you think you foolin ’ ?
We seein ’ the way you ’ re movin ’ I hope you take the time to start thinkin ’ ’ bout what you ’ re doin ’ You ’ re @ @ @ @ @ @ @ grow into an inferno Undescribable , the burn when the fire ’ s feelin ’ eternal I hope you document this and write it down in your journal And read it back to yourself while overcomin ’ your hurdles Now trust me and be careful of who you let in your circle ‘ Cause the Devil f*cks a life and will breed the p*ssy that ’ s fertile I know it ’ s gettin ’ cold and you ’ re fightin ’ the war internal Body decayin ’ , turnin ’ all grey @ @ @ @ @ @ @ a lotta s -- t with no rehearsal But in life , we don ’ t rehearse , what you do can come back and hurt you And until then , watch how the Devil will work through Look at what you ’ ve become and what the Devil gave birth to And when it hits the fan , you ’ ll be wonderin ’ where your folks went Your n*ggas ’ ll disappear when the science gets kinda potent I ’ m just buildin ’ , I ain ’ t mean to @ @ @ @ @ @ @ my duty , everybody just be careful ( Be careful ) In this intense verse , Busta talks about artists ’ visuals “ looking like rituals and sacrifices ” .
This is easily verifiable .
For the past 11 years , The Vigilant Citizen has been documenting the occult and satanic imagery found in rap videos with loads of screenshots and references .
Busta says that they used to be subtle , but now they “ display it major ” .
That is 100 % true .
Ironically enough , despite the messages @ @ @ @ @ @ @ ended up being accused of being satanic .
On October 7th , Busta released a promotional video titled THE PROPHECY WILL BE FULFILLED .
Directed by industry veteran Sam Lecca , the video takes place in a church where something unholy is happening .
Nearly all of the comments on YouTube accuse that video of being satanic .
This is the top comment right now .
So , what ’ s exactly the message of this video ?
In his song Satanic , Busta talks about ritualistic videos and even wonders what happened @ @ @ @ @ @ @ ’ s Jesus Walks .
But then , he releases this promo video where a Catholic mass is portrayed as a demonic rite .
Some answers can be found by better understanding the heavy influence of the Five-Percent Nation on Busta Rhymes ’ works .
The Five Percent Nation – also known as Nation of Gods and Earths ( NGE ) – was founded in 1964 by Clarence 13X , a minister of the Nation of Islam ( NOI ) who was working under the tutelage of Malcolm X .
After years within @ @ @ @ @ @ @ offshoot to the NOI because he rejected the teaching that Wallace Fard Muhammad ( the mysterious founder of the NOI ) was God incarnate .
Instead , Clarence 13X taught his students that the black man ( individually and collectively ) is God .
Conversely , white people are “ devils ” and their technology is actually “ tricknology ” that will not stand the test of time .
Members of the group call themselves Allah ’ s Five-Percenters because they believe that only ten percent of the people in the world know @ @ @ @ @ @ @ and their agents keep eighty-five percent of the world in ignorance and under control .
The remaining five percent are those who know the truth and are given the mission to enlighten the eighty-five percent .
They are known as the “ poor righteous teachers ” .
While the NGE is said to be close to Islam , its teachings are actually much closer to esoteric schools such as Freemasonry .
Indeed , Five-Percenters are taught that there is no “ mystery God ” and that the “ Original Man ” can become @ @ @ @ @ @ @ ” .
This concept is similar to the hermetic axiom “ Know Thyself ” taught in Mystery Schools such as Freemasonry .
By affirming that divinity can be obtained on Earth through knowledge , disciple , and enlightenment , the NGE is philosophically closer to Gnosticism rather than traditional religions .
In other words , the NGE does not believe in a god but instead teaches a form of apotheosis where the Asiatic black man is God and his proper name is “ Allah ” , the Arabic word for “ God ” @ @ @ @ @ @ @ arcane systems called Supreme Mathematics and Supreme Alphabet as keys to understanding how man relates to the universe .
This concept is similar to systems of numerology found in Freemasonry .
For instance , in Supreme Mathematics , the number 7 and the letter G ( the 7th letter of the alphabet ) are associated with God .
While Freemasonry is a rigid secret society that recruits the local elites within its ranks , the NGE is a community-based organization that attracts disenfranchised men and inmates in urban areas .
Probably for this @ @ @ @ @ @ @ joined the ranks of the NGE , especially in the 1990s .
Artists such as Rakim , Busta Rhymes , Jay Electronica , the entire Wu-Tang Clan , Erykah Badu , Jay-Z , Nas , and many others integrated NGE concepts and symbolism into their lyrics while heavily influencing hip-hop slang in general .
Expressions such as “ word is bond ” , “ peace ” , “ cipher ” , “ dropping science ” , “ dropping knowledge ” , and calling each other “ god ” all originate from the NGE @ @ @ @ @ @ @ most prominent representatives of the NGE in hip-hop .
And his latest album ELE2 is heavily infused with its philosophy .
Busta ’ s verse on the ELE2 intro is pure NGE .
It begins like this : Through this verse , one understands the album ’ s subtitle The Wrath of God is actually a reference to Busta himself .
More NGE references are found later in the verse : With all of that being said , we can now better understand the reasoning behind the promotional video featuring an evil priest @ @ @ @ @ @ @ an NGE FAQ that explains how the Nation perceives organized religion in general .
This FAQ explains why the Catholic priest was portrayed as an evil figure .
According to Five-Percenters , preachers in traditional religions actually help the elite keep the 85 % in ignorance .
Analyzing the works of veteran artists such as Busta Rhymes is a different task than analyzing regular pop stars .
These artists usually have full creative control of their works and their messages are often an amalgamation of the various influences in their lives .
Busta @ @ @ @ @ @ @ messages about the pandemic , the New World Order , and satanism in the music industry .
However , to fully understand the album ’ s meaning , one must first understand the NGE philosophy that permeates it .
As exemplified by the YouTube comments on Busta ’ s promo video , NGE philosophy is rather divisive and controversial .
Its teachings about the nature of God , the role of religion , and the origins of white people are bound to be received with anger and skepticism by many , including religious @ @ @ @ @ @ @ argue that all of this divisiveness only serves the elite ’ s favorite tactic : Divide and conquer .
On the other hand , those who were around during the NGE ’ s 90s heyday say that the organization actually had a positive influence on black men by creating a community focused on truth-seeking and general righteousness which helped them turn away from gangs , drugs , and crime .
In short , I ’ ll leave the task of judging the NGE and everything around it to God .
And I ’ @ @ @ @ @ @ @ should probably all set our differences aside and focus on a common foe : A satanic elite that is creating a dystopian new world order right before our eyes .
P.S .
The economic crisis caused by COVID-19 has caused a massive drop in advertising revenues , making it difficult for independent websites such as The Vigilant Citizen to remain afloat .
If you appreciated this article , please consider showing your support through a small monthly donation on Patreon .
If you prefer , you can also make a one-time donation here @ @ @ @ @ @ @ navigate these difficult times as it continues to provide vital information and analysis on a regular basis .
Thank you !

If you know something about rap music, you certainly know about Busta Rhymes. Often characterized as “iconic” and “legendary”, Busta Rhymes has been rapping for over 30 years, releasing over 10 albums and 56 music videos.
The Brooklyn rapper rose to prominence during the early 90s, right as New York rap was entering its golden age. While most NY rappers of that era were all about grimey beats, rhymes, clothing, and music videos, Busta Rhymes came through like a colorful tornado of hyperactivity. His flashy and exuberant style brought new energy to East Coast rap while redefining the esthetics of music videos for years to come.
While Busta’s videos were about general fun and craziness, his albums mostly revolved around a sinister theme: The Apocalypse. Indeed, his three first albums were named The Coming (1996), When Disaster Strikes (1997), and E.L.E. (Extinction Level Event): The Final World Front (1998). All of these albums predicted the coming of a major disaster in the near future.
Fast-forward to 2020. The general context is a lot bleaker than it was in the 90s. Also, Busta Rhymes is 48 years old and a lot heavier. Understandably enough, he probably doesn’t really feel like bouncing around in videos while wearing funny hats. Instead, he decided that the time was right to release Extinction Level Event 2: The Wrath of God – an album filled with intense messages and symbolism.
An Album With Messages
Judging by this creepy cover alone, one can already feel that ELE2 carries a different vibe than Busta’s previous works. In the 90s, his apocalyptic theme was mainly perceived as a creative concept that gave his albums an interesting vibe and intensity. However, in his 2020 album ELE2, Busta is not really joking around anymore. One gets the feeling that he actually believes that the world (as we know it) is ending.
In an interview with NME, Busta explains the meaning of his album cover and its relation with the current COVID crisis.
Hello Busta! Your new album’s artwork shows a skull in a face-mask. How are you coping with this COVID-19 period? This is one of the most unfortunate times in the history of the existence of this planet. It feels like our intelligence is being insulted significantly and there’s no accountability for the suffering we have to encounter as a result. There feels like there’s a blatant inconsistency in truth for us to be able to protect our well-being in the right way. People want to go to work and not be subjected to doing anything illegal to take care of themselves their family, and people have worked hard to build businesses that are being taken away from them, and can’t see family members. Who’s ‘they’? What would anyone exactly have to gain from this?
There’s obviously something wrong and some other agenda going on – a lot of it is political. It feels super-imbalanced and unfair. We’re getting caught up in the overwhelming abundances of propaganda that’s keeping us distracted from realising that there’s some truth we need to start working towards and getting to the bottom of. Let’s agree to disagree. 1998’s ‘E.L.E. (Extinction Level Event): The Final World Front’ was loaded with apocalyptic imagery, so 2020 feels an appropriate time to release the follow-up… With my work, I try to point out that a day was coming that is going to permanently end the world we’ve grown to know and love. I never knew we would live to see this time (Laughs). I named my albums ‘The Coming’, ‘When Disaster Strikes…’, ‘E.L.E. (Extinction Level Event): The Final World Front’, ‘ Anarchy’, ‘It Ain’t Safe No More…’, and ‘The Big Bang’. I was hoping none of these events did happen, but felt it was my duty to start these conversations about how do we prepare for it if it does. So I would always have these narratives attached to the themes of my albums. That’s why ‘Everything Remains Raw’, the B-side to my 1996 single ‘Woo Hah!! Got You All In Check’, I said ‘There’s only five years left’. Five years later, the World Trade Centre falls. Then in 1998, my first ‘E.L.E. (Extinction Level Event)’ album, the artwork is the World Trade Centre gone and New York in flames. Three years later, it actually happens. I wasn’t prophesising anything; I just wanted to share the sh*t that was actually out there that people are told they’re conspiracy theorists if they read it. You know, the ‘conspiracy theorist’ term is to discredit whatever truth you might be getting close to. Now there’s no changing my mind. It’s not coincidence. Somebody planned this sh*t, but I don’t know who.
This interview revealed a couple of things. First, the interviewer is kind of a douche. Second, Busta Rhymes clearly believes that there are shady forces at work in the world and they’re involved with the COVID crisis. Finally, the rapper is looking to share some important messages through his album E.L.E 2.
Here’s a look at some of its messages.
E.L.E 2 Intro
As soon as the listener presses “play”, things get very real, very fast. A narrator greets listeners with this prophetic monologue:
Genesis, chapter eleven, verses one through nine
Thousands of years before Christ
Tyrant Nimrod, Gilgamesh of Shinar, enslaved the first empire
One world language, one world religion, one world order
We have learned nothing (One)
Making the keys to heaven a gift to the devil
Those who desire to supplant God
Illuminati who tempt and horrify us as the most perfect angel Lucifer
Seek to rebirth a new world order upon the flesh, blood, and bones of all humanity
Again, towers rose skyward to challenge his divine glory
To conquer his serene domain
As in ancient Babylon, the one true Lord brought them down
In 2001, three became naught, conspiracy is reality
Fear is the weapon of thine enemy
Acts of terror a lie, told to convince the meek to surrender to their rulers
Atmospheric variances melt the polar ice caps and drown the rats who walk on two legs
An incurable virus to decimate the dark, nuclear rain to set us aflame
Obscured by a curtain of venom from space in the name of science
Fall to your knees, pray to a last choking breath
A new world order is here, arrogance over God means annihilation Daddy, what’s it gonna be like in the year 2021?
Only He can save us
This is the second coming
Extinction Level Event 2
The intro talks about the Biblical figure Nimrod who is said to have unified the world through one language and one religion while building the Tower of Babel to defy God. The narrator then says “We have learned nothing”. Today’s elite is building a New World Order that is perceived as a new version of the Tower of Babel – one that will inevitably attract the wrath of God, again.
The intro also contains a reference to 9/11. By stating that “conspiracy is reality” and “fear is the weapon of thine enemy”, the narrator conveys the sense that the destruction of the twin towers in 2001 launched an era of false flag attacks meant to terrorize the population into submission.
The intro also refers to COVID-19 with the bleak words saying “An incurable virus to decimate the dark, nuclear rain to set us aflame”.
During this chaotic 7-minute intro, the veteran rapper Rakim also drops a verse of “biblical” proportions. Here’s the first part of it.
I tried to warn ’em with The Seventh Seal
The world is wounded, it may never heal
Even Mother Nature’s gettin’ ill, it’s gettin’ real
When millions get killed when that deadly weather spill
Until Sodom and Gomorrah’s on America’s turf
The horror, it’ll forever get worse
Yet and still, it’s like a gift at birth then you inherit a curse
But the meek must inherit the Earth, it’s Heaven’s will
Meek meaning powerless in the form of politics
Giving power at the dawn of the apocalypse
And war is stronger than peace
It’s poverty ’til the majority is scarred with the mark of the beast
In short, there’s a lot going on in this intro. It ties in a lot of the issues we hear about in 2020 as signs that the world is ending.
On a deeper level, the intro (and the album in general) is permeated with concepts and symbolism relating to the Five-Percent Nation. Considering the fact that both Busta Rhymes and Rakim are prominent Five-Percenters, the message of this intro can only be fully understood through the lens of Five-Percent philosophy (more on this later).
The rest of ELE 2 tackles several issues (riots, police brutality, etc.) while also containing a hefty dose of lighter tracks. However, the last song of the album is not “light” at all.
Satanic
The final song of the album – dramatically titled Satanic – addresses the overtly satanic imagery that has taken over rap in the last years. Busta warns artists that, by bowing down to Satan in their music, they’re “playing with a match that can grow into an inferno”. Here’s the entire verse.
Look, I had to compile this sh*t in a song
It’s so intriguing, all this f*ckin’ satanic sh*t goin’ on
Playin’ with symbols and signs, devil worshippin’
People talk like thеy prayin’ to Lucifer, but what happened to “Jеsus Walks”?
Yeah, we have demented thoughts, then you conversate with your savior
Askin’ for forgiveness while displayin’ blasphemous behavior
At first, we seen it subtle, now n*ggas display it major
And goin’ out they way like they doin’ Satan a favor
And gamble with they life like rattlin’ dice in a shaker
Another life forsaken, turnin’ your back on your maker
I’m only tryna cater to the facts and sh*t
I’m seein’ a lot of questionable sh*t, like the f*ck these n*ggas believe in?
But now, we don’t figure the same, your music is lifeless
And your visuals lookin’ like rituals and sacrifices
Makin’ deals with the Devil in exchange to be the nicest
You dead like your flesh was eaten by maggots and lices
We’ve all witnessed the change, now nobody wanna be righteous
The days we live is dark and unquestionably a crisis
The Devil tried to plant the fear from when we was in diapers
And some grew up possessed, staring in the Eye of Osiris
Now I know you see this sh*t while you sit and wonder what happened
It’s strange how niggas brandish devil worship like a fashion
The signs of the times, clouds from the heavens open
Where birds fall from the sky and fish die in the ocean
Now who you think you foolin’? We seein’ the way you’re movin’
I hope you take the time to start thinkin’ ’bout what you’re doin’
You’re playin’ with a match that can grow into an inferno
Undescribable, the burn when the fire’s feelin’ eternal
I hope you document this and write it down in your journal
And read it back to yourself while overcomin’ your hurdles
Now trust me and be careful of who you let in your circle
‘Cause the Devil f*cks a life and will breed the p*ssy that’s fertile
I know it’s gettin’ cold and you’re fightin’ the war internal
Body decayin’, turnin’ all grey and blue, even purple
You portray a lotta shit with no rehearsal
But in life, we don’t rehearse, what you do can come back and hurt you
And until then, watch how the Devil will work through
Look at what you’ve become and what the Devil gave birth to
And when it hits the fan, you’ll be wonderin’ where your folks went
Your n*ggas’ll disappear when the science gets kinda potent
I’m just buildin’, I ain’t mean to give an earful
Just carryin’ out my duty, everybody just be careful (Be careful)
In this intense verse, Busta talks about artists’ visuals “looking like rituals and sacrifices”. This is easily verifiable. For the past 11 years, The Vigilant Citizen has been documenting the occult and satanic imagery found in rap videos with loads of screenshots and references. Busta says that they used to be subtle, but now they “display it major”. That is 100% true.
Ironically enough, despite the messages found in ELE2, Busta Rhymes himself ended up being accused of being satanic.
Controversial Promo
On October 7th, Busta released a promotional video titled THE PROPHECY WILL BE FULFILLED. Directed by industry veteran Sam Lecca, the video takes place in a church where something unholy is happening.
Nearly all of the comments on YouTube accuse that video of being satanic. This is the top comment right now.
So, what’s exactly the message of this video? In his song Satanic, Busta talks about ritualistic videos and even wonders what happened to Christian-themed songs such as Kanye West’s Jesus Walks. But then, he releases this promo video where a Catholic mass is portrayed as a demonic rite.
Some answers can be found by better understanding the heavy influence of the Five-Percent Nation on Busta Rhymes’ works.
Five Percent Influence
The Five Percent Nation – also known as Nation of Gods and Earths (NGE) – was founded in 1964 by Clarence 13X, a minister of the Nation of Islam (NOI) who was working under the tutelage of Malcolm X. After years within the organization, Clarence 13X created an offshoot to the NOI because he rejected the teaching that Wallace Fard Muhammad (the mysterious founder of the NOI) was God incarnate. Instead, Clarence 13X taught his students that the black man (individually and collectively) is God. Conversely, white people are “devils” and their technology is actually “tricknology” that will not stand the test of time.
Members of the group call themselves Allah’s Five-Percenters because they believe that only ten percent of the people in the world know the truth of existence. These elites and their agents keep eighty-five percent of the world in ignorance and under control. The remaining five percent are those who know the truth and are given the mission to enlighten the eighty-five percent. They are known as the “poor righteous teachers”.
While the NGE is said to be close to Islam, its teachings are actually much closer to esoteric schools such as Freemasonry. Indeed, Five-Percenters are taught that there is no “mystery God” and that the “Original Man” can become a god through “knowledge of self”. This concept is similar to the hermetic axiom “Know Thyself” taught in Mystery Schools such as Freemasonry. By affirming that divinity can be obtained on Earth through knowledge, disciple, and enlightenment, the NGE is philosophically closer to Gnosticism rather than traditional religions. In other words, the NGE does not believe in a god but instead teaches a form of apotheosis where the Asiatic black man is God and his proper name is “Allah”, the Arabic word for “God”.
The NGE also teaches its followers arcane systems called Supreme Mathematics and Supreme Alphabet as keys to understanding how man relates to the universe. This concept is similar to systems of numerology found in Freemasonry. For instance, in Supreme Mathematics, the number 7 and the letter G (the 7th letter of the alphabet) are associated with God.
While Freemasonry is a rigid secret society that recruits the local elites within its ranks, the NGE is a community-based organization that attracts disenfranchised men and inmates in urban areas.
Probably for this reason, a long list of rappers joined the ranks of the NGE, especially in the 1990s. Artists such as Rakim, Busta Rhymes, Jay Electronica, the entire Wu-Tang Clan, Erykah Badu, Jay-Z, Nas, and many others integrated NGE concepts and symbolism into their lyrics while heavily influencing hip-hop slang in general. Expressions such as “word is bond”, “peace”, “cipher”, “dropping science”, “dropping knowledge”, and calling each other “god” all originate from the NGE.
Busta Rhymes is one of the most prominent representatives of the NGE in hip-hop. And his latest album ELE2 is heavily infused with its philosophy.
Busta’s verse on the ELE2 intro is pure NGE. It begins like this:
Well, it’s the God (Yes), no illusions
Blessings while I greet y’all in the absence of confusion
With science to spark the mind with thoughts of greater living
It gets deeper than secrets in Masonic symbolism
And I understand if you can find it extremely hard to calculate it
As dude who refer to himself as God, let me demonstrate it
Through this verse, one understands the album’s subtitle The Wrath of God is actually a reference to Busta himself. More NGE references are found later in the verse:
But I’m addicted to exposing the truth, it’s a habit
Since a youngin’ using a pencil to write the mathematics
Incorporating the science while I give you the classics
While some’ll find it strange and resort to measures that’s drastic
I articulate with clarity, reassure when you hear this
Some identify me as cuckoo or conspiracy theorist
With all of that being said, we can now better understand the reasoning behind the promotional video featuring an evil priest. Here’s an excerpt from an NGE FAQ that explains how the Nation perceives organized religion in general.
“Clarence 13 X taught that eighty-five percent of the population is made up of ignorant, unlearned and uncivilized people who need to be led (mostly churchgoers). This eighty-five percent are believed to have “no knowledge of self”. Ten percent of the population have SOME knowledge of self (i.e. the real truth), however they use this knowledge to wield control over the eighty-five percent instead of “liberating” them (most baptist preachers including Rev. Jesse Jackson are believed to be in this category). Lastly, he considered the five percent to be those who do possess knoweldge of themselves, their origins and the way the world system really is — and additionnally, the way in which the new world order will come about. Their job/mission is to educate the eighty-five percent to what this hidden or veiled knowledge really is.”
– Nation of Gods and Earths FAQ
This FAQ explains why the Catholic priest was portrayed as an evil figure. According to Five-Percenters, preachers in traditional religions actually help the elite keep the 85% in ignorance.
In Conclusion
Analyzing the works of veteran artists such as Busta Rhymes is a different task than analyzing regular pop stars. These artists usually have full creative control of their works and their messages are often an amalgamation of the various influences in their lives. Busta Rhymes’ ELE2 contains a wealth of messages about the pandemic, the New World Order, and satanism in the music industry. However, to fully understand the album’s meaning, one must first understand the NGE philosophy that permeates it.
As exemplified by the YouTube comments on Busta’s promo video, NGE philosophy is rather divisive and controversial. Its teachings about the nature of God, the role of religion, and the origins of white people are bound to be received with anger and skepticism by many, including religious black people. Furthermore, some might argue that all of this divisiveness only serves the elite’s favorite tactic: Divide and conquer. On the other hand, those who were around during the NGE’s 90s heyday say that the organization actually had a positive influence on black men by creating a community focused on truth-seeking and general righteousness which helped them turn away from gangs, drugs, and crime.
In short, I’ll leave the task of judging the NGE and everything around it to God. And I’m not God. Meanwhile, we should probably all set our differences aside and focus on a common foe: A satanic elite that is creating a dystopian new world order right before our eyes.
P.S. The economic crisis caused by COVID-19 has caused a massive drop in advertising revenues, making it difficult for independent websites such as The Vigilant Citizen to remain afloat. If you appreciated this article, please consider showing your support through a small monthly donation on Patreon. If you prefer, you can also make a one-time donation here. Your support will help this site navigate these difficult times as it continues to provide vital information and analysis on a regular basis. Thank you!


vigilantcitizen--2020-12-01--A 2019 “Project Runway” Contestant Named Kovid Presented a Facemask Outfit (video)

Project Runway is a reality TV show about fashion design where contestants compete to create the best outfits .
The show ’ s finalists prepare complete fashion collections for New York Fashion Week and , ultimately the judges choose a winner .
If this description caused you to yawn in a prolonged and aggressive matter , I understand completely .
However , an episode of the 17th season of that show that aired on March 28th , 2019 is ( in today ’ s context ) completely mind-boggling .
In one segment , a contestant named Kovid Kapoor proudly presented @ @ @ @ @ @ @ .
Here ’ s the video : In this video , the judge says “ I looove Kovid ’ s look ” .
It ’ s almost as if she was talking about the facemask look of the COVID pandemic .
She then asks the model to put the mask back on .
When one judge asks “ What do you think of this mask ?
” , another judge answers “ It ’ s sick ” .
I realize that it ’ s an expression , but the choice of words remains @ @ @ @ @ @ @ “ Can you breathe in there ?
” .
One year later , a virus named COVID caused governments across the world to force people to wear facemasks .
Also , in a weasely and underhanded matter , several un-elected “ officials ” have been hinting at the fact that mask mandates might remain effective after the pandemic .
Since then , countless fashion designers created outfits with matching masks .
Is this all a crazy , insane coincidence ?
Or is it yet another case of predictive programming ?
In the past @ @ @ @ @ @ @ products that predicted COVID-19 in bizarrely accurate detail such as the book The Eyes of Darkness , the movie Contagion , The Simpsons ‘ clip about a “ cat flu ” , and the series Utopia .
Is this Project Runway episode yet another example of the elite slyly preparing the public for its plans , maybe on a subconscious level ?
At the very least , there appears to be some synchronicity at play here .
Coined by Carl Jung , synchronicity is defined as “ the simultaneous occurrence of events which @ @ @ @ @ @ @ causal connection ” .
Jung described these events as “ meaningful coincidences ” .
He also believed that they happened for a reason .
Perhaps , the universe is , somehow , trying to tell us something .
Like , maybe , that there are dark forces at play around this COVID crisis .
P.S .
The economic crisis caused by COVID-19 has caused a massive drop in advertising revenues , making it difficult for independent websites such as The Vigilant Citizen to remain afloat .
If you appreciated this article , please @ @ @ @ @ @ @ monthly donation on Patreon .
If you prefer , you can also make a one-time donation here .
Your support will help this site navigate these difficult times as it continues to provide vital information and analysis on a regular basis .
Thank you !

Project Runway is a reality TV show about fashion design where contestants compete to create the best outfits. The show’s finalists prepare complete fashion collections for New York Fashion Week and, ultimately the judges choose a winner. If this description caused you to yawn in a prolonged and aggressive matter, I understand completely.
However, an episode of the 17th season of that show that aired on March 28th, 2019 is (in today’s context) completely mind-boggling.
In one segment, a contestant named Kovid Kapoor proudly presented an outfit that featured a matching facemask. Here’s the video:
In this video, the judge says “I looove Kovid’s look”. It’s almost as if she was talking about the facemask look of the COVID pandemic.
She then asks the model to put the mask back on. When one judge asks “What do you think of this mask?”, another judge answers “It’s sick”. I realize that it’s an expression, but the choice of words remains stupefying. That same judge also says “Can you breathe in there?”.
One year later, a virus named COVID caused governments across the world to force people to wear facemasks. Also, in a weasely and underhanded matter, several un-elected “officials” have been hinting at the fact that mask mandates might remain effective after the pandemic. Since then, countless fashion designers created outfits with matching masks.
Coincidence?
Is this all a crazy, insane coincidence? Or is it yet another case of predictive programming? In the past months, I highlighted several pop culture products that predicted COVID-19 in bizarrely accurate detail such as the book The Eyes of Darkness, the movie Contagion, The Simpsons‘ clip about a “cat flu”, and the series Utopia. Is this Project Runway episode yet another example of the elite slyly preparing the public for its plans, maybe on a subconscious level?
At the very least, there appears to be some synchronicity at play here.
Coined by Carl Jung, synchronicity is defined as “the simultaneous occurrence of events which appear significantly related but have no discernible causal connection”. Jung described these events as “meaningful coincidences”. He also believed that they happened for a reason. Perhaps, the universe is, somehow, trying to tell us something. Like, maybe, that there are dark forces at play around this COVID crisis.
P.S. The economic crisis caused by COVID-19 has caused a massive drop in advertising revenues, making it difficult for independent websites such as The Vigilant Citizen to remain afloat. If you appreciated this article, please consider showing your support through a small monthly donation on Patreon. If you prefer, you can also make a one-time donation here. Your support will help this site navigate these difficult times as it continues to provide vital information and analysis on a regular basis. Thank you!


vigilantcitizen--2020-12-10--Symbolic Pics of the Month 12/20

Symbolic Pics of the Month 12/20

P.S .
The economic crisis caused by COVID-19 has caused a massive drop in advertising revenues , making it difficult @ @ @ @ @ The Vigilant Citizen to remain afloat .
If you appreciated this article , please consider @ @ @ @ @ small monthly donation on Patreon .
If you prefer , you can also make a @ @ @ @ @ support will help this site navigate these difficult times as it continues to provide vital @ @ @ @ @ regular basis .
Thank you !

P.S. The economic crisis caused by COVID-19 has caused a massive drop in advertising revenues, making it difficult for independent websites such as The Vigilant Citizen to remain afloat. If you appreciated this article, please consider showing your support through a small monthly donation on Patreon. If you prefer, you can also make a one-time donation here. Your support will help this site navigate these difficult times as it continues to provide vital information and analysis on a regular basis. Thank you!


vigilantcitizen--2020-12-15--The Occult Symbolism of the Vatican’s 2020 Nativity Scene

On December 11th , the Vatican unveiled its 2020 Nativity scene in St-Peter ’ s Square .
And , once the red drape covering the scene was removed , the crowd discovered a towering , brutalist , and totem-like Angel Gabriel staring back at them , along with an astronaut and a masked executioner ( yes , those guys who kill people who are sentenced to death ) .
Let ’ s say that the applause following the unveiling was “ polite ” .
Here are some pictures of the Nativity scene .
In a press release , a Vatican @ @ @ @ @ @ @ aims to be a sign of hope and faith for the whole world especially in this difficult time due to the COVID-19 health emergency.
” But this thing did not bring “ hope and faith ” at all .
In fact , nearly all observers absolutely hated it .
It is almost as if the Vatican created – on purpose – something that is so ugly that it causes devout Christians to hate piece depicting the birth of Jesus .
Satanists wouldn ’ t have done better .
Titled “ Monumental Nativity ” @ @ @ @ @ @ @ between 1965 and 1975 by students and teachers from the FA Grue Art School in Castelli , Italy .
The original work contained over 50 pieces , but only a few were selected for the Vatican ’ s Nativity scene and they chose an executioner wearing a horned mask .
“ Monumental Nativity ” is said to be a tribute to the world-renowned ceramic works of the Abruzzo region while giving a post-modern twist to the classic Nativity scene .
Speaking with a local newspaper , Italian art historian Andrea Cionci asked if @ @ @ @ @ @ @ masterpiece ” .
“ Forget the sweet face of the Madonna , the tender , luminous incarnation of the Child Jesus , the paternal sweetness of St. Joseph and the devout wonder of the shepherds .
For the first time in the middle of Bernini ’ s colonnade , the Vatican has erected a brutally postmodern work dating back to the sixties .
In the choice of this crib , all the themes of Francis ’ pontificate are recognized : Above all , heavy modernism and a drastic break with Tradition .
The @ @ @ @ @ @ @ and ferocious Samnites , ancestors of the Abruzzese , who had a pantheistic , animist , fetishist , magical religion , a bit like the Andean fertility goddess Pachamama .
Castelli ’ s “ Nativity scene ” is an outdated work and the product of a strongly ideological art school .
The work offers an image of Castelli ’ s ceramics that most certainly does not correspond to reality , given that this admirable art is famous for its formal elegance and exquisite , delicate decorative inspiration that are completely absent here .
@ @ @ @ @ @ @ and Sumerian sculptures of the characters suggest the liberal historical-critical method of interpreting Scripture .
Liberal biblical scholars have hypothesized various aspects of the Bible as adaptations of pagan cultures rather than the result of divine revelation.
” Although “ ugliness ” is subjective , this Nativity scene nearly goes out of its way to be as unpleasant to the eye as possible which , in turn , is unpleasant to the soul .
The least one can say is that this scene is anti-devotional .
I mean , who would actually pray @ @ @ @ @ @ @ ’ t .
And that ’ s kind of the goal of the twisted minds behind this thing .
Furthermore , beyond its overall ugliness , the Nativity scene also contains many symbols and historical references that convey a rather blatant message : This is actually an anti-Nativity scene .
Usually , the center focus of Nativity scenes is baby Jesus .
However , in this thing , Baby Jesus is basically a random toddler , just standing there , looking like a giant cork .
The center focus of this piece is @ @ @ @ @ @ @ .
He is surrounded by a massive aureola while Jesus is still standing there looking like a giant cork .
Furthermore , the angel towers over everything atop a rib ribbed pillar .
The overall shape of this pillar is highly reminiscent of an important symbol in Ancient Egypt : The Djed pillar .
The djed is a common symbol in Ancient Egypt and is believed to represent the god Osiris , more specifically his spine .
While this symbol probably bears an esoteric meaning relating to the chakras ( which are said @ @ @ @ @ @ @ , the djed is also phallic in nature and associated with fertility rites .
In fact , the “ raising of the djed ” was an important ceremony in Ancient Egypt .
Did the Vatican deceptively make its believers witness a “ raising of the djed ” ceremony ?
One thing is for sure , the Egyptian influence of this Nativity scene blends well with what ’ s immediately behind it .
The general layout of the Vatican is Egyptian magic in plain sight .
The phallic obelisk ( representing Osiris and the @ @ @ @ @ @ @ of the St. Peter ’ s Basilica ( representing Isis and the female principle ) .
The same exact layout can be found in various power centers of the world , including Washington DC .
In Egyptian magic , the union of male and female principles ( Osiris and Isis ) produces a “ star child ” ( Horus ) .
In esoteric terms , that star child is potent magical energy .
So the Vatican has an obelisk and a dome .
Where ’ s the star that completes this trinity ?
@ @ @ @ @ @ @ have to look from above .
Speaking of outer-space stuff , the Vatican ’ s Nativity scene also features an astronaut .
Why ?
God knows .
Considering the fact that this figure was created between 1965 and 1975 , it might be a reference to the moon landing of 1969 .
But why , in 2020 , did the Vatican select this thing to stand next to Jesus ?
Even more baffling , why is there an executioner wearing a horned mask standing next to Jesus ?
In ancient times , executioners @ @ @ @ @ @ @ condemned persons by chopping their heads off .
In some cases , they wore grotesque masks with macabre and menacing traits to further terrify the prisoners while depersonalizing them as an individual .
In short , that ’ s a bizarre figure to place next to a newborn baby Jesus , especially considering the fact that Jesus himself was ultimately sentenced to death .
Apparently , this guy is there to represent the Vatican ’ s “ opposition to the death penalty ” .
That ’ s a pretty weak argument that barely @ @ @ @ @ @ @ I ’ m pretty sure that the Vatican is also against crystal meth .
Should they also add a meth dealer to the Nativity scene as well ?
In a scene that is literally called “ Nativity ” , this horned figure represents death .
It is the antithesis of a “ Nativity ” .
I don ’ t think that Satanists would have done a better job desecrating a scene representing the birth of Jesus .
In a way , this year ’ s Nativity scene is a sad reflection of the @ @ @ @ @ @ @ of expressionless and socially-distanced figures who do not interact with each other while standing under the neon glow of phone and computer screens .
It also reflects how the occult elite reared its ugly head this year , poisoning every aspect of our lives with its toxic agenda .
Through a display that is thoroughly anti-Christian , the elite sought to prove that its toxic ideology is also embedded in the Vatican .
While “ Monumental Nativity ” was created decades ago , it was selected for this year ’ s 2020 Nativity @ @ @ @ @ @ @ contains specific symbols while conveying a specific energy .
Like everything else that happened this year , this scene is about showcasing the control of the elite and the demoralization of the masses .
P.S .
The economic crisis caused by COVID-19 has caused a massive drop in advertising revenues , making it difficult for independent websites such as The Vigilant Citizen to remain afloat .
If you appreciated this article , please consider showing your support through a small monthly donation on Patreon .
If you prefer , you can also make @ @ @ @ @ @ @ will help this site navigate these difficult times as it continues to provide vital information and analysis on a regular basis .
Thank you !

On December 11th, the Vatican unveiled its 2020 Nativity scene in St-Peter’s Square. And, once the red drape covering the scene was removed, the crowd discovered a towering, brutalist, and totem-like Angel Gabriel staring back at them, along with an astronaut and a masked executioner (yes, those guys who kill people who are sentenced to death).
Let’s say that the applause following the unveiling was “polite”. Here are some pictures of the Nativity scene.
In a press release, a Vatican City Governorate announced that the manger “aims to be a sign of hope and faith for the whole world especially in this difficult time due to the COVID-19 health emergency.”
But this thing did not bring “hope and faith” at all. In fact, nearly all observers absolutely hated it.
It is almost as if the Vatican created – on purpose – something that is so ugly that it causes devout Christians to hate piece depicting the birth of Jesus. Satanists wouldn’t have done better.
Weaponized Ugliness
Titled “Monumental Nativity”, this Nativity scene was originally created between 1965 and 1975 by students and teachers from the FA Grue Art School in Castelli, Italy. The original work contained over 50 pieces, but only a few were selected for the Vatican’s Nativity scene and they chose an executioner wearing a horned mask.
“Monumental Nativity” is said to be a tribute to the world-renowned ceramic works of the Abruzzo region while giving a post-modern twist to the classic Nativity scene.
Speaking with a local newspaper, Italian art historian Andrea Cionci asked if it was a “nightmare or a masterpiece”.
“Forget the sweet face of the Madonna, the tender, luminous incarnation of the Child Jesus, the paternal sweetness of St. Joseph and the devout wonder of the shepherds. For the first time in the middle of Bernini’s colonnade, the Vatican has erected a brutally postmodern work dating back to the sixties. In the choice of this crib, all the themes of Francis’ pontificate are recognized: Above all, heavy modernism and a drastic break with Tradition. The figures resemble the masks of the ancient and ferocious Samnites, ancestors of the Abruzzese, who had a pantheistic, animist, fetishist, magical religion, a bit like the Andean fertility goddess Pachamama. Castelli’s “Nativity scene” is an outdated work and the product of a strongly ideological art school. The work offers an image of Castelli’s ceramics that most certainly does not correspond to reality, given that this admirable art is famous for its formal elegance and exquisite, delicate decorative inspiration that are completely absent here. The references to the Greek, Egyptian and Sumerian sculptures of the characters suggest the liberal historical-critical method of interpreting Scripture. Liberal biblical scholars have hypothesized various aspects of the Bible as adaptations of pagan cultures rather than the result of divine revelation.”
Although “ugliness” is subjective, this Nativity scene nearly goes out of its way to be as unpleasant to the eye as possible which, in turn, is unpleasant to the soul. The least one can say is that this scene is anti-devotional. I mean, who would actually pray to this thing? You just can’t. And that’s kind of the goal of the twisted minds behind this thing.
Furthermore, beyond its overall ugliness, the Nativity scene also contains many symbols and historical references that convey a rather blatant message: This is actually an anti-Nativity scene.
Anti-Nativity
Usually, the center focus of Nativity scenes is baby Jesus. However, in this thing, Baby Jesus is basically a random toddler, just standing there, looking like a giant cork.
The center focus of this piece is not Jesus but rather the angel Gabriel. He is surrounded by a massive aureola while Jesus is still standing there looking like a giant cork. Furthermore, the angel towers over everything atop a rib ribbed pillar. The overall shape of this pillar is highly reminiscent of an important symbol in Ancient Egypt: The Djed pillar.
The djed is a common symbol in Ancient Egypt and is believed to represent the god Osiris, more specifically his spine. While this symbol probably bears an esoteric meaning relating to the chakras (which are said to be based on the spine), the djed is also phallic in nature and associated with fertility rites. In fact, the “raising of the djed” was an important ceremony in Ancient Egypt.
The raising of the djed ceremony is meant to represent Osiris’ triumph over Set. During the ceremony, the pharaoh uses ropes to raise a pillar, with the assistance of priests. This coincided with the time of year when the agricultural year began and fields were sown. This was just one part of a 17-day holiday of festivals dedicated to Osiris. Overall, the raising the djed ceremony represented both the resurrection of Osiris, and the strength and stability of the monarch.
– Ancient Origins, The sacred symbol of the Djed pillar
Did the Vatican deceptively make its believers witness a “raising of the djed” ceremony? One thing is for sure, the Egyptian influence of this Nativity scene blends well with what’s immediately behind it.
The general layout of the Vatican is Egyptian magic in plain sight. The phallic obelisk (representing Osiris and the male principle) faces the womb-like dome of the St. Peter’s Basilica (representing Isis and the female principle). The same exact layout can be found in various power centers of the world, including Washington DC.
In Egyptian magic, the union of male and female principles (Osiris and Isis) produces a “star child” (Horus). In esoteric terms, that star child is potent magical energy.
So the Vatican has an obelisk and a dome. Where’s the star that completes this trinity? It’s there, but we have to look from above.
Speaking of outer-space stuff, the Vatican’s Nativity scene also features an astronaut. Why? God knows.
Considering the fact that this figure was created between 1965 and 1975, it might be a reference to the moon landing of 1969. But why, in 2020, did the Vatican select this thing to stand next to Jesus?
Even more baffling, why is there an executioner wearing a horned mask standing next to Jesus?
In ancient times, executioners carried out the death sentences of legally condemned persons by chopping their heads off. In some cases, they wore grotesque masks with macabre and menacing traits to further terrify the prisoners while depersonalizing them as an individual. In short, that’s a bizarre figure to place next to a newborn baby Jesus, especially considering the fact that Jesus himself was ultimately sentenced to death.
According to Religion News Service, the executioner is there to represent the Vatican’s opposition to the death penalty. That’s a pretty weak argument that barely makes any sense. I mean, I’m pretty sure that the Vatican is also against crystal meth. Should they also add a meth dealer to the Nativity scene as well?
In a scene that is literally called “Nativity”, this horned figure represents death. It is the antithesis of a “Nativity”. I don’t think that Satanists would have done a better job desecrating a scene representing the birth of Jesus.
In Conclusion
In a way, this year’s Nativity scene is a sad reflection of the year 2020. It is a collection of expressionless and socially-distanced figures who do not interact with each other while standing under the neon glow of phone and computer screens.
It also reflects how the occult elite reared its ugly head this year, poisoning every aspect of our lives with its toxic agenda. Through a display that is thoroughly anti-Christian, the elite sought to prove that its toxic ideology is also embedded in the Vatican.
While “Monumental Nativity” was created decades ago, it was selected for this year’s 2020 Nativity scene for a specific reason: It contains specific symbols while conveying a specific energy. Like everything else that happened this year, this scene is about showcasing the control of the elite and the demoralization of the masses.
P.S. The economic crisis caused by COVID-19 has caused a massive drop in advertising revenues, making it difficult for independent websites such as The Vigilant Citizen to remain afloat. If you appreciated this article, please consider showing your support through a small monthly donation on Patreon. If you prefer, you can also make a one-time donation here. Your support will help this site navigate these difficult times as it continues to provide vital information and analysis on a regular basis. Thank you!


vigilantcitizen--2020-12-22--2020 Was a True “Annus Horribilis” … But 2021 Will Be Crucial

Every holiday season , I like to post an article summing up the events of the past twelve months while attempting to put things in perspective .
However , this end-of-year feels like arriving home , exhausted , after a terrible day at work and your spouse is all like “ How was your day ?
” and you ’ re all like “ I DON ’ T WANT TO TALK ABOUT IT ” while throwing yourself headfirst on the couch .
But then , after having dinner and maybe a glass of wine , you realize that you do @ @ @ @ @ @ @ fact , you ’ re not shutting up about it .
Because you feel the need to analyze everything that went wrong in order to know how to tackle the next day .
As we reach the end of a bonafide annus horribilis ( “ horrible year ” in Latin ) , it is more important than ever to relax , take a deep breath , and assess what happened this year .
Because a whole lot of crap happened .
Then a truck came and dropped about two tons of crap on @ @ @ @ @ @ @ flew by and crapped on it .
Like all horrible days , 2020 felt like it lasted forever .
One of the first articles I published this year was about Kobe Bryant ’ s death in a helicopter crash .
That was back in January … but it feels like it happened about a decade ago .
Little did we know that our entire world would come crashing down only a few weeks later .
2020 was a suffocating year , literally and figuratively .
It all started with COVID panic which led @ @ @ @ @ @ @ same air as other people .
Then it was all about shutting down the entire world because there weren ’ t enough respirators in hospitals .
For about a month , COVID hysteria stopped miraculously as mass media wanted us to focus on the death of George Floyd who was killed by … asphyxiation .
And some of his last words were “ I can ’ t breathe ” .
Then it was right back to COVID hysteria and an obsession with putting masks on everyone ’ s faces , impending the breathing @ @ @ @ @ @ @ lockdowns also lead to the slow yet steady suffocation of small and medium businesses , putting millions of people out of work while elite-owned mega-corporations raked in billions .
Finally , at the time of writing these lines , Christmas is literally canceled in many parts of the world , and an ever-expanding police state is steadily suffocating what remains of freedom as we once knew it .
Since I am not a scientist , I honestly don ’ t know if COVID is grossly overblown or not , if lockdowns are truly @ @ @ @ @ @ @ or not , or if these vaccines are safe or not .
What I do know is that society took a sharp and abrupt turn towards a totalitarian world government this year , in every single way possible .
First , the pandemic drastically altered the role and the functioning of local and national governments .
Indeed , as soon as the virus left China , nearly every government body on Earth nominated a “ health czar ” who was in charge of COVID-related policies .
These non-elected individuals openly based their policies @ @ @ @ @ @ @ Health Organization , an appendage of the United Nations .
Guess who became the main contributor of the WHO since the U.S. withdrew its support : The Bill and Melinda Gates Foundation .
Therefore , a direct pipeline was created between the United Nations ( a supra-national organization ) and local governments across the world while bypassing duly elected governments .
Through these non-elected , WHO-backed “ health czars ” , a long list of unprecedented measures and restrictions were imposed on billions of individuals .
And , whether it was intentional or @ @ @ @ @ @ @ custom-made to weaken , impoverish and demoralize populations on a massive scale .
None of this would have been possible without the complete collaboration of mass media which engaged in a massive campaign of fear and terror while suppressing any opinion or information that was not in line with the elite ’ s agenda .
For over a decade , The Vigilant Citizen has been documenting the potent yet destructive effects of mass media on the masses .
The “ Read This First ” article of this site ( “ How Mass Media @ @ @ @ @ @ @ the philosophy of those who invented the science of Communications .
While , at first , mass media was mainly used to create a culture of consumerism , it turned into a whole other monster in the 21st century .
As the propaganda arm of the global elite , mass media is now all about fear , hate , division , and unquestioned compliance .
“ Entertainment ” has turned into a cesspool of toxic content that is literally damaging to the mind and the soul .
This year , any illusion of @ @ @ @ @ @ @ ” completely vanished .
Tech giants such a Twitter , Facebook , and YouTube engaged in shameless censorship of some information while heavily promoting information that is highly questionable .
Do you know what WASN ’ T censored this year ?
Cuties , a movie that glorified the sexualization of children .
That abomination actually received mass media praise .
While , in past years , this toxicity could be avoided and counter-balanced , the events of 2020 lead to the supremacy of mass media in the minds of men .
Indeed , @ @ @ @ @ @ @ dissolved the main competition of mass media : Family , community , culture , tradition , folklore , and religion .
Through these social entities , people develop an identity and a value system that acts as a wall against mass media propaganda .
But this year , drastic measures ( enforced by police repression ) broke up families , groups , and communities .
Humans were reduced to a collection of individuals who were encouraged to stay apart , stay home , and consume mass media through screens .
Through oppressive measures @ @ @ @ @ @ @ took giant steps in achieving these goals : • Turn citizens against each other , turning them into N -- i-era-style informants • Create confusion about the building blocks of life such as gender • Normalize abhorrent practices such as pedophilia and trauma-based mind control • Force the masses to rely on heavily censored and monitored technology for information , entertainment , and communication • Use race , gender , and political affiliation to drive a wedge in populations in order to manipulate them with ease • Demoralize the general population by replacing @ @ @ @ @ @ @ synthetic substitutes In short , there ’ s an all-out , multi-faceted war against humanity that is bent on turning it against everything that is good , pure , and in harmony with nature .
By creating a generation of people with no firm values , convictions , and traditions , the elite looking to shape and mold it according to its will .
With all of that being said , there ’ s actually some good news .
First , the annus horribilis that was 2020 is coming to an end .
@ @ @ @ @ @ @ the vigilance of millions of people who suddenly realized that freedom is not granted and that a shady elite is truly looking to create a dystopian world order .
Finally , one way or another , this God-forsaken virus will need to subside .
And once that happens , the situation will be critical .
In 2020 , a bunch of freedom-killing and soul-crushing measures were imposed on the world .
They were met with little resistance because many believe that these measures were justified due to the pandemic .
However , all @ @ @ @ @ @ @ this one does , there will be absolutely no reason for any of these measures to remain .
And it will be up to us to make sure that EVERY SINGLE measure that was imposed in 2020 to be gone forever .
The IRS was introduced in the United States as a temporary measure .
Over a century later , it isn ’ t going anywhere .
Do you want lockdowns , curfews , mask mandates , and state surveillance to become permanent as well ?
Because some places are already preparing bills @ @ @ @ @ @ @ gone .
Here are some of the things we need to see in 2021 : The removal of all restrictions regarding gatherings ; The unconditional reopening of all businesses and establishments ; The complete removal of unelected “ health czars ” from the public space ; The complete butting out of governments from personal affairs ; The removal of all mask-related mandates ; The complete removal of all restrictions on travel and freedom of movement ; The shunning of the “ shame-and-snitch ” culture that spread this year .
If these awful things @ @ @ @ @ @ @ we ’ ll be in a heap of trouble .
For this reason , we ’ ll all need to be “ vigilant citizens ” and make sure that every single right and freedom that was taken gets fully restored .
And then some .
More Vigilant Than Ever In 2021 , I will do my best to provide information and analysis that will help us navigate this crucial year .
The site has met loads of challenges in the past months as underhanded censorship has reduced this site ’ s visibility in @ @ @ @ @ @ @ , a great number of articles were demonetized by ad networks in what seems to be an attempt at suffocating this site by killing its sources of revenue .
Luckily , the generous support from Vigilant Citizens worldwide allowed this site to remain online and provided the resources necessary to keep conducting research and creating quality content .
So , here ’ s a gigantic THANK YOU to every single VC reader who sent in a one-time donation , became a patron on Patreon , or purchased the VC e-book .
Your support @ @ @ @ @ @ @ site to keep going on its mission to open eyes and seek the Truth .
Although I do realize that the articles ( and the world in general ) were extremely bleak this year , now is not the time to get all down and depressed .
2021 will be a crucial year – one that might define history for years to come .
While 2020 was a true annus horribilis , I ’ d like to share with you another Latin expression : Annus mirabilis .
That means “ wonderful year ” @ @ @ @ @ @ @ wish to every single one of you for 2021 .
You deserve it .
Merry Christmas , happy new year and see you next year !
P.S .
The economic crisis caused by COVID-19 has caused a massive drop in advertising revenues , making it difficult for independent websites such as The Vigilant Citizen to remain afloat .
If you appreciated this article , please consider showing your support through a small monthly donation on Patreon .
If you prefer , you can also make a one-time donation here .
Your support will @ @ @ @ @ @ @ as it continues to provide vital information and analysis on a regular basis .
Thank you !

Every holiday season, I like to post an article summing up the events of the past twelve months while attempting to put things in perspective. However, this end-of-year feels like arriving home, exhausted, after a terrible day at work and your spouse is all like “How was your day?” and you’re all like “I DON’T WANT TO TALK ABOUT IT” while throwing yourself headfirst on the couch.
But then, after having dinner and maybe a glass of wine, you realize that you do feel like talking about it. In fact, you’re not shutting up about it. Because you feel the need to analyze everything that went wrong in order to know how to tackle the next day.
As we reach the end of a bonafide annus horribilis (“horrible year” in Latin), it is more important than ever to relax, take a deep breath, and assess what happened this year. Because a whole lot of crap happened. Then a truck came and dropped about two tons of crap on top of it. Then a bird flew by and crapped on it.
Like all horrible days, 2020 felt like it lasted forever. One of the first articles I published this year was about Kobe Bryant’s death in a helicopter crash. That was back in January … but it feels like it happened about a decade ago. Little did we know that our entire world would come crashing down only a few weeks later.
Suffocation
2020 was a suffocating year, literally and figuratively. It all started with COVID panic which caused widespread fear of breathing the same air as other people. Then, it was all about shutting down the entire world because there weren’t enough respirators in hospitals.
For about a month, COVID hysteria stopped miraculously as mass media wanted us to focus on the death of George Floyd who was killed by … asphyxiation. And some of his last words were “I can’t breathe”.
Then it was right back to COVID hysteria and an obsession with putting masks on everyone’s faces, impending the breathing of the entire world.
The never-ending lockdowns also lead to the slow yet steady suffocation of small and medium businesses, putting millions of people out of work while elite-owned mega-corporations raked in billions.
Finally, at the time of writing these lines, Christmas is literally canceled in many parts of the world, and an ever-expanding police state is steadily suffocating what remains of freedom as we once knew it.
A Giant Leap Towards a World Government
Since I am not a scientist, I honestly don’t know if COVID is grossly overblown or not, if lockdowns are truly necessary or not, if masks work or not, or if these vaccines are safe or not. What I do know is that society took a sharp and abrupt turn towards a totalitarian world government this year, in every single way possible.
First, the pandemic drastically altered the role and the functioning of local and national governments. Indeed, as soon as the virus left China, nearly every government body on Earth nominated a “health czar” who was in charge of COVID-related policies. These non-elected individuals openly based their policies on the guidelines set by the World Health Organization, an appendage of the United Nations (the main source of funding of the WHO since the U.S. withdrew its support: The Bill and Melinda Gates Foundation).
Therefore, a direct pipeline was created between the United Nations (a supra-national organization) and local health czars while bypassing duly elected governments. Through these non-elected, WHO-backed czars, a long list of unprecedented measures and restrictions were imposed on the world. And, whether it was intentional or not, these measures appear to be custom-made to weaken, impoverish and demoralize populations on a massive scale.
None of this would have been possible without the complete collaboration of mass media which engaged in a massive campaign of fear and terror while suppressing any opinion or information that was not in line with the elite’s agenda.
Mass Media Supremacy
For over a decade, The Vigilant Citizen has been documenting the potent yet destructive effects of mass media on the masses. The “Read This First” article of this site (“How Mass Media Shapes and Molds Society“) describes the philosophy of those who invented the science of Communications.
While, at first, mass media was mainly used to create a culture of consumerism, it turned into a whole other monster in the 21st century. As the propaganda arm of the global elite, mass media is now all about fear, hate, division, and unquestioned compliance. “Entertainment” has turned into a cesspool of toxic content that is literally damaging to the mind and the soul.
This year, any illusion of media sources being “fair and unbiased” completely vanished. Tech giants such a Twitter, Facebook, and YouTube engaged in shameless censorship while heavily promoting information that is highly questionable. But guess what they did NOT censor this year? Cuties, a movie that glorified the sexualization of children. That abomination actually received praise from the same people that want to keep you locked inside your house.
While, in past years, mass media toxicity could be avoided and counter-balanced, the events of 2020 lead to its supremacy. Indeed, severe lockdowns and bans on gatherings effectively dissolved the main competition of mass media: Family, community, culture, tradition, folklore, and religion. Through these social entities, people develop an identity and a value system that acts as a wall against mass media propaganda.
But this year, drastic measures (enforced by police repression) broke up families, groups, and communities. Humans were reduced to a collection of individuals who were encouraged to stay apart, stay home, and consume mass media through screens.
Through oppressive measures and mass media propaganda, the elite took giant steps in achieving these goals:
Impoverish the general population while enriching mega-conglomerates
Destroy mental health while promoting pills as a quick fix
Turn citizens against each other, turning them into Nazi-era-style informants
Break down families and communities
Create confusion about the building blocks of life such as gender
Normalize abhorrent practices such as pedophilia and trauma-based mind control
Destroy all belief systems (except satanism)
Force the masses to rely on heavily censored and monitored technology for information, entertainment, and communication
Use race, gender, and political affiliations to drive a wedge in populations in order to manipulate them with ease
Demoralize the general population by replacing true sources of happiness and fulfillment with synthetic substitutes
In short, there’s an all-out, multi-faceted war against humanity that is bent on turning it against everything that is good, pure, and in harmony with nature. By creating a generation of people with no firm values, convictions, and traditions, mass media propaganda can shape and mod attitudes and opinions with no interference.
With all of that being said, there’s actually some good news. First, the annus horribilis that was 2020 is coming to an end. Second, the events of 2020 raised the vigilance of millions of people who suddenly realized that freedom is not granted and that a shady elite is truly looking to create a dystopian world order. Finally, one way or another, this God-forsaken virus will need to subside. And once that happens, the situation will be critical.
2021: A Crucial Year
In 2020, a bunch of freedom-killing and soul-crushing measures were imposed on the world. They were met with little resistance because many believe that these measures are justified due to the pandemic. However, all pandemics eventually go away. And when this one does, there will be absolutely no reason for any of these measures to remain. And it will be up to us to make sure that EVERY SINGLE measure that was imposed in 2020 to be gone forever.
The IRS was introduced in the United States as a temporary measure. Over a century later, it isn’t going anywhere. Do you want lockdowns, curfews, mask mandates, and state surveillance to become permanent as well? Because some places are already preparing bills to legitimize oppression once the pandemic is gone.
Here are some of the things we need to see in 2021: The removal of all restrictions regarding gatherings; The unconditional reopening of all businesses and establishments; The complete removal of unelected “health czars” from the public space; The complete butting out of governments from personal affairs; The removal of all mask-related mandates; The complete removal of all restrictions on travel and freedom of movement; The shunning of the “shame-and-snitch” culture that spread this year.
If these awful things do not completely disappear in 2021, we’ll be in a heap of trouble. For this reason, we’ll all need to be “vigilant citizens” and make sure that every single right and freedom that was taken gets fully restored. And then some.
More Vigilant Than Ever
In 2021, I will do my best to provide information and analysis that will help us navigate this crucial year. The site has met loads of challenges in the past months as underhanded censorship has reduced this site’s visibility in search engines and social media. Furthermore, a great number of articles were demonetized by ad networks in what seems to be an attempt at suffocating this site by killing its sources of revenue.
Luckily, the generous support from Vigilant Citizens worldwide allowed this site to remain online and provided the resources necessary to keep conducting research and creating quality content. So, here’s a gigantic THANK YOU to every single VC reader who sent in a one-time donation, became a patron on Patreon, or purchased the VC e-book. Your support allowed this relatively small yet fiercely independent site to keep going on its mission to open eyes and to promote genuine truth-seeking.
Although I do realize that the articles (and the world in general) were extremely bleak this year, now is not the time to get all down and depressed. 2021 will be a crucial year – one that might define history for years to come.
While 2020 was a true annus horribilis, I’d like to share with you another Latin expression: Annus mirabilis. That means “wonderful year” and that’s exactly what I wish to every single one of you for 2021. You deserve it.
Merry Christmas, happy new year and see you next year!
Sincerely,
VC
P.S. The economic crisis caused by COVID-19 has caused a massive drop in advertising revenues, making it difficult for independent websites such as The Vigilant Citizen to remain afloat. If you appreciated this article, please consider showing your support through a small monthly donation on Patreon. If you prefer, you can also make a one-time donation here. Your support will help this site navigate these difficult times as it continues to provide vital information and analysis on a regular basis. Thank you!